Turn It Up and Lay It Down

SKU: HL.14034352

ISBN 9780711991217. 9.0x12.0x0.174 inches.

Step by step instructions for ABRSM and other singing exams. This book contains everything you need to progress to Grade 2 singing level. Including over 30 songs which can be used in your Grade 2 exam, with plenty of help and theory information throughout. There are also sections on warming-up, sight singing and an introduction to singing with other people.

SKU: HL.14034353

ISBN 9780711991712. 9.0x12.0x0.146 inches.

Step by step instructions for ABRSM and other singing exams. This book contains everything you need to progress to Grade 3 and includes over 30 songs which can be used in your exam. Includes sections on warming-up, sight singing and an introduction to singing with other people.

SKU: MB.31103M

ISBN 9781513468792. 8.75x11.75 inches.

Adam Granger self-published the first edition of Granger�??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book.

This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles.

There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book.

In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read.

The tunes in Granger�??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes.

The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other.

Also included in Granger�??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.

Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.

SKU: HL.1107786

ISBN 9781705177792. UPC: 196288103097. 9.0x12.0x0.382 inches.

Get ready for some play-along fun with your fellow pickers! Bluegrass Songs provides melody, lyrics and chord diagrams for five popular folk instruments in this new, easy to use format. Enjoy strumming and singing these bluegrass standards with any combo of friends who play ukulele, baritone ukulele, banjo, guitar, or mandolin. A great resource for stringed instrument players who are ready to experience the fun of making music together! This collection features a stellar lineup of 70 bluegrass standards everyone should know: Ballad of Jed Clampett • Blue Moon of Kentucky • I Am a Man of Constant Sorrow • The Long Black Veil • Nine Pound Hammer • Rocky Top • Roll in My Sweet Baby's Arms • Turn Your Radio On • Wabash Cannonball • Wayfaring Stranger • Will the Circle Be Unbroken • The Wreck of the Old '97 • You Are My Sunshine • and more.

SKU: HL.14023340

ISBN 9788759871911. 8.25x11.75x0.115 inches. English.

To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title aret, The Year): Michael's Night is based on an earlier, simple choral song (Star Mirror,1987), now for 12 voices and composed such that an original idea of simultaneously displaced, opposite motions cf. the poem) comes out as desired. Of the Nocturnes Norgard writes: Summer's Sleep wascomposed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of the summer of life, which is asleep - while the heaven seed waits for the summer wind (invisible to every mind). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep, summer dream. The second nocturne, Michael's Night, takes its name from the author Ib Michael, whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit, starlit night. With the titles I have chosen I have stressed the mythic layer of the text, the summer night not as a dream but as sensual reality. The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003, out of gratitude for over a quarter of a century of inspiring collaboration.

SKU: HL.365041

ISBN 9781705135259. UPC: 840126960624. 9.0x12.0x0.359 inches.

The Strum Together series enables players of five different instruments – or any combination of them – to “strum together” on 70 great songs. This new, easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. This collection includes 70 gospel/hymn favorites: Amazing Grace • Blessed Be the Name • Down by the Riverside • Great Is Thy Faithfulness • His Eye Is on the Sparrow • In the Garden • Just As I Am • Love Lifted Me • Nothing but the Blood • The Old Rugged Cross • Precious Memories • Rock of Ages • Shall We Gather at the River? • There Is a Balm in Gilead • What a Friend We Have in Jesus • When the Saints Go Marching In • and more.

SKU: PR.165000970

ISBN 9781491100462. UPC: 680160626717. 9x12 inches.

Commissione d by a consortium of 20 high school and university bands coordinated by Scott Hanna of the University of Texas at Austin, Downshifting is inspired by Welcher’s joy of bicycle riding. Welcher explains in the program note: When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting... With three gears on the front sprocket and seven on the rear, it’s possible to keep one’s legs going at a constant speed (for me, q = 126) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing Downshifting, which keeps the same mathematical inner pulse, ‘shifting’ (with a ratchet) as the terrain changes..
One of the joys of life for me is riding my 21-speed bicycle.  As a basically non-athletic person who nonetheless likes to stay in shape, I have found that riding my bike provides just the exercise I need.  The workout is strenuous, but pleasant—and the infinite variety of scenery I pass keeps me alert and wide awake.  When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting.With three gears on the front sprocket and seven on the rear, it’s possible to keep ones legs going at a constant speed (for me, that’s 126 to the quarter note) while the bike itself may be moving very slowly or very quickly.  I determined to capitalize on this in writing the music, which manages to keep the same mathematical inner pulse, “shifting” (with a ratchet) as the terrain changes.  So Downshifting begins with that steady pulse, on a grid of eighth notes in 2/4 to propel the little vehicle forward.  There’s a joyous little tune in our heads as we begin our ride.  As the initial thrill of riding on the flat gives way to monotony, we stay in that pulse for the first minute or so of the ride.  Then, as the first hill becomes visible, we shift the bike down: even though the eighths are equal, the pulse feels slower (and we’re now in 6/8 time).  Ultimately the compound meter shifts again as the climb begins, and we’re now plodding doggedly up the hill.  (The music reflects all of these changes, with subtitles such as “Working harder—Seeing the climb, ahead”, “Steady and committed…the climb begins!”, “Straining against the grade”, etc.).There are two hills, and two long climbs (but in different keys, reflecting the change in scenery).  When at last the summit of the second hill is reached (“Flying, Over the Top”), we coast at last down the other side at breakneck speed.  The initial joyous melody returns, but now in a spread-out coasting pulse.  At the end of the ride, we slow to a stop—then take one last sprint (shifting five times in the process) in order to end on a biker’s high.Downshifting was commissioned by a consortium of fourteen high school and college bands, overseen by my longtime colleague at the University of Texas, Scott Hanna.  The piece is dedicated to him (and to all bicycle enthusiasts).

SKU: WD.080689577178

UPC: 080689577178.

Caleb ’s mom has offered to host this year’s Sunday School Christmas party at their home. Sounds great, but...

Caleb’s mom, Mrs. Marlin, is a legendary, no-nonsense, better get it right math teacher who has had most of the kids from church in her math class at school. Convinced that his mom's penchant for turning everything into a math lesson will take the fun out of the evening, Caleb does his best to allay everyone's fears that the party might get hijacked by a math quiz! During the course of the evening, Mrs. Marlin shares the Christmas story as only a math teacher could; the songs tell the story...Countdown, What Sense Does a Census Make?, Treegonometry, He Can Count on Me, and It All Adds Up with Joy to the World!. Christmas by the numbers never sounded so good!!

COUNTING DOWN TO CHRISTMAS, created by Ali Carlson, is the newest release from Simply WordKidz, the best-selling, easy-learn-easy-sing children's series from Word Music & Church Resources. Simply WordKidz means no hassle, easy to learn, easy to sing, and easy for you to produce! Even more importantly, it will be easy for your church to fall in love with this fun and funny, warm and memorable Christmastime celebration for kids choir.

Casting:

• Caleb (age 8-12, 10 lines)
• Dylan (age 8-12, 11 line)
• Victoria (age 8-12, 11 lines)
• Peyton (age 8-12, 17 lines)
• Haley (8-12, 7 lines)
• Mrs. Marlin (age 30-50, 18 lines)

SKU: HL.14023164

John McCabe's Nocturnal For Piano Quintet was composed in 1966, commissioned by the Park Lane Group, London, and first performed by the Lancaster University Ensemble.

Duration: Approximately 13 minutes.

Composers Note: 

The title of this work is a reference to John Donne's poem A Nocturnal upon St Lucie's Day, the mood of which is reflected in the quintet. It falls into several movements, played without a break: Introduction (Andante), setting forth the main thematic ideas of the music; Nocturne 1 (Allegro vivo), an agitated, virtuoso, scherzo-like section; a tripartite central part of the work consisting of two Cadenzasframing a brief Interlude, the first Cadenza being largely for strings, the second mainly for piano, and the Interlude harking back to the feeling of the Introduction; Nocturne 2 (Andante molto), a slow piece gradually building to a unison theme on strings accompanied by a tolling piano background. This dies down to lead to an Epilogue, ending with a final reference to the work's opening bars. 

SKU: BR.SON-442

ISBN 9790004803509. 10 x 12.5 inches.

This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.

SKU: HL.261481

ISBN 9781540020376. UPC: 888680727437. 8.5x11.0x0.208 inches. By Marty Gross and Sally Haines.

Get on board! Using ukuleles in an elementary general music class can open new experiences for your students. These fun, accessible instruments encourage singing while promoting confidence and musical independence. Ukuleles also provide an additional way for you to observe student progress and assess musical understanding. UKULELES ON BOARD is a collection of sequential lessons that illustrate how teachers can use ukuleles along with other common classroom resources to create engaging, robust musical activities for students. Examples are provided for using ukuleles together with Orff instruments, recorders, a variety of percussion and even jug band instruments. Each unit includes digital access to step-by-step projectable lesson slides so you can project all the visual cues your students will need. In addition to being easy to learn and fun, the folk songs used throughout the book provide students with cultural and historical connections. The activities and concepts found in UKULELES ON BOARD are based on the National Standards for Music Education. The material has been field-tested in grades 2-4, but is also appropriate for fifth grade students new to the ukulele. This is a valuable guide to using ukuleles to support and enhance the music curriculum in your school. Songs include: Are You Sleeping? (Frere Jacques!), Michael Finnegan, Buffalo Gals, Joe Turner Blues, Shalom Chaverim, I Love the Mountains, Little 'Liza Jane, Hambone, One Bottle of Pop, Pay Me My Money Down, Let Us Chase the Squirrel, Go Tell Aunt Rhody, Old Joe Clark. Suggested for grades 2-5.