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Two Against Nature
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Vous avez sélectionné:
Two Against Nature
Partitions à imprimer
60 partitions trouvées
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Two Against Nature
Two Against Nature
#
Basse electrique
#
INTERMÉDIAIRE
#
Rock
#
Steely Dan
#
Accubass
#
Two Against Nature
#
Accubass
#
SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.838605 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Accubass. Pop,Rock. Score. 23 pages. Accubass #6382...
(+)
Bass Guitar - Level 3 - SKU: A0.838605 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Accubass. Pop,Rock. Score. 23 pages. Accubass #6382625. Published by Accubass (A0.838605). Walter Becker's complete bassline.
$4.99 ≈
¥34.99
Two Against Nature
Two Against Nature
#
Basse electrique
#
INTERMÉDIAIRE
#
Rock
#
Steely Dan
#
Accubass
#
Two Against Nature
#
Accubass
#
SheetMusicPlus
Bass Guitar,Instrumental Solo - Level 3 - SKU: A0.838604 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Accubass. Pop,Rock. Individual pa...
(+)
Bass Guitar,Instrumental Solo - Level 3 - SKU: A0.838604 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Accubass. Pop,Rock. Individual part. 12 pages. Accubass #6382623. Published by Accubass (A0.838604). Walter Becker's complete bassline.
$4.99 ≈
¥34.99
Two Against Nature
Two Against Nature
#
Piano, Voix et Guitare
#
Steely Dan
#
Two Against Nature
#
Hal Leonard - Digital
#
SheetMusicPlus
Guitar,Piano and Keyboard,Vocal,Voice - SKU: HX.1247061 By Steely Dan. This edition: scorch. Jazz,Pop,Rock. Score. 6 pages. Hal Leonard - Digital #28177...
(+)
Guitar,Piano and Keyboard,Vocal,Voice - SKU: HX.1247061 By Steely Dan. This edition: scorch. Jazz,Pop,Rock. Score. 6 pages. Hal Leonard - Digital #28177. Published by Hal Leonard - Digital (HX.1247061).
$4.99 ≈
¥34.99
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
#
Flûte traversière et Piano
#
FACILE
#
Folklorique/Traditionel
#
Traditional
#
Christian Morris
#
Arirang Two Times
#
Hoopla Sheet Music
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1129510 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729958...
(+)
Flute,Piano - Level 2 - SKU: A0.1129510 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729958. Published by Hoopla Sheet Music (A0.1129510). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99 ≈
¥42.00
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
#
Trombone et Piano
#
FACILE
#
Folklorique/Traditionel
#
Traditional
#
Christian Morris
#
Arirang Two Times
#
Hoopla Sheet Music
#
SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1129512 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729...
(+)
Piano,Trombone - Level 2 - SKU: A0.1129512 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729960. Published by Hoopla Sheet Music (A0.1129512). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99 ≈
¥42.00
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
#
Cor et Piano
#
FACILE
#
Folklorique/Traditionel
#
Traditional
#
Christian Morris
#
Arirang Two Times
#
Hoopla Sheet Music
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1129511 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #...
(+)
French Horn,Piano - Level 2 - SKU: A0.1129511 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729959. Published by Hoopla Sheet Music (A0.1129511). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99 ≈
¥42.00
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
#
Trompette, Piano
#
FACILE
#
Folklorique/Traditionel
#
Traditional
#
Christian Morris
#
Arirang Two Times
#
Hoopla Sheet Music
#
SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.1129513 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #7299...
(+)
Piano,Trumpet - Level 2 - SKU: A0.1129513 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729961. Published by Hoopla Sheet Music (A0.1129513). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99 ≈
¥42.00
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
#
Alto, Piano
#
FACILE
#
Folklorique/Traditionel
#
Traditional
#
Christian Morris
#
Arirang Two Times
#
Hoopla Sheet Music
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1129514 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729962...
(+)
Piano,Viola - Level 2 - SKU: A0.1129514 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729962. Published by Hoopla Sheet Music (A0.1129514). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99 ≈
¥42.00
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
#
Folklorique/Traditionel
#
Traditional
#
Christian Morris
#
Arirang Two Times
#
Hoopla Sheet Music
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - SKU: A0.1123336 Composed by Traditional. Arranged by Christian Morris. Folk. Score and parts. 12 pages....
(+)
String Ensemble Cello,Double Bass,Viola,Violin - SKU: A0.1123336 Composed by Traditional. Arranged by Christian Morris. Folk. Score and parts. 12 pages. Hoopla Sheet Music #724152. Published by Hoopla Sheet Music (A0.1123336). Arirang (아리랑) is a popular folk song in both North and South Korea. It is estimated to be more athan 600 years old. This beautiful arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$8.99 ≈
¥63.03
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
#
Saxophone Alto et Piano
#
FACILE
#
Folklorique/Traditionel
#
Traditional
#
Christian Morris
#
Arirang Two Times
#
Hoopla Sheet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1129508 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Musi...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.1129508 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729956. Published by Hoopla Sheet Music (A0.1129508). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99 ≈
¥42.00
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Folklorique/Traditionel
#
Traditional
#
Christian Morris
#
Arirang Two Times
#
Hoopla Sheet Music
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1123335 Composed by Traditional. Arranged by Christian Morris. Folk. Score and parts. 12 p...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1123335 Composed by Traditional. Arranged by Christian Morris. Folk. Score and parts. 12 pages. Hoopla Sheet Music #724150. Published by Hoopla Sheet Music (A0.1123335). Arirang (아리랑) is a popular folk song in both North and South Korea. It is estimated to be more athan 600 years old. This beautiful arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$8.99 ≈
¥63.03
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
#
Violoncelle, Piano
#
FACILE
#
Folklorique/Traditionel
#
Traditional
#
Christian Morris
#
Arirang Two Times
#
Hoopla Sheet Music
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1129515 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729963...
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Cello,Piano - Level 2 - SKU: A0.1129515 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729963. Published by Hoopla Sheet Music (A0.1129515). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99 ≈
¥42.00
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
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Violon et Piano
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FACILE
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Folklorique/Traditionel
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Traditional
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Christian Morris
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Arirang Two Times
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Hoopla Sheet Music
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1129516 Composed by Traditional. Arranged by Christian Morris. Folk. 5 pages. Hoopla Sheet Music #729964. Published by ...
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Piano,Violin - Level 2 - SKU: A0.1129516 Composed by Traditional. Arranged by Christian Morris. Folk. 5 pages. Hoopla Sheet Music #729964. Published by Hoopla Sheet Music (A0.1129516). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99 ≈
¥42.00
Arirang Two Times (아리랑)
Arirang Two Times (아리랑)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional
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Christian Morris
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Arirang Two Times
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Hoopla Sheet Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1123338 Composed by Traditional. Arranged by Christian Morris. F...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1123338 Composed by Traditional. Arranged by Christian Morris. Folk. 12 pages. Hoopla Sheet Music #724153. Published by Hoopla Sheet Music (A0.1123338). Arirang (아리랑) is a popular folk song in both North and South Korea. It is estimated to be more athan 600 years old. This beautiful arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$8.99 ≈
¥63.03
Gaslighting Abbie
Gaslighting Abbie
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Steely Dan
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Gerrit Hager
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Gaslighting Abbie
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Hagerwal
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 5 - SKU: A0.1335608 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Gerrit Hager. ...
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Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 5 - SKU: A0.1335608 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Gerrit Hager. Contemporary,Funk,Jazz,Rock. 15 pages. Hagerwal #921445. Published by Hagerwal (A0.1335608). For use with a Cover Band: Horn Charts to Steely Dan's Two Against Nature album opener Gaslighting Abbie.Combined horns score and separate parts.TrumpetAlto SaxophoneTenor SaxophoneTromboneDo you need horns charts for that special song, but can't find them?Email us at info@horncharts.nlhttps://horncharts.nl
$14.99 ≈
¥105.10
Green Earrings
Green Earrings
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Steely Dan
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Gerrit Hager
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Green Earrings
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Hagerwal
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1319961 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Gerrit Hager. ...
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Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1319961 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Gerrit Hager. Funk,Jazz,Pop,Rock,Soul. 14 pages. Hagerwal #908523. Published by Hagerwal (A0.1319961). For use with a Cover Band: Horn Charts to Steely Dan's ultimate dance tune Green Earrings as played on their Two Against Nature DVD. Combined horns score and separate parts.TrumpetAlto SaxophoneTenor SaxophoneTromboneDo you need horns charts for that special song, but can't find them? Email us at info@horncharts.nlhttps://horncharts.nl/
$14.99 ≈
¥105.10
Bad Sneakers
Bad Sneakers
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Steely Dan
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Gerrit Hager
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Bad Sneakers
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Hagerwal
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1316631 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Gerrit Hager. ...
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Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1316631 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Gerrit Hager. Contemporary,Funk,Jazz,Pop,Soul. 8 pages. Hagerwal #905352. Published by Hagerwal (A0.1316631). For use with a Cover Band: Horn Charts to Steely Dan's Bad Sneakers as played on their Two Against Nature DVD. Combined horns score and separate parts.TrumpetAlto SaxophoneTenor SaxophoneTromboneDo you need horns charts for that special song, but can't find them? Email us at info@horncharts.nlhorncharts.nl
$14.99 ≈
¥105.10
Cousin Dupree - Score Only
Cousin Dupree - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Steely Dan
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Popnroll 1976
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Parts for Vocal &
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Cousin Dupree - Score Only
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Popnroll 1976
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1296742 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Popnroll 1976. 20th Century,Rock. 20 pages. Popnr...
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Concert Band - Level 3 - SKU: A0.1296742 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Popnroll 1976. 20th Century,Rock. 20 pages. Popnroll 1976 #886909. Published by Popnroll 1976 (A0.1296742). Cousin Dupree - Steely Dan (Score & Parts for Vocal & Band)This is a band score (with parts) with lyrics for Cousin Dupree from the 2000 album Two Against Nature by the American rock band Steely Dan. Separate lyrics card is also included.PDF format, 20 pages in total. Contents: Condensed Score 6 pages, 4 pages with vocals & chorus & chords, Guitar 2 pages Keyboards 3 pages Bass 2 pages Drums 2 pages Lyrics 1 page.
$29.99 ≈
¥210.27
Introspection 1
Introspection 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte ...
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Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99 ≈
¥27.98
"Lullaby" from An Icelandic Suite
"Lullaby" from An Icelandic Suite
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2 Pianos, 4 mains
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AVANCÉ
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Richard Simm
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Richard Simm
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"Lullaby" from An Ic
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1130804 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1130804 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #731074. Published by Richard Simm (A0.1130804). This innocent title belies another sad tale of Iceland's desperate and often tragic past, with battles against Nature at her most harsh, and the need to survive uppermost in everyone's thoughts. There are two well-known melodies to the lullaby, which was also used in a play about a kind of Icelandic Robin Hood, but the arranger found this one particularly beautiful.
$4.95 ≈
¥34.71
Remember Me from SIMPLE SONGS
Remember Me from SIMPLE SONGS
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Joshua Allen
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Remember Me from SIMPLE SONGS
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Joshua Allen Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.941049 Composed by Joshua Allen. Contemporary,Standards. Score. 4 pages. Joshua Allen Music #4716371. Published by Joshua...
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Piano Solo - Level 4 - SKU: A0.941049 Composed by Joshua Allen. Contemporary,Standards. Score. 4 pages. Joshua Allen Music #4716371. Published by Joshua Allen Music (A0.941049). Remember Me is the fifth title in a collection of solo piano pieces called SIMPLE SONGS. Remember Me is inspired by separation from loved ones, both brief and lasting. The piece begins simply enough, but quickly grows in complexity with areas of two-against three that add to the beauty and expressive nature of this piece. This movement is suitable for advancing pianists and is approximately 3 minutes and 27 seconds in length.SIMPLE SONGS is a collection of original compositions for solo piano simple in construction, varied in form and content, and vastly enjoyable to perform and hear. Each title is available separately and as a collection. For other titles from this collection or other works by this composer/arranger, please visit https://www.sheetmusicplus.com/publishers/published-by-joshua-allen-music/9059
$3.50 ≈
¥24.54
Steely Dan: Two Against Nature - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Jazz
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Steely Dan
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Virtualsheetmusic
Instantly printable sheet music by Steely Dan for voice, piano or guitar of MEDIUM skill level. / jazz,pop,rock
Instantly printable sheet music by Steely Dan for voice, piano or guitar of MEDIUM skill level. / jazz,pop,rock
$6.97 ≈
¥48.87
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
¥140.23
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
¥140.23
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
¥140.23
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Two Against Nature
