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Vous avez sélectionné:
#Hautbois, Basson (duo) EUROPE
Partitions à imprimer
7 partitions trouvées
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1
Canon in D Major (Johann Pachelbel) for Oboe & Basson Duo
Canon in D Major (Johann Pachelbel) for Oboe & Basson Duo
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Hautbois, Basson (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Fabio Britto
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Canon in D Major
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Minhas Partituras
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SheetMusicPlus
Composed by Johann Pachelbel (1653-1706). Arranged by Fabio Britto. Baroque Period, Renaissance, European, Wedding, Recital. Score, Set of Parts, Solo...
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Composed by Johann Pachelbel (1653-1706). Arranged by Fabio Britto. Baroque Period, Renaissance, European, Wedding, Recital. Score, Set of Parts, Solo Part. 8 pages. Published by Minhas Partituras
$7.99 ≈
7.52€
It's Been A Long, Long Time
It's Been A Long, Long Time
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.592504 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and p...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.592504 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366123. Published by David McKeown (A0.592504). It’s Been a Long Long Time is arranged as a duet for one Oboe and one Bassoon. It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 ≈
5.63€
אַהֲבָה (Ahava, Hebrew for Love), Oboe and Bassoon Duet
×Ö·×Ö²×Ö¸× (Ahava, Hebrew for Love), Oboe and Bassoon Duet
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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David McKeown
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×Ö·×Ö²×Ö¸×
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.590775 Composed by David McKeown. Holiday,Jewish,Love,Wedding,World. Score and part...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.590775 Composed by David McKeown. Holiday,Jewish,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6235763. Published by David McKeown (A0.590775). אַהֲבָה, (Ahava, Hebrew for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Oboe and one Bassoon, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the slow formal dances used in traditional Jewish weddings in Israel and elsewhere. Klezmer music originated in Eastern Europe but has since spread around the world, its bitter sweet melodies and instruments imitating the human voice perfectly reflecting the complex emotion of love. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The melody is always expressive and following the articulation in the score will help convey the style. אַהֲבָה has a performance time of around three and a half minutes. Click the link above to listen to a full YouTube performance of the clarinet version of אַהֲבָה There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.75€
Fairy Queen Turlough'o Carolan Oboe & Bassoon Sheet Music
Fairy Queen Turlough'o Carolan Oboe & Bassoon
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Hautbois, Basson (duo)
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FACILE
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Celtique/Irlandais
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Turlough O'carolan
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Arezzo Music
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Fairy Queen Turlough'o Carolan
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Arezzo Music
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SheetMusicPlus
Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.1228239 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chambe...
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Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.1228239 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Folk,Irish,Traditional. 4 pages. Arezzo Music #824357. Published by Arezzo Music (A0.1228239). Welcome to our Sheet Music of Turlough O'Carolan's Fairy Queen, arranged for Oboe and Bassoon. O'Carolan was a famous Irish harper and composer of the late 17th and early 18th century, and his compositions are still beloved today for their haunting melodies and rich harmonies. In this arrangement, we bring O'Carolan's Fairy Queen to life with the delicate interplay of the oboe and Bassoon. The oboe takes on the main melody, weaving intricate patterns of sound with its bright, clear tone, while the Bassoonprovides a lush and resonant backdrop with its rich, deep sound. The Fairy Queen is a perfect example of O'Carolan's unique blend of traditional Irish melodies with classical European music. The piece is full of twists and turns, with unexpected harmonic shifts and intricate rhythms that keep the listener engaged and enchanted. We hope you enjoy our arrangement of this beautiful piece. Please don't forget to like and subscribe to our channel for more classical music performances and arrangements. Turlough'o Carolan Fairy Queen Oboe and BassoonSheet Music.
$3.99 ≈
3.75€
Ale Brider, Jewish Klezmer song for Oboe and Bassoon Duet
Ale Brider, Jewish Klezmer song for Oboe and Bassoon Duet
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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Klezmer
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Traditional
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David McKeown
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Ale Brider, Jewish Klezmer son
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.589620 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Sc...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.589620 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082279. Published by David McKeown (A0.589620). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Bassoon.The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.75€
The Candy Cakewalk, for Oboe and Bassoon Duet
The Candy Cakewalk, for Oboe and Bassoon Duet
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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David McKeown
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The Candy Cakewalk, for Oboe a
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.591146 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and p...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.591146 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284971. Published by David McKeown (A0.591146). The Candy Cakewalk is a fun and original duet written by David McKeown for one Oboe and one Bassoon. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.81€
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Bassoon Duo
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
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