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Vous avez sélectionné:
Romantic
CHORALE - CHANT
Partitions à imprimer
18 798 partitions trouvées
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'VALSE ROMANTICA' new choral work for 2018 by British composer Kerry Barnes
'VALSE ROMANTICA' new choral work for 2018 by British composer Kerry Barnes
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Kerry Barnes --- British Femal
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'VALSE ROMANTICA' new choral w
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kerry barnes
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.969738 Composed by Kerry Barnes --- British Female Composer 1962. Concert,Contemporary,Romantic Period. Octavo. ...
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Choral Choir (SATB) - Level 4 - SKU: A0.969738 Composed by Kerry Barnes --- British Female Composer 1962. Concert,Contemporary,Romantic Period. Octavo. 18 pages. Kerry barnes #3562123. Published by kerry barnes (A0.969738). 'Valse Romantica' A brand new Choral Work by Kerry Barnes for 2018.A tragic tale of unrequited love in G minor.For SATB with full piano accompaniment.18 pages long and at advanced intermediate level.
$4.00 ≈
3.75€
Isn't It Romantic?
Isn't It Romantic?
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Chorale SATB
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INTERMÉDIAIRE
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Shirley Horn
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the team of Rodgers and Hart,
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Scott S
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Isn't It Romantic?
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.955863 By Shirley Horn. By Richard Rodgers. Arranged by Scott S. Stewart. Jazz,Pop. Octavo. 13 pages. Scott S. S...
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Choral Choir (SATB) - Level 3 - SKU: A0.955863 By Shirley Horn. By Richard Rodgers. Arranged by Scott S. Stewart. Jazz,Pop. Octavo. 13 pages. Scott S. Stewart #6504203. Published by Scott S. Stewart (A0.955863). Isn’t It Romantic? is a popular song that has earned its place The Great American Songbook. Composed by the team of Rodgers and Hart, the song first appeared in the Paramount motion picture Love Me Tonight (1932), starring Maurice Chevalier and Jeanette MacDonald. It has become a standard on many artist’s playlists – with, or without the lyrics. This arrangement is for 4-part SATB ensemble with piano accompaniment. Performance time: 2:55+
$2.99 ≈
2.80€
The Romantics: What I Like About You - voice & other instruments (real book with lyrics)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Rock
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The Romantics
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Virtualsheetmusic
Instantly printable sheet music by The Romantics for voice & other instruments (real book with lyrics) of MEDIUM skill level. / pop,rock,standards
Instantly printable sheet music by The Romantics for voice & other instruments (real book with lyrics) of MEDIUM skill level. / pop,rock,standards
$3.97 ≈
3.72€
Ode to the West Wind - My Shelley
Ode to the West Wind - My Shelley
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Chorale TTBB
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INTERMÉDIAIRE
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Jeremy Gussin
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Ode to the West Wind - My Shel
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Jeremy Gussin
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.893718 Composed by Jeremy Gussin. Contemporary,Romantic Period. Octavo. 2 pages. Jeremy Gussin #3374607. Publish...
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Choral Choir (TTBB) - Level 3 - SKU: A0.893718 Composed by Jeremy Gussin. Contemporary,Romantic Period. Octavo. 2 pages. Jeremy Gussin #3374607. Published by Jeremy Gussin (A0.893718). Written in relation to the passing of my grandfather, Nobby, the selection of text by Percy Shelley is set for men's chorus and had it's premiere in 2011 by the UW-Eau Claire Singing Statesmen. It seeks to reflect the dedication to nature's power so elegantly created by Shelley in strong homophony with elements of Romanticism and harmonic extensions. Piece is well-voiced in range for High School Men's Chorus and above. Measure 14 incantations *of.
$2.00 ≈
1.87€
Bywaj dziewczÄ™ zdrowe
Bywaj dziewczę zdrowe
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Unknown
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Joanna Garbacz
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Bywaj dziewczę zdrowe
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Joanna Garbacz
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SheetMusicPlus
Choral Choir,Choral (SAA) - Level 2 - SKU: A0.1152363 Composed by Unknown. Arranged by Joanna Garbacz. A Cappella,Country,Patriotic,Romantic Period,Trad...
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Choral Choir,Choral (SAA) - Level 2 - SKU: A0.1152363 Composed by Unknown. Arranged by Joanna Garbacz. A Cappella,Country,Patriotic,Romantic Period,Traditional. 1 pages. Joanna Garbacz #752586. Published by Joanna Garbacz (A0.1152363). Polish patriotic song from XIX century. Song from the November Uprising, probably written at the end of 1830. The text is attributed to Rajnold Suchodolski, the author of many patriotic works from that era. Music author - unknown. The text combines patriotic and romance threads - it is a farewell to the beloved of a soldier leaving for war, a participant of the November Uprising. The character and mood of the songs are typical of Polish Romanticism and creativity.
$1.99 ≈
1.86€
O Savior, Burst from Heav'n on High (O Heiland, reiß die Himmel auf)
O Savior, Burst from Heav'n on High (O Heiland, reiß die Himmel auf)
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Chorale SATB
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FACILE
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Classique
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Johannes Brahms
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William J
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O Savior, Burst from Heav'n on
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T.U.X. People's Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1247255 Composed by Johannes Brahms. Arranged by William J. Bullock. A Cappella,Advent,Christmas,Romantic Period...
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Choral Choir (SATB) - Level 2 - SKU: A0.1247255 Composed by Johannes Brahms. Arranged by William J. Bullock. A Cappella,Advent,Christmas,Romantic Period,Sacred. Octavo. 4 pages. T.U.X. People's Music #841802. Published by T.U.X. People's Music (A0.1247255). Lyrical romanticism and Renaissance influences unite in this short and accessible polyphonic carol, harmonized by Johannes Brahms – a fresh, yet familiar-feeling addition to any Christmas program! William J. Bullock’s prosodic English translation illuminates the imagery of the original German song.
$2.25 ≈
2.11€
Gebet in der Christnacht (Prayer on Christmas Eve) by Fanny Hensel for SSA+piano
Gebet in der Christnacht (Prayer on Christmas Eve) by Fanny Hensel for SSA+piano
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Chorale 3 parties
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INTERMÉDIAIRE
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Fanny Hensel
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Olivia Sparkhall
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Gebet in der Christnacht
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Olivia Sparkhall
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.988130 Composed by Fanny Hensel (née Mendelssohn). Arranged by Olivia Sparkhall. Christmas,Holiday,Romantic Peri...
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Choral Choir (SSA) - Level 3 - SKU: A0.988130 Composed by Fanny Hensel (née Mendelssohn). Arranged by Olivia Sparkhall. Christmas,Holiday,Romantic Period,Sacred. Octavo. 7 pages. Olivia Sparkhall #6463161. Published by Olivia Sparkhall (A0.988130). Music for Advent and Christmas Carol Services and ConcertsPrayer on Christmas Eve (Gebet in der Christnacht) for SSA and piano* - Hensel arr. Sparkhall (choral music)Perfect for Advent or Christmas*Gebet in der Christnacht for SATB (a cappella) is available exclusively from Multitude of Voyces: About the composerFor years, Fanny Hensel has been known as the sister of Felix Mendelssohn. Since the discovery of many of her compositions, some previously published in Felix’s name, she has become more widely recognised in her own right.About the pieceGebet in der Christnacht is a solo song from 1823. Here it is arranged for SSA, showcasing the teenaged composer’s use of harmony that became synonymous with the early Romantics. (See also my a cappella SATB arrangement).Gebet in der Christnacht (Prayer on Christmas Eve) is one of at least eight songs Hensel composed in 1823 which sets poems by Wilhelm Müller. It is from the cycle Johannes und Esther. (Im Frühling zu lesen.) (John and Esther. (To read in the spring.))https://youtu.be/Q_fd7fEtQisAbout the arrangerOlivia Sparkhall studied composition at Durham University with Paul Archbold, composing for the Northern Sinfonietta and Flower Quartet as part of her studies. Since moving to South West England, she has focused primarily on writing vocal music, notably for BBC One’s Songs of Praise programme. Recent commissions have been for International Women’s Day services in 2018 (Lux Aeterna) and 2019 (Faith and Hope). She was short-listed in the Cappella Nova competition in 2018 for Dona Nobis Pacem. The SATB version of Prayer on Christmas Eve (Gebet in der Christnacht) is published by Multitude of Voyces in their anthologies of sacred music, Volume 1, available here: [https://stainer.co.uk]
$1.99 ≈
1.86€
Forever
Forever
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Ansellmo Deremita
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Ansellmo Deremita
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Forever
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Jose Anselmo Oliveira/Ansellmo Deremita
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SheetMusicPlus
Alto Voice,Bass Guitar,Choir,Drums,Organ - SKU: A0.1073045 Composed by Ansellmo Deremita. Arranged by Ansellmo Deremita. Film/TV,Pop,Romantic Period,Wor...
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Alto Voice,Bass Guitar,Choir,Drums,Organ - SKU: A0.1073045 Composed by Ansellmo Deremita. Arranged by Ansellmo Deremita. Film/TV,Pop,Romantic Period,World. Accompaniment. Duration 287. Jose Anselmo Oliveira/Ansellmo Deremita #5800653. Published by Jose Anselmo Oliveira/Ansellmo Deremita (A0.1073045). Uma canção romântica. Notas: A9/F#m/Bm/E/C#m/G#/F#m/Bm/E(2x) G#/C#m/G#/F#m(2x) B7/E/A9
$4.00 ≈
3.75€
THE THREE BEST THINGS
THE THREE BEST THINGS
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Chorale SATB
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INTERMÉDIAIRE
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John T Sarno
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Words: Henry Van Dyke
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THE THREE BEST THINGS
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John T Sarno
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.904432 Composed by John T Sarno. Arranged by Words: Henry Van Dyke. A Cappella,Concert,Contemporary,Graduation. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.904432 Composed by John T Sarno. Arranged by Words: Henry Van Dyke. A Cappella,Concert,Contemporary,Graduation. Octavo. 19 pages. John T Sarno #6864363. Published by John T Sarno (A0.904432). This SATB choral piece is a set of three pieces from the poetry of Henry Van Dyke 1852-1933. $7.50 WORK The romanticism of the poetry setting conveys the message of the importance of having a good work ethic. It carries the idea that I am the best one that can do the work I do. This work can also be used for a graduation ceremony. LOVE A cappella piece. The romanticism of the poetry setting describes love as a journey to find your best self by loving and being loved. Love offered without pretense and received with forgiveness will fill the heart’s desire for true love. To give of yourself completely and freely because there is love. LIFEThe romanticism of this poetic setting describes life as an adventure filled with joy, love, friendship, and courage. It challenges the listener to live life to the fullest, always striving to be their best. This work can also be used for a graduation ceremony. Approx. 7:20 Pages: 19 Because this is in a digital format you must purchase a minimum of 10 copies.
$7.50 ≈
7.03€
VA' PENSIERO - Arr. for SATB Choir
VA' PENSIERO - Arr. for SATB Choir
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Chorale SATB
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Classique
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Giuseppe Verdi
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R
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VA' PENSIERO - Arr. for SATB C
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Renato Tagliabue
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SheetMusicPlus
Composed by Giuseppe Verdi (1813-1901). Arranged by R. Tagliabue. Romantic Period, Classical Period, Post-Romantic, Christian, Sacred. Lead Sheet. 5 pages. Publ...
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Composed by Giuseppe Verdi (1813-1901). Arranged by R. Tagliabue. Romantic Period, Classical Period, Post-Romantic, Christian, Sacred. Lead Sheet. 5 pages. Published by Renato Tagliabue (S0.166655). - Lead Sheet - Romantic Period,Classical Period,Post-Romantic,Christian,Sacred - Renato Tagliabue
$2.29 ≈
2.15€
My Love from Five Love Songs for High Baritone Voice and Piano
My Love from Five Love Songs for High Baritone Voice and Piano
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Voix Baryton, Piano
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Contemporain
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Stephen Chatman
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My Love from Five Love Songs f
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice and piano - Medium - SKU: MQ.7.0581-4E Composed by Stephen Chatman. Secular, 21st century. 4 pages. Galaxy Music Corporation - Digit...
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High baritone voice and piano - Medium - SKU: MQ.7.0581-4E Composed by Stephen Chatman. Secular, 21st century. 4 pages. Galaxy Music Corporation - Digital #7.0581-4E. Published by Galaxy Music Corporation - Digital (MQ.7.0581-4E). Stephen Chatmanâ??s Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (formerly known as Love Songs) was commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism.
$4.50 ≈
4.22€
LIFE From The Three Best Things
LIFE From The Three Best Things
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Chorale SATB
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INTERMÉDIAIRE
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John T Sarno
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Words: Henry Van Dyke
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LIFE From The Three Best Thing
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John T Sarno
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.904429 Composed by John T Sarno. Arranged by Words: Henry Van Dyke. Concert,Contemporary,Graduation. Octavo. 8 p...
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Choral Choir (SATB) - Level 3 - SKU: A0.904429 Composed by John T Sarno. Arranged by Words: Henry Van Dyke. Concert,Contemporary,Graduation. Octavo. 8 pages. John T Sarno #6864361. Published by John T Sarno (A0.904429). 4-part SATB (with divisi) is a high school level piece. The romanticism of this poetic setting describes life as an adventure filled with joy, love, friendship, and courage. It challenges the listener to live life to the fullest, always striving to be their best. This is perfect for a choral concert and it can also be used for graduation. ($2.99) Approx. 2:30 Pages: 8 Because this is in a digital format you must purchase a minimum of 10 copies.Appox. 1:57Pages: 4 Because this is in a digital format you must purchase a minimum of 10 copies.
$2.99 ≈
2.80€
Festival Psalter
Festival Psalter
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Chorale SATB
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Musique Sacrée
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Allen Koepke
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Festival Psalter
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H. W. Gray
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SheetMusicPlus
Choir Sacred (SATB choir) - Grade 5 - SKU: JX.00-GCMR03612 Composed by Allen Koepke. Choral Octavo. Alfred Archive Edition: H. W. Gray Publications. Sac...
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Choir Sacred (SATB choir) - Grade 5 - SKU: JX.00-GCMR03612 Composed by Allen Koepke. Choral Octavo. Alfred Archive Edition: H. W. Gray Publications. Sacred. Choral Octavo. 16 pages. H. W. Gray #00-GCMR03612. Published by H. W. Gray (JX.00-GCMR03612). English.Koepke has taken several passages from the Psalms and woven them together in this through-composed work dealing with God's legacy to his children (the Israelites). Although the piece has a contemporary flavor, its tonal structure is rooted in 19th century Romanticism.
$2.95 ≈
2.76€
To Love
To Love
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Glenda E
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To Love
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Glenda E. Franklin Publications
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.956420 Composed by Glenda E. Franklin. Contemporary. Octavo. 8 pages. Glenda E. Franklin Publications #6269601. P...
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Choral Choir (SSA) - Level 4 - SKU: A0.956420 Composed by Glenda E. Franklin. Contemporary. Octavo. 8 pages. Glenda E. Franklin Publications #6269601. Published by Glenda E. Franklin Publications (A0.956420). The lush harmonies in this setting of Anne Bradstreet's lovely poem will blossom as your ladies discover the romanticism of this piece. Opportunities abound for work on phrasing and expression in this dedication of love.
$2.00 ≈
1.87€
To What Shall I Compare Her?
To What Shall I Compare Her?
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Chorale 3 parties
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FACILE
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Contemporain
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Glenda E
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To What Shall I Compare Her?
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Glenda E. Franklin Publications
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SheetMusicPlus
Choral Choir (3-Part) - Level 2 - SKU: A0.956416 Composed by Glenda E. Franklin. Contemporary. Octavo. 8 pages. Glenda E. Franklin Publications #6269591...
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Choral Choir (3-Part) - Level 2 - SKU: A0.956416 Composed by Glenda E. Franklin. Contemporary. Octavo. 8 pages. Glenda E. Franklin Publications #6269591. Published by Glenda E. Franklin Publications (A0.956416). The lovely poem by Robert Louis Stevenson in this piece will allow your men to show their inner romanticism. Opportunities abound for working on breath control, dynamics, expression and phrasing.
$2.00 ≈
1.87€
LOVE From The Three Best Things
LOVE From The Three Best Things
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Chorale SATB
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INTERMÉDIAIRE
#
John T Sarno
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LOVE From The Three Best Thing
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John T Sarno
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.904428 Composed by John T Sarno. A Cappella,Concert,Contemporary,Graduation. Octavo. 4 pages. John T Sarno #6864...
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Choral Choir (SATB) - Level 3 - SKU: A0.904428 Composed by John T Sarno. A Cappella,Concert,Contemporary,Graduation. Octavo. 4 pages. John T Sarno #6864355. Published by John T Sarno (A0.904428). 4-part SATB (with divisi) is a high school level a cappella piece. The romanticism of the poetry setting describes love as a journey to find your best self by loving and being loved. Love offered without pretense and received with forgiveness will fill the heart’s desire for true love. To give of yourself completely and freely because there is love. This is perfect for a choral concert. Approx. 1:57 Pages: 4 Because this is in a digital format you must purchase a minimum of 10 copies.
$2.99 ≈
2.80€
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
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Op. 45, No. 12: Cherchez, mes
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.81€
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 1: Ô songe h
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.81€
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 5: Si vous m&rsquo
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.81€
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 3: Le Matin au bor
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.81€
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 4: Prière a
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.81€
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 3: Vous ne voulez
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.81€
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 2: Barque lé
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.81€
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 7: Dans un songe en
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.81€
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 14: Lettres, le se
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.81€
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