Anthology Guitar Vol. 1: Guitar: Instrumental Album

Description The Renaissance Guitar The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Songlist Air(John Dowland) Almain [Cutting, Francis] Alman [Johnson, Robert] As I Went To Walsingham (Anon) Ballet (Elias Mertel) Branle De Bourgogne (Adrien Le Roy) Branle Gay (Jean Baptiste Besard) Come Heavy Sleep (John Dowland) Drewrie's Accordes (Anon) Entree De Luth (Robert Ballad) Fantasia (Alonso De Mudarra) Fantasia (Miguel De Fuenllana) Fantasia [Dowland, John] Fantasia(Anon) Galliard (Alfonso De Mudarra) Galliard (Philop Rosseter) Galliard To The Flatt Pavin (John Johnson) Galliard( Anthony Holborne) Go From My Window (Anon) Greensleeves (Francis Cutting) Guardame Las Vacas (Luis De Narvaez) La Rossignol (Anon) Lady Hammond's Alman (John Dowland) Lady Hunsdon's Alman (John Dowland) Lesson For Two Lutes [Anon] Melancholy Galliard [Dowland, John] Morenica Da Me Un Beso (Juan Vasquez) Mr. Southcote's Pavan (Thomas Ford) Mrs. Anne Harecourt's Galliard (Francis Pilkington) Mrs. Taylor's Galliard (Philip Rosseter) My Love Hath Vowed (Thomas Campion) Never Weather-beaten Sail [Campion, Thomas] Of My Complaints Could Passions Move (John Dowland) Pavan (Luis Milan) Queen Elizabeth Galliard [Dowland, John] Recercate Concertante (Francesco Da Milano & Joanne Matelart) Rest Sweet Nymphs [Pilkington, Francis] Shall I Come Sweet Love To Thee (Thomas Campion) Sonnet(Enriquez De Valderrabano) Spagnoletta (Anon) Tanz (Georg Fuhrmann) Tarleton's Resurrection [Dowland, John] The Cobbler (Anon) The Flatt Pavin (John Johnson) The King Of Denmark's Galliard (John Dowland) The Night Watch (Anthony Holborne) The Parlement (Anon) The Round Battle Galliard [Dowland, John] Toda Mi Bida Os Ame (Luis Milan) Toy (Francis Cutting) Toy For Two Lutes (Thomas Robinson) Volt (Anon) When From My Love (John Bartlet) When To Her Lute Corinna Sings (Thomas Campion) Wilson's Wilde (Anon)

Master anthologie de Mel Bay de Jazz Guitar Solos Volume trois présente neuf morceaux difficiles et solos improvisés par certains des joueurs de guitare jazz haut d'aujourd'hui pour le guitariste de jazz intermédiaire à avancé. Collaborateurs incluent : Ron Afiff, Peter Bernstein, Joe Diorio, Fred Hamilton, Ken Hatfield, Hank Mackie, Steve Masakowski, Joe Negri et Rick Stone. Toutes les pièces sont en notation standard et en tablature avec une Notice biographique de chaque artiste. Un CD stéréo compagnon est inclus, ce qui en fait un sourcebook idéal pour les étudiants sérieux et professionnels. / Niveau : Intermédiaire à Avancé / Jazz - Solos / Tablatures / Guitare Tablatures

Dalla collana Anthology una raccolta dedicata ai Beatles, con trascrizioni per piano, voce e chitarra. In questo volume, alcuni dei più grandi e intramontabili successi dei 4 ragazzi di Liverpool: / Piano/Vocal/Guitare (PVG)

Apprendre la musique des plus grands de guitare jazz d'aujourd'hui. Magnifiquement présentée ici est la musique de certains plus influents jazz guitaristes aujourd'hui, tous offerts en notation standard et l'onglet. Tous ces solos de Corey Christiansen, Larry Koonse, Bruce Saunders, Bruce Arnold, Anthony Wilson, Mark Boling, Sheryl Bailey, Vic Juris, John Stowell et Steve Cardenas sont accompagnés par un enregistrement de chaque performance - un merveilleux ajout au répertoire jazz des guitaristes tout sérieux. / Niveau : Intermédiaire à Avancé / Jazz - Solos / Tablatures / Guitare Tablatures

Cet ensemble complet livre/CD présente quelques-uns des premiers guitaristes blues contemporain ! Comprend Muriel Anderson, canard Baker, Mickey Baker, Carlos Barbosa-Lima, William Bay, Larry Bolles, Ben Bolt, Dan Bowden, Dix Bruce, Mike Christiansen, Alan de Mause, Craig Dobbins, Steven Eckels, Jim Ferguson, Buddy Fite, Tommy Flint, John Griggs, Stefan Grossman, Ole Halen, Al Hendrickson, Roger Hudson, Jean-Félix Lalanne, Paul Lolax, Larry McCabe, Dale Miller, Franco Morone, Ronald Muldrow, Paul Musso, Bill Piburn, Bucky PizzarelliPaul Rishell, Vincent Sadovsky, Felix Schell, Jerry Silverman, Martin Simpson, Fred Sokolow, Stanley Solow, Tim Sparks, John Standefer, Jay Umble, Phil Upchurch, Paul Yandell et John Zaradin. Ces sélections comprennent les deux nouvelles pièces et certains des meilleurs précédemment publié pièces provenant de la seconde moitié du XXe siècle. Tablature et notation standard sont offerts pour la plupart des pièces, avec une Notice biographique de chaque artiste. Un ensemble de 2 CD est a d... / Niveau : Intermédiaire à Avancé / Blues - Solos / Tablatures / Guitare Tablatures Flatpick et Fingerpick

Graded collection of Baroque repertoireFor students with 8-9 years playing experienceComplete with play-along CDThe fourth and final volume in the Baroque Guitar Anthology series contains 12 original pieces by composers of the 17th and 18th centuries, transcribed for guitar by co-author Stuart Willis. Including pieces by Bach, Weiss, Kellner and Corbetta amongst others, it presents a carefully selected range of works, and, as with the other volumes in the series, is ideal for any players interested in gaining an insight into the richness and variety of the Baroque guitar and lute repertoire.The book contains composer biographies and teaching notes on all of the works, and is accompanied by CD recording of all pieces performed by Jens Franke. Suitable for students of c.8-9 years of playing experience, or those of grades 7-8 level. / Guitare

Formerly 2000 Fingerpicking. Cette anthologie comprend deux nouvelles pièces et exceptionnelle précédemment publié fingerstyle tunes. Vétéran artistes interprètes ou exécutants et talentueuses jeunes parvenus sont donnés un forum pour leur meilleur travail. Comprend 3 CD ! Intermédiaire à avancé en difficulté avec presque toutes les pièces apparaissant dans la notation standard avec tablature. Les contributeurs sont : Jonathan Adams, Muriel Anderson, Seth Austen, D.R. Auten, Douglas Back, canard Baker, Steve Baughman, William Bay, Pierre Bensusan, Larry Bolles, Ben Bolt, Bill Brennan, Thom Bresh, Rolly Brown, Robin Bullock, Jonathan Burchfield, Michael Chapdelaine, Mike Christiansen, William Coulter, Marcel Dadi, Peppino D'Agostino, Craig Dobbins, Pat Donohue, Doyle Dykes, Steven Eckels, Tim Farrell, Peter Finger, Tommy Flint, Foster de RickStefan Grossman, Ole Halen, Todd Hallawell, Roger Hudson, Jack Jezzro, Buster b. Jones, Laurence Juber, Phil Keaggy, Pat Kirtley, Jean-Félix Lalanne, Jay Leach, Paul Lolax, Woody Mann, Dennis McCorkle, El McMeen, Dale Miller, Franco Morone,... / Niveau : Débutant / Acoustic Music - Solos / Tablatures / Guitare Tablatures

The final volume in Frederick Noad's Guitar Anthology series brings us up to the Romantic period with works by Jose Ferrer Napoleon Coste Francisco Tarrega and many more.

Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures