Partitions Numériques de HARMONICA pour Quatuor de cuivres: 4 trombones

HARMONICA

Harmonica 830

Harmonica, Piano 45

HARMONICA

Old Rugged Cross - for Trombone Quartet with Jazz-inspired Harmony
Old Rugged Cross - for Trombone Quartet with Jazz-inspired Harmony #Quatuor de cuivres: 4 trombones #INTERMÉDIAIRE/AVANCÉ #George Bernard #Aaron Hettinga #Old Rugged Cross - for Trombon #Aaron Hettinga #SheetMusicPlus

Brass Ensemble,Trombone Quartet Bass Trombone - Level 4 - SKU: A0.782026 Composed by George Bernard. Arranged by Aaron Hettinga. Contemporary,Easter,Jaz...(+)

Brass Ensemble,Trombone Quartet Bass Trombone - Level 4 - SKU: A0.782026 Composed by George Bernard. Arranged by Aaron Hettinga. Contemporary,Easter,Jazz,Sacred. Score and parts. 9 pages. Aaron Hettinga #6081169. Published by Aaron Hettinga (A0.782026). This setting of George Bernard's Classic Hymn, Old Rugged Cross, for Trombone quartet takes a completely new approach harmonically in this arrangement. While the famous melody in the 1st Trombone has a few added embellishments (and is a bit rangey!), the rest of the ensemble joins with tighter jazz-influenced harmony.

MIRROR IMAGES for Trombone Quartet
MIRROR IMAGES for Trombone Quartet #Quatuor de cuivres: 4 trombones #INTERMÉDIAIRE/AVANCÉ #Adrienne Albert #MIRROR IMAGES for Trombone Qua #Adrienne Albert #SheetMusicPlus

Small Ensemble - Level 4 - SKU: A0.989187 Composed by Adrienne Albert (ASCAP). Arranged by Adrienne Albert, arranged from Saxophone Quartet version. Cla...(+)

Small Ensemble - Level 4 - SKU: A0.989187 Composed by Adrienne Albert (ASCAP). Arranged by Adrienne Albert, arranged from Saxophone Quartet version. Classical,Contemporary,New Age,Romantic Period,Traditional. Score and parts. 13 pages. Adrienne Albert #594863. Published by Adrienne Albert (A0.989187). Mirror Images is a beautiful, heartfelt piece for trombone quartet (3 Tenor Trombones, 1 Bass Tb; can also be 2 Tenor Tb, 2 Bass Tb) that can be performed for many different occasions. It is accessible, tonal, melodic and harmonically interesting. Can be performed by moderate to excellent musicians, is good for schools, church services, and most any occasions. Approximately 5 minutes in length. For more information, please contact: adrienne@adriennealbert.com. Published by Kenter Canyon Music (ASCAP). Visit adrienne at: http://www.adriennealbert.com.

Three Studies for Trombone Quartet
Three Studies for Trombone Quartet #Quatuor de cuivres: 4 trombones #AVANCÉ #Methodes Etudes #Vladislav Blazhevich #Karl Lyden #Three Studies for Trombone Qua #Cherry Classics Music #SheetMusicPlus

Trombone Quartet - Advanced - Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exerci...(+)

Trombone Quartet - Advanced - Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exercises, Technique Training. Score, Set of Parts. 39 pages. Published by Cherry Classics Music
The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.

Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.

Here is a description of the Three Studies by arranger Karl Lynden:

"The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich?s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement ?Five Etude?.

Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.

No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."