Instrumentation : Piano
Type de produit : Recueil
Difficulté : INTERMEDIATE-ADV
Language : D
Année d\'édition : 2022
Édition musicale : Bosworth Edition
Nombre de pages : 136 / Partitions classique / Piano - instruments à clavier / Piano / BOSWORTH

A Graded Anthology for Piano. This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. Suitable for intermediate and advanced pianists, volume 3 is an indispensable addition to lessons and concerts.

Par BRITTEN BENJAMIN. The Three Character Pieces were written in 1930, by Bejamin Britten. Stylisically, the pieces reveal a definate influence from Frank Bridge, Britten's teacher, and are closer to the styles of Ravel and Scriabin than to the mainstream English music of the 1930's. / Niveau : Intermédiaire à Avancé / Répertoire / Piano

Par RAVEL MAURICE. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. / Niveau : 5 / Répertoire / Piano

Toccata enfiévrée nocturne 'à bout de souffle? menant, dans une course à l'abîme, vers une traversée du 'miroir?, dans un style minimaliste swing. / Parties Séparées

June Armstrong's songbook The Girona Suite - Eight Evocations For Piano features eight original and challenging compositions for grades five to seven standard, all inspired by the shipwreck of the Spanish galleas, the Girona.The pieces included in this songbook were all composed specifically for this collection by revered pianist and teacher June Armstrong. Her many years of experience in teaching have allowed her to craft compositions both subtle and powerful that stretch the ability of students while giving them an engaging story on which to base their expression and feeling when playing. Armstrong is an advocate of focusing learning on atmosphere and tonal awareness, which, when combined with the necessary techniques and theory, makes this songbook a learning tool that is theoretically sound and musically enticing.From the first page, the composer has shown her commitment to creating pieces specifically for students learning the Piano, as she writes of how many people, including former students, have inspired her. She then writes in detail about the historical context of the theme of the work, before giving more practical advice on the music itself and how to go about playing it. The friendly and warm approach that Armstrong brings to presenting her suite makes it more than a simple songbook, it becomes a personal journey, where the composer herself guides you through the characters and settings that the music has been composed to evoke. As well as presenting challenging and entertaining pieces, Armstrong's work serves as a fantastic introduction into how major and minor keys can be manipulated to different ends, and how motifs can be used together with a theme. Armstrong writes:?The final piece, Sarabande for the Lost Souls returns to the desolation of Eb minor, closing with a final statement of the No Tengo theme.?The songs in The Girona Suite are designed to cultivate a student's ability to play in keys containing more than three flats or sharps, as well as a number of different time signatures and with varying degrees of expression. This songbook would be ideal for a student of any age who is unafraid to experiment with evoking feeling and emotion in their playing, while also learning and practicing numerous techniques in an appealing and informative context. If you would like to listen to any of the songs that are listed below, these can be heard free of charge on the composer's website. / Piano

June Armstrong's Magical World features 12 pieces for the Piano, inspired by A. A. Milne's classic children's poetry books 'When We Were Very Young' and 'Now We Are Six'.The pieces presented in this volume are suitable for pianists at a grade 4-6 standard. / Piano

June Armstrong's Strangford Sketchbook contains eight pieces for the Piano, inspired by the Irish sea inlet of Strangford Lough.'The Ards Peninsula and Strangford Lough have always been one of my favourite parts of Ireland. These eight pieces explore the expressive and atmospheric ranges of the Piano, and also seek to evoke the beauty of the landscape through resonances of Irish music.' - June ArmstrongThe pieces in this collection are of moderate difficulty, around grades 6-7 standard, and each of them is designed to introduce different elements of technical development. The Strangford Sketchbook presents a wide variety of styles and musical challenges. / Piano

Trois Gymnopédies Levin nouvelles s'inspirent de Satie bien connu ensemble. Bien que ces belles pièces nouvelles ont détails musicaux en commun avec les originaux (par exemple, le tempo de valse globale lente, personnage sombre, riche harmonie et la sensibilité française), Levin écrit dans la préface que ses pièces diffèrent de Satie dans leur complexité, le développement des mélodique et le contraste matériau d'âme. Ces pièces magnifiques peuvent être réalisées ensemble ou séparément. Fortement recommandé pour faire progresser l'élève. / Piano

En mars 1899, alors qu'il était titulaire de l'église de Notre-Dame de Boulogne sur Seine, Joseph Ermend Bonnal compose un Allegro pour piano et violon. Celui-ci allait devenir le premier mouvement de cette sonate inachevée, dédiée à une certaine Thérèse Humbert-Daurignac. Un Andante (1900) puis un Scherzo (1903, Paris) complétèrent la Sonate. Ce premier et unique mouvement fut crée en 1899 par A. Dulaurens au violon accompagné par le compositeur, au cours d'une des Soirées que Charles Tournemire organisait dans son salon parisien auxquelles poètes et musiciens participaient ou assistaient. / Violon Et Piano

Cette partition LES PETITS CHARMOZ de Mari Pierrette a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8446. Cette oeuvre d'une durée de 00:03:10 est idéale pour les amoureux de la musique. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Divers / Partition

Cette partition 1ER SOLO DU 18E CONCERTO EN MI MINEUR de Kreutzer Rodolphe a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7830. Cette oeuvre d'une durée de 00:04:00 est idéale pour les musiciens pratiquant Violon. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / 2 Violons / Partition

Cette partition 5 PIECES de Beffa Karol a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8587. Cette oeuvre d'une durée de 00:19:00 est idéale pour les musiciens pratiquant Violon. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violon Et Piano / Partition