Mozart, Wolfgang Amadeus: Piano pieces

Composer : Mozart, Wolfgang AmadeusEdition : Piano reduction, UrtextEditor : Haverkampf, U;Obst, M;Beyer,F

Par MOZART WOLFGANG AMADEUS / VERDI GIUSEPPE. / Niveau : Elémentaire / classique / Répertoire / Flûte Traversière et Piano

Vous êtes chanteur? Aucun doute cette partition vous satisfaira à 100%. Cataloguée sous la référence CP129606/05, cette partition de Mozart Wolfgang Amadeus a pour titre Il Flauto Magico Opera Chant/Piano. A n'en pas douter, elle se classe logiquement dans la catégorie Classique. / Voix Et Piano / Partition

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Choeur Mixte SATB et Piano

Zu Mozarts Klavierkonzerten. Par MOZART WOLFGANG AMADEUS / BADURA-SKODA PAUL. Kadenzen, Eingänge und Auszierungen zu den Mozart-Klavierkonzerten D-Dur, KV 175 / B-Dur, KV 238 / A-Dur, KV 414 / C-Dur, KV 415 (387b) / Es-Dur, KV 449 / G-Dur, KV 453 / B-Dur, KV 456 / d-Moll, KV 466 / C-Dur, KV 467 / Es-Dur, KV 482 / c-Moll, KV 491 / C-Dur, KV 503 / D-Dur, KV 537 / B-Dur, KV 595/ Répertoire / Piano

Par MOZART WOLFGANG AMADEUS. Le dernier opus de la collection 20 Easy Pieces for Piano de Ricordi est une sélection de 20 courtes pièces composées par Mozart. Ce recueil comprend certaines des ?uvres les plus connues de Mozart, ainsi que d'autres plus rarement jouées. Ensemble, elles constituent une introduction courte mais significative à l'art du génie de Salzbourg. Chaque pièce inclut des indications pour le travail des pédales et des doigtés. / Date parution : 2023-03-11/ Répertoire / Piano

Trinitatismesse. Par MOZART WOLFGANG AMADEUS. Aufgrund der Forderung des Erzbischofs in Salzburg, dass selbst eine feierliche Messe nicht länger als eine Dreiviertelstunde dauern darf, komponierte Mozart eine dem kirchlichen Hochfest der Dreifaltigkeit angemessene 'Missa brevis et solemnis', d. h. eine feierliche, mit vier Trompeten besetzte, aber relativ kurz gehaltene Messe. Als einzige Messe Mozarts verzichtet sie sogar auf den Sologesang. Diese wohl den Aufführungsbedingungen geschuldete Ökonomie der Besetzung führte zu einer nahezu rein sinfonischen Gestaltung der Messe. / Messe / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett