Falstaff

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique

Giuseppe Verdi was born into a period when Italian comic opera after more than a century of world-wide triumph was losing its appeal and the musical tragedy had become the preferred form. Hence Verdi directed himself towards the musical tragedy and it was here that he achieved his towering stature - Othello will stand for a long time as an unsurpassed masterpiece.However Verdi remained convinced that opera needed laughter as well as tears and receiving the draft of a libretto in 1889 from Arrigo Boito he set to work on the monumental Falstaff the central character of which is an amalgam of two Shakespearean characters - the finely drawn figure from KingHenry IV and the caricature of knightliness gone to seed from The Merry Wives Of Windsor. The plot is taken from the latter comedy. This is the Schirmer Edition of the Vocal Score and is in Italian with an English translation by Walter Ducloux.

Edition de Oswald Kästner
Anthologie de passages importants tirés des opéras et des symphonies

Violine I: B. Bartók: Konzert für Orchester, 5. Satz
L.v. Beethoven: Sinfonie Nr. 3 Es-Dur op. 55 ( Eroica ), 3. Satz
Sinfonie Nr. 4 B-Dur op. 60, 4. Satz
Sinfonie Nr. 9 d-Moll op. 125, 1. Satz, 2. Satz
Ouvertüre zu Leonore Nr. 3 op. 72a
Fidelio, 2. Akt, Finale
G. Bizet: Carmen, 2. Akt, Nr. 15 (Quintett)
J. Brahms: Sinfonie Nr. 1 c-Moll op. 68, 4. Satz (Einleitung)
A. Bruckner: Sinfonie Nr. 2 c-Moll, 2. Satz
Sinfonie Nr. 9 d-Moll, 2. Satz (Trio)
A. Dvorák: Sinfonie Nr. 9 ( Aus der neuen Welt ), 4. Satz
Konzert für Violoncello h-Moll, 1. Satz
P. Hindemith: Philharmonisches Konzert, Variation I
F. Mendelssohn-Bartholdy: Ein Sommernachtstraum, Ouvertüre op. 21, Scherzo op. 61 Nr. 1
W.A. Mozart: Sinfonie Nr. 39 Es-Dur KV 543, 4. Satz
Sinfonie Nr. 41 C-Dur ( Jupiter ), 4. Satz
Die Entführung aus dem Serail, Ouvertüre
Die Hochzeit des Figaro, Ouvertüre
Die Zauberflöte, Ouvertüre, 2. Akt, Nr. 13 ( Mohren-Arie )
R. Schumann: Sinfonie Nr. 2 C-Dur op. 61, 2. Satz
J. Strauß: Die Fledermaus, Ouvertüre
R. Strauss: Don Juan op. 20
Der Rosenkavalier, Erster Aufzug, Dritter Aufzug, Einleitung und Pantomime
I. Strawinsky: Le Sacre du Printemps, 1. Teil, Danses des adolescentes
G. Verdi: Rigoletto, 2. Akt, Finale
Ein Maskenball, 3. Akt, Scena e Duettino
Aida, 4. Akt
Falstaff, 2. Akt, 2. Teil, 3. Akt
R. Wagner: Tannhäuser, 2. Akt, 2. Szene (Elisabeth/Tannhäuser)
Siegfried, 3. Akt, 3. Szene
Die Meistersinger von Nürnberg, Vorspiel
C.M.v. Weber: Oberon, Ouvertüre
Euryanthe, Ouvertüre
Der Freischütz, Ouvertüre
Violine II: B. Bartók: Konzert für Orchester, 5. Satz
L.v. Beethoven: Sinfonie Nr. 1 C-Dur op. 21, 2. Satz
Sinfonie Nr. 3 Es-Dur op. 55 ( Eroica )
Sinfonie Nr. 6 F-Dur op. 60 ( Pastorale ), 4. Satz ( Gewitter )
Sinfonie Nr. 9 d-Moll op. 125, 1. Satz, 2. Satz
Fidelio, 1. Akt, Nr. 7 (Arie mit Chor)
G. Bizet: Carmen, 1. Akt, Nr. 11 (Finale)
J. Brahms: Sinfonie Nr. 1 c-Moll op. 68, 4. Satz (Einleitung)
Klavierkonzert d-Moll op. 15, 3. Satz
A. Bruckner: Sinfonie Nr. 2 c-Moll, 3. Satz
A. Dvorák: Konzert für Violoncello h-Moll, 2. Satz
F. Liszt: Eine Faust-Sinfonie, 2. Satz: Gretchen (Solo)
F. Mendelssohn-Bartholdy: Ein Sommernachtstraum, Ouvertüre op. 21, Scherzo op. 61 Nr. 1
W.A. Mozart: Sinfonie C-Dur KV 200, 4. Satz
Sinfonie Nr. 39 Es-Dur KV 543, 4. Satz
Sinfonie Nr. 41 C-Dur ( Jupiter ), 4. Satz
Die Entführung aus dem Serail, Ouvertüre
Die Hochzeit des Figaro, Ouvertüre, 1. Akt, Nr. 2 (Duettino), 1. Akt, Nr. 5 (Duettino)
Cosí fan tutte, 2. Akt, Nr. 31 (Finale)
Die Zauberflöte, Ouvertüre, 2. Akt, Finale (Chor)
M. Ravel: Daphnis et Chloé, Ballett, 3. Teil
F. Schubert: Sinfonie Nr. 4 c-Moll ( Tragische ), 4. Satz
B. Smetana: Die verkaufte Braut, Ouvertüre
J. Strauß: Die Fledermaus, Ouvertüre
R. Strauss: Don Juan op. 20
I. Strawinsky: Le Sacre du Printemps, 1. Teil, Danses des adolescentes
G. Verdi: Rigoletto, 2. Akt, Andante mosso agitato, 2. Akt, Finale
Aida, 4. Akt
Falstaff, 2. Akt, 2. Teil
R. Wagner: Tannhäuser, 2. Akt, 2. Szene (Elisabeth/Tannhäuser), Die Walküre, 3. Akt, 3. Szene ( Feuerzauber ). Siegfried, 3. Akt, 3. Szene
Die Meistersinger von Nürnberg, Vorspiel
C.M.v. Weber: Euryanthe, Ouvertüre

Par NICOLAI OTTO / FLOTOW FRIEDRICH VON. Trinklied Des Falstaff Aus 'Die Lustigen Weiber Von Windsor' / Aus: 'Martha'/ Répertoire / Basse et Piano

Description G. Schirmer Opera Anthology - Arias For Soprano Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Songlist Ach, Ich Fühl's (Die Zauberflöte) [Mozart, Wolfgang Amadeus] Adieu, Notre Petite Table (Manon) [Massenet, Jules] Ah Je Rise De Me Voir (Faust) [Gounod, Charles] Ah Je Veux Vivre (Romeo Et Juliette) [Gounod, Charles] Batti, Batti, O Bel Masetto (Don Giovanni) [Mozart, Wolfgang Amadeus] Bester Jungling (Der Schauspieldirektor) [Mozart, Wolfgang Amadeus] Caro Nome (Rigoletto) [Verdi, Giuseppe] Deh Vieni, Non Tardar (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Donde Lieta Usci (La Boheme) [Puccini, Giacomo] Dove Sono I Bei Momenti (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Elle A Fui, La Tourterelle (Les Contes D'Hoffman) [Offenbach, Jacques] Fair Robin I Love (Tartuffe) [Mechem, Kirke] Je Dis Que Rien Ne M'epouvante (Carmen) [Bizet, Georges] Kommt Ein Schlanker Bursch Gegangen (Der Freischutz) [Weber, Carl Maria Von] Mi Chiamano Mimi (La Boheme) [Puccini, Giacomo] Monica's Waltz (The Medium) [Menotti, Gian Carlo] O Mio Babbino Caro (Gianni Schicchi) [Puccini, Giacomo] O War Ich Schon Mit Dir Vereint (Fidelio) [Beethoven, Ludwig Van] Porgi Amor (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Quando M'en Vo Soletta (La Boheme) [Puccini, Giacomo] Saper Vorreste (Un Ballo In Maschera) [Verdi, Giuseppe] Signore Ascolta (Turandot) [Puccini, Giacomo] Stridono Lassu (I Pagliacci) [Leoncavallo, Ruggiero] Sul Fil D'un Soffio Estastio (Falstaff) [Verdi, Giuseppe] The Black Swan (The Medium) [Menotti, Gian Carlo] The Silver Aria (The Ballad Of Baby Doe) [Moore, Douglas] Tu Che Di Gel Sei Cinta (Turandot) [Puccini, Giacomo] Un Bel Di (One Fine Day) (Madama Butterfly) [Puccini, Giacomo] V'adoro, Pupille (Giulio Cesare) [Handel, George Frideric] Vedrai Carino (Don Giovanni) [Mozart, Wolfgang Amadeus] Willow Song (The Ballad Of Baby Doe) [Moore, Douglas]

Instrumentation : TbaAccompanying set of 3 CDs MP 8666 - these orchestral recordings present the complete excerpt, and the tuba parts are not omitted. Content : Bartok - Concerto for Orchestra; Berg - Wozzeck; Berlioz - Symphonie fantastique, Romeo and Juliet, La Damnation de Faust, Grand Messe dos Morts; Bruckner - Symphonies 4,7 and 8; Delibes - Coppélia; Hindemith - Symphonic Metamorphosis, Mathis der Maler; Leoncavallo - Pagliacci; Mahler - Symphony No 1; Mascagni - Cavalleria Rusticana; Mendelssohn - Midsummer Night's Dream; Mussorgsky (orch. Ravel) - Pictures at an Exhibition; Prokofiev - Cinderella, Romeo and Juliet, Symphony No 5; Richard Strauss - Tod und Verklärung, Till Eulenspiegel, Zarathustra, Ein Heldenleben, Don Quixote, Salome, Elektra, Der Rosenkavalier; Stravinsky - Petroushka; Tchaikovsky - Symphonies 4 and 6; Verdi - Aida, Falstaff, Rigoletto; Wagner - Faust Overture, Der fliegende Holländer, Tannhäuser (Paris Version), Lohengrin, Die Meistersinger von Nürnberg, Tristan und Isolde, Der Ring des Nibelungen