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Good Old Gospel Singing
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Vous avez sélectionné:
Good Old Gospel Singing
Partitions à imprimer
15 partitions trouvées
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1
Good Old Gospel Singing by Mosie Lister - Piano/Vocal/Chords
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Piano, Voix
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Christian contemporain
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Gospel Spirituel
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Mosie Lister
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Good Old Gospel Singing
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Musicnotes
Performed by: Mosie Lister: Good Old Gospel Singing Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet musi...
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Performed by: Mosie Lister: Good Old Gospel Singing Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Hymn, instruments: 4-Part Choir;Piano; 3 pages -- Gospel~~CCM~~Christian~~Religious
$5.50 ≈
£4.42
Color Chorded God is So Good
Color Chorded God is So Good
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Chorale Unison
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DÉBUTANT
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Musique Sacrée
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Gospel Spirituel
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Traditional
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arr
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Color Chorded God is So Good
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Headless Mallets
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.862070 Composed by Traditional. Arranged by arr. Lauran Delancy. Children,Christian,Gospel,Sacred,Spiritual. O...
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Choral Choir (Unison) - Level 1 - SKU: A0.862070 Composed by Traditional. Arranged by arr. Lauran Delancy. Children,Christian,Gospel,Sacred,Spiritual. Octavo. 6 pages. Headless Mallets #5011869. Published by Headless Mallets (A0.862070). God is So Good is another addition to the Color Chorded catalog by Headless Mallets Publishing. Color Chorded makes handbells and handchimes immediately accessible! Color Chorded is a system for ringing handbells and/or handchimes with singing. The system works well for non-music readers of all ages on both handbells and handchimes. The director points to each colored block as the music progresses across the page. Instructions and tips are included in each packet which contains an Assignments/Equipment Page, notated Melody, a Lyrics Lead Sheet, and Color Chorded Chart. More titles are available in the Color Chorded catalog through Headless Mallets Publishing (www.LauranDelancy.com/headless-mallets-publishing). The Color Chorded system has been used by creator Lauran Delancy with children’s chime choirs as young as 3 years old and also with older adults with great success.
$5.00 ≈
£4.02
Fifteen Hymns on Psalms or Gospels
Fifteen Hymns on Psalms or Gospels
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Piano, Voix
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FACILE
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Musique Sacrée
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W A Young
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Fifteen Hymns on Psalms or Gos
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Webster A Young Jr.
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.942260 Composed by W A Young. Classical,Easter,Praise & Worship,Sacred,Spiritual. Score. 44 pages. Webster A Young...
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Piano,Vocal,Voice - Level 2 - SKU: A0.942260 Composed by W A Young. Classical,Easter,Praise & Worship,Sacred,Spiritual. Score. 44 pages. Webster A Young Jr. #545629. Published by Webster A Young Jr. (A0.942260). 15 new hymns in the style of the old Anglican Hymnal setting many scripture texts that have not been set before, such as I have fought the good fight, Tell of Gideon, Barak, and Samson, and One hundred fold. For congregational singing with one line of melody and accompaniment.
$4.99 ≈
£4.01
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99 ≈
£1.60
Down to the River to Pray ? brass quintet
Down to the River to Pray ? brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Gospel Spirituel
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American Folk Hymn
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Todd Marchand
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Down to the River to Pray ? br
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Con Spirito Music
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SheetMusicPlus
Brass Quintet - Intermediate - Composed by American Folk Hymn. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. Score, Set of P...
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Brass Quintet - Intermediate - Composed by American Folk Hymn. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. Score, Set of Parts. 14 pages. Published by Con Spirito Music
"Down to the River to Pray" (also known as "Down in the River to Pray," "Down in the Valley to Pray," and "The Good Old Way") is a 19th-century American folk hymn variously attributed as an African-American spiritual/slave song, Appalachian song, and gospel song. In recent years, it was popularized in the 2000 motion picture, "O Brother, Where Art Thou," and by folk/bluegrass performer Alison Kraus.
In this arrangement, the first three presentations, or verses, of the pentatonic tune employ simple, traditional harmony and limited instrumentation, evoking the simplicity of folk-singing style. Verse 4 is characterized by a direct key change up a fourth (from concert Eb to Ab) and more active harmonies. After a short, two-bar modulation up one more step to Bb major, the final verse begins with rising parallel harmonies under the melody in trumpet 1, and continues with more contemporary harmonies. The piece concludes with a simple "Amen"-like ending.
?2019 Todd Marchand / ConSpiritoMusic.com
$15.00 ≈
£12.06
Christmas Calypso for Percussion Sextet
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99 ≈
£4.01
Christmas Calypso for Marimba Quartet
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
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From Your Words
From Your Words
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Gospel Spirituel
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Musique Sacrée
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Hugh Goodridge
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From Your Words
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Goodridge & Huvon Music Publishing
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Organ,Piano,Trumpet - Level 2 - SKU: A0.889119 Composed by Hugh Goodridge. Children,Christian,Contemporary,Gospel. Score a...
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Small Ensemble Clarinet,Flute,Organ,Piano,Trumpet - Level 2 - SKU: A0.889119 Composed by Hugh Goodridge. Children,Christian,Contemporary,Gospel. Score and parts. 1 pages. Goodridge & Huvon Music Publishing #2036651. Published by Goodridge & Huvon Music Publishing (A0.889119). This is a lovely christian song that young people will like to sing. The older folks may get jealous and will join the children in singing this inspirational song, too. I call it a little song, which is sweet to sing. Have fun with it.
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March of the Kings
March of the Kings
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Le Bas
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Philip Le Bas
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March of the Kings
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious...
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Choral Choir (SAB) - Level 3 - SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365). A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.
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Where Is Jesus
Where Is Jesus
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Where Is Jesus
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #65...
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Choral Choir (SATB) - Level 4 - SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6550433. Published by Kevin Longley (A0.1019372). Where Is JesusInspiration January 1st, 2021 was the start of my official retirement from a wonderful company that I had been employed at for 40+ years, Cirtronics Corporation. Where Is Jesus was my first retirement music so to speak. A 2 measure musical idea came to me in early January. Several weeks later I had the overall structure completed and started inputting the score into my music program. At this point I had no lyrical ideas, however with Easter approaching it occurred to me that the musics dramatic content leaned heavily towards Good Friday, in spirit. As I pondered that, I couldn't help but wonder what the disciples thought when Jesus was taken. Certainly they would question where he was, question what had happened. Thus was born Where is Jesus with the lyrical content asking and then answering. The Music The music is comprised of an A section which begins with the Tenors and Altos singing Where Is Jesus. The choir then responds (in chronological order, as recorded in the Gospels ) with lyrics that describe the brutality that Jesus endured. Here the weight of what has occurred is felt with the lyrics and music evoking great emotion. The B section follows; a retrospective look back sung by the soloist, stating that all had transpired as foretold, or as stated, by Jesus and the prophets. A C section is then introduced which contains the hope then, and the crux now, of our faith deaths chain cannot have its reign, he will rise, he will rise. After a short piano interlude we are returned to the A section, now modulated to a higher key; here the most emotional section of the music is felt with the raw truth of what has happened. He is nailed to the cross, he has died, we are lost. The piece then ends as it started Where Is Jesus, to be answered three days later.
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Good Old Gospel Singing
