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So Many Will Fall
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Vous avez sélectionné:
So Many Will Fall
Partitions à imprimer
60 partitions trouvées
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Nowhere to Go, so Here We Go
Nowhere to Go, so Here We Go
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Paul Burnell
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Nowhere to Go, so Here We Go
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Paul Burnell
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835763 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #30...
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Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835763 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3057427. Published by Paul Burnell (A0.835763). The ‘Little Era Ending Songs’ are for soprano and vibraphone. Each of the songs are a brief reflection on the demise of the human race presented in moods ranging from sombre to ironic to wry. There are seven songs in the series: ‘So Many Will Fall’, ‘Turning Round the Sun’, ‘Charon Charon’, ‘Left Unsaid’, ‘The Petri Dish’, ‘The Last Lullaby’, and ‘Nowhere to Go, so Here We Go’. The songs may be performed independently, or severally together in any order. The songs are dedicated to Chris Brannick and Sara Stowe, and were first performed by them on 14 November 2015’ at the Friends Meeting House, Brighton, UK.
$1.99 ≈
1.87€
Charon Charon
Charon Charon
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Paul Burnell
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Charon Charon
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Paul Burnell
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835760 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #3...
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Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835760 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #3057423. Published by Paul Burnell (A0.835760). The ‘Little Era Ending Songs’ are for soprano and vibraphone.Each of the songs are a brief reflection on the demise of the human race presented in moods ranging from sombre to ironic to wry.There are seven songs in the series: ‘So Many Will Fall’, ‘Turning Round the Sun’, ‘Charon Charon’, ‘Left Unsaid’, ‘The Petri Dish’, ‘The Last Lullaby’, and ‘Nowhere to Go, so Here We Go’.The songs may be performed independently, or severally together in any order. The songs are dedicated to Chris Brannick and Sara Stowe, and were first performed by them on 14 November 2015’ at the Friends Meeting House, Brighton, UK.
$1.99 ≈
1.87€
Left Unsaid
Left Unsaid
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Paul Burnell
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Left Unsaid
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Paul Burnell
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835762 Composed by Paul Burnell. Contemporary. Score and parts. 4 pages. Paul Burnell #30...
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Instrumental Duet Instrumental Duet,Vibraphone,Voice - SKU: A0.835762 Composed by Paul Burnell. Contemporary. Score and parts. 4 pages. Paul Burnell #3057425. Published by Paul Burnell (A0.835762). The ‘Little Era Ending Songs’ are for soprano and vibraphone. Each of the songs are a brief reflection on the demise of the human race presented in moods ranging from sombre to ironic to wry. There are seven songs in the series: ‘So Many Will Fall’, ‘Turning Round the Sun’, ‘Charon Charon’, ‘Left Unsaid’, ‘The Petri Dish’, ‘The Last Lullaby’, and ‘Nowhere to Go, so Here We Go’. The songs may be performed independently, or severally together in any order. The songs are dedicated to Chris Brannick and Sara Stowe, and were first performed by them on 14 November 2015’ at the Friends Meeting House, Brighton, UK.
$1.99 ≈
1.87€
Fanfare For The Fallen
Fanfare For The Fallen
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Orchestre d'harmonie
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INTERMÉDIAIRE
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George Willson
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Fanfare For The Fallen
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George Willson
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607...
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Concert Band - Level 3 - SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607975. Published by George Willson (A0.927174). War, by its nature, claims the lives of those who enter it, and over the course of history, many have fallen in the service of their countries who have gone to war for one reason or another. Fanfare for the Fallen seeks to honor those who have fallen in service and conjure the image of them marching into their glorious afterlife. Christianity holds that there is no greater love than laying down one's life for another, and many cultures believe that dying in battle yields glory in the great beyond. So whether marching into heaven, Valhalla or some other bright light at the end of the tunnel, let this music provide the soundtrack of trumpeting angels and one last ticker tape parade as these warriors are welcomed into their eternal home.This is a piece of intermediate difficulty with a nice melody and a John Williams' Olympic Fanfare feel to it. While the trumpets soar in their high registers for the heralding sections, the range for the rest of the piece (and the rest of the band) stays mostly in the center of the instruments. While 32nd notes are found here and there, the tempo sitting at around 80 keeps their difficulty, as well as the 16th note woodwind runs, in check. George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00 ≈
32.92€
8'66"
8'66"
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Piano seul
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AVANCÉ
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Craig Peaslee
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8'66"
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Craig Peaslee Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.944867 Composed by Craig Peaslee. 20th Century,Concert,Contemporary,Ragtime. Score. 29 pages. Craig Peaslee Music #522163...
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Piano Solo - Level 5 - SKU: A0.944867 Composed by Craig Peaslee. 20th Century,Concert,Contemporary,Ragtime. Score. 29 pages. Craig Peaslee Music #5221633. Published by Craig Peaslee Music (A0.944867). Highly influenced by John Cage, 8'66 features compositional practices explored by Cage.Song of the Talpa People calls for the pianist to play the movement while attempting to prevent any of the piano hammers to fall (hit the strings, causing sound); however, due to the tempo marking, human error, and other factors, it is a certainty that the hammers will fall - we simply do not know when, where, and how many of these falls will happen on any given performance. Cage was a pioneer of indeterminant music, a single piece of music that can sound wildly different each time it is heard.In Funeral March for a Deaf Man the written music was lined up directly to a section of Cage's Lecture on Nothing so that whenever a syllable from the speech would be spoken the pianist plays the note(s) that correspond at the same time.The finale, In Futurm, allows for the pianist to perform the piece as originally written.The titles for the three movements are taken from compositions of silent music that predate Cage's 4'33 1. Funeral March for the Obsequies of a Dead Man (1897) by Alphonse Allais (1854-1905). 2. In Gaston Leroux's 1903 novel La Double Vie de Theophraste Longuet, silent concerts are given by the Talpa people. 3. In futurum (1919) by Edwin Schul
$8.66 ≈
8.15€
Killarney Carnivale
Killarney Carnivale
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W....
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Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00 ≈
56.43€
Vivaldi Spring (Allegro) for Two Violins
Vivaldi Spring (Allegro) for Two Violins
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Dave Prudon
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Vivaldi Spring
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Prudon String Ensembles
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.732588 Composed by Antonio Vivaldi. Arranged by Dave Prudon. Baroque,Easter,Wedding. 4 pages. Prudon String Ensem...
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Violin Duet Violin - Level 3 - SKU: A0.732588 Composed by Antonio Vivaldi. Arranged by Dave Prudon. Baroque,Easter,Wedding. 4 pages. Prudon String Ensembles #4274681. Published by Prudon String Ensembles (A0.732588). There are many String Quartet and Trio arrangements of this piece online for sale, but not so many for a Violin Duo. Violinists will quickly fall in love with this particular arrangement because the melody is shared between the two of them and the harmony part is fun to play. Still often requested as music for a wedding, Violin Duos will want to add this one to their repertoire list. To see many other arrangements for strings, take a peek at: Prudon String Ensembles Sheet Music.
$8.99 ≈
8.46€
All Of Me
All Of Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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John Legend
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Sarah Cellobat Chaffee
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All Of Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1250747 By John Legend. By John Stephens and Toby Gad. Arranged by Sarah Cellobat C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1250747 By John Legend. By John Stephens and Toby Gad. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 22 pages. Sarah Cellobat Chaffee #845023. Published by Sarah Cellobat Chaffee (A0.1250747). All Of Me, John Legend's huge 2014 hit single, became the singer's first number one song on the Billboard charts. Dedicated to his wife Chrissy Teigen, the song soon became a top-requested romantic ballad for weddings, so you can't go wrong adding this one to your gig books! This Cellobat arrangement for string quartet was originally written for a client whose request was, There are a lot of boring repetitive arrangements of this song out there, so please write parts that aren't boring -- and I think you'll find that I succeeded! This arrangement is full of beautiful melodies, lush harmonies, fun rhythmic parts, and overall a lot of interesting stuff to play, for a chart that will ensure no one in your group will fall asleep. This arrangement is rated intermediate; it will be learnable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99 ≈
15.98€
Letter to Lydia for alto voice, flute, cello and guitar (or just alto and guitar)
Letter to Lydia for alto voice, flute, cello and guitar (or just alto and guitar)
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David Warin Solomons
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Letter to Lydia for alto voice
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Voice - Level 3 - SKU: A0.576973 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 15...
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Small Ensemble Cello,Flute,Guitar,Voice - Level 3 - SKU: A0.576973 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 15 pages. David Warin Solomons #553513. Published by David Warin Solomons (A0.576973). The poet, David Andrew, is writing as he considers the future his daughter will make for herself. The sound sample is a live vocal performance against electronic versions of the instruments The pdf file contains score and parts. The song can also be performed without the flute and cello. You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00 ≈
9.41€
Reflections of Water for Flute and Piano
Reflections of Water for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Phyllis Avidan Louke
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Reflections of Water for Flute
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Louke Publishing
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479...
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Flute,Piano - Level 3 - SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479837. Published by Louke Publishing (A0.736263). PROGRAM NOTESReflections of Water for Flute & Pianoby Phyllis Avidan Louke 1. A Cool Mountain Streamhttp://www.phyllislouke.com/wp-content/uploads/2015/08/1.-Reflections-of-Water-mvmt-1.mp3 2. A Quiet Morning on the Lakehttp://www.phyllislouke.com/wp-content/uploads/2015/08/2.-Reflections-of-Water-mvmt-2.mp3 3. Frolic in the Surfhttp://www.phyllislouke.com/wp-content/uploads/2015/08/3.-Reflections-of-Water-mvmt-3.mp3 This piece was written in memory of my father. So many childhood memories of Dad revolved around water-summer vacations spent with my family camping by a mountain stream, fishing in a lake and outings to ocean beaches near my childhood home in Southern California. This programmatic work is in three movements. A Cool Mountain Stream utilizes the pentatonic scale to depict a stream as it meanders along, frequently bouncing over rocks and sometimes heading down a slope, eventually ending in a small waterfall that empties into a deep pool. During a summer vacation, my family camped by a stream that was a natural waterslide. We spent many happy hours sliding down the waterslide into the pool below.A Quiet Morning on the Lake uses the repetitive rocking motion of the piano to represent the soothing motion of the rowboat as I spent summer vacations fishing for trout with my dad on a quiet lake in the San Bernardino Mountains.Frolic in the Surf brings out the playfulness felt at the ocean beach, while getting used to the water temperature and trying to predict when the waves will hit the shore. Many summer days were spent on Southern California beaches with family and friends, body surfing, tanning and simply playing in the waves. Scored for flute and piano. 5:00 Level 3 Phyllis Avidan Louke (b. 1954), a flutist, teacher, and award-winning composer, living in Portland, Oregon, has been arranging and composing since 1990, with over 70 pieces published. Many of her works have received recognition in the annual National Flute Association Newly Published Music Competition and other composition competitions. Ms. Louke has also been the recipient of annual ASCAP awards since 2004. Her compositions and arrangements have been much-performed nationally and internationally and many have been recorded. She is also the co-author of an award-winning series of pedagogical publications for the flute published by Theodore Presser Company. Her music is published by Theodore Presser Company, ALRY Publications, Falls House Publications, Fabulous Flute Music Company, Nourse Wind Publications, and SMP Publications. For more information on compositions by Phyllis Avidan Louke, go to http://www.phyllislouke.com/compositions/
$15.00 ≈
14.11€
Letter to Lydia for cor anglais, flute, cello and guitar
Letter to Lydia for cor anglais, flute, cello and guitar
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David Warin Solomons
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Letter to Lydia for cor anglai
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,English Horn,Flute,Guitar - Level 2 - SKU: A0.576975 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and pa...
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Small Ensemble Cello,English Horn,Flute,Guitar - Level 2 - SKU: A0.576975 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553517. Published by David Warin Solomons (A0.576975). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00 ≈
9.41€
Letter to Lydia for viola, flute, cello and guitar
Letter to Lydia for viola, flute, cello and guitar
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David Warin Solomons
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Letter to Lydia for viola, flu
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Viola - Level 2 - SKU: A0.576976 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16...
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Small Ensemble Cello,Flute,Guitar,Viola - Level 2 - SKU: A0.576976 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553519. Published by David Warin Solomons (A0.576976). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00 ≈
9.41€
Letter to Lydia for clarinet, flute, cello and guitar
Letter to Lydia for clarinet, flute, cello and guitar
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David Warin Solomons
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Letter to Lydia for clarinet,
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Guitar - Level 2 - SKU: A0.576974 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts....
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Small Ensemble Cello,Clarinet,Flute,Guitar - Level 2 - SKU: A0.576974 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553515. Published by David Warin Solomons (A0.576974). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00 ≈
9.41€
Tutte dormono sulla collina
Tutte dormono sulla collina
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Violon et Piano
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Monica Bergo
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it
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Tutte dormono sulla collina
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Monica Bergo
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SheetMusicPlus
Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #...
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Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #3235427. Published by Monica Bergo (A0.976835). 2017 Holiday Contest EntryALL SLEEPING ON THE HILL While it flowing words and pictures All are sleeping on the hill They are so many, so beautiful and pale They are waiting on the hill Princesses looking frail That pose themselves unnecessary questions They are died and now are free but they wonder why If I Had been more yielding, if I had been a little 'more docile He is always so unstable, maybe it was my fault If I Had known take him, and learned not to respond If I always said yes, I would be alive and still there They are women of all nationalities And girls who never bloom While the seasons and the years pass Their face is ageless And they are mothers, daughters or lovers Prostitutes, holy or wives No heaven or hell They are waiting for you Tonight the sky is brighter They will be shining Shooting stars now that you do not have a sky Tell me where you flee Do you feel guilty But you're not you that you have sinned Hide the signs And the secret inside you Everybody knows but it is more comfortable silence As long as you lie to yourself I had a dream, a nightmare, but I was awake On the hill expecting me Princess, sleeps in the trash Your Prince control no longer has And a tear remains motionless Witness of this' atrocities You Follow the avenue of pain and tears And walking on the hill and reach the motionless companions Waiting for you on the hill unites them by horrible fate Different stories with the same ending And as avenging goddesses expect The man who defiled And it is a black angels army their choir is high is unstoppable resonates loud, an echo that is relentless haunt your sleep and a thousand ways to beat you know; Hide the world what you really are the last image behind those eyes the blind fury inside you while in the sky it appears lightning I launch myself on the hill I put a flower and remain motionless And and I fall asleep here , on the hill ......... .. Monica Bergo
$3.99 ≈
3.75€
Limerick's Lament
Limerick's Lament
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Orchestre d'harmonie
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FACILE
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Traditional Irish
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Brendan Power
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Limerick's Lament
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Seolta Music Limited
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1396922 Composed by Traditional Irish. Arranged by Brendan Power. Celtic,Irish. 28 pages. Seolta Music Limited #980267....
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Concert Band - Level 2 - SKU: A0.1396922 Composed by Traditional Irish. Arranged by Brendan Power. Celtic,Irish. 28 pages. Seolta Music Limited #980267. Published by Seolta Music Limited (A0.1396922). This beautiful slow air derives its title from the siege and fall of the city of Limerick to English forces in 1691, at the end of the Williamite Wars. The tune, like so many ancient airs was claimed by both Scots and Irish, the Scots version being entitled Farewell to Lochaber.” When Burns first heard the air he is said to have exclaimed, Oh, that's a fine tune for a broken heart.” It is one of the finest slow traditional airs and is arranged here for bagpipes and band by Brendan Power.
$70.00 ≈
65.84€
Do You Hear How Many You Are?
Do You Hear How Many You Are?
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindri...
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Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCORE™ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
$2.25 ≈
2.12€
Do You Hear How Many You Are?
Do You Hear How Many You Are?
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Orchestre d'harmonie
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FACILE
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
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Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00 ≈
79.95€
What Will We Say?
What Will We Say?
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Publis...
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Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99 ≈
18.80€
Can't Help Falling In Love
Can't Help Falling In Love
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
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Sarah Cellobat Chaffee
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Can't Help Falling In Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.526055 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Sarah C...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.526055 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Standards,Wedding. 11 pages. Sarah Cellobat Chaffee #3875387. Published by Sarah Cellobat Chaffee (A0.526055). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO* Any gigging string group knows that this song is a ubiquitous request during wedding season, so be prepared to help your clients make amazing memories with this beautiful arrangement of Can't Help Falling In Love! This lush, romantic version of the Elvis classic for violin, viola, and cello trio is full of gorgeous layered harmonies and will be great for ceremonies, cocktails, or even proposals. Intermediate-level arrangement; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$14.99 ≈
14.10€
No More Pain by Anton
No More Pain by Anton
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Anton R
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No More Pain by Anton
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Antonality
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published...
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Piano Solo - Level 4 - SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
$10.99 ≈
10.34€
So Many Will Fall
So Many Will Fall
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Voix (avec Boîtes d'Accords)
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#
Paul Burnell
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So Many Will Fall
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Paul Burnell
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SheetMusicPlus
Composed by Paul Burnell. 21st Century, Contemporary Classical. 4 pages. Published by Paul Burnell (S0.215959). - - 21st Century,Contemporary Classical - Paul ...
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Composed by Paul Burnell. 21st Century, Contemporary Classical. 4 pages. Published by Paul Burnell (S0.215959). - - 21st Century,Contemporary Classical - Paul Burnell
$1.99 ≈
1.87€
Can't Help Falling In Love - String Quartet - Elvis arr. Cellobat - Recording Available!
Can't Help Falling In Love - String Quartet - Elvis arr. Cellobat - Recording Available!
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Michael Buble
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Sarah Cellobat Chaffee
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Can't Help Falling In Love - S
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Sarah Chaffee
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SheetMusicPlus
Violin, Viola, Cello, String Quartet - Intermediate - By Michael Buble. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 12 pages. Published by Sa...
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Violin, Viola, Cello, String Quartet - Intermediate - By Michael Buble. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 12 pages. Published by Sarah Chaffee
Any gigging quartet knows that this song is a ubiquitous request during wedding season, so be prepared to help your clients make amazing memories with this beautiful arrangement of "Can't Help Falling In Love"! This lush, romantic version of the Elvis classic for string quartet is full of gorgeous harmonies and layers and will be great for ceremonies, cocktails, or even proposals. Intermediate-level arrangement is easily playable for students and sightreadable for professionals.
Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "Can't Help Falling In Love." Crowd pleasing guaranteed.
Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, M?tley Cr?e, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee
$16.99 ≈
15.98€
The Palatka Port March - Score Only
The Palatka Port March - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.123968...
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Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00 ≈
9.41€
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So Many Will Fall
