Symphonie Nr. 6 F-Dur Op. 68

Edition de Oswald Kästner
Anthologie de passages importants tirés des opéras et des symphonies

Violine I: B. Bartók: Konzert für Orchester, 5. Satz
L.v. Beethoven: Sinfonie Nr. 3 Es-Dur op. 55 ( Eroica ), 3. Satz
Sinfonie Nr. 4 B-Dur op. 60, 4. Satz
Sinfonie Nr. 9 d-Moll op. 125, 1. Satz, 2. Satz
Ouvertüre zu Leonore Nr. 3 op. 72a
Fidelio, 2. Akt, Finale
G. Bizet: Carmen, 2. Akt, Nr. 15 (Quintett)
J. Brahms: Sinfonie Nr. 1 c-Moll op. 68, 4. Satz (Einleitung)
A. Bruckner: Sinfonie Nr. 2 c-Moll, 2. Satz
Sinfonie Nr. 9 d-Moll, 2. Satz (Trio)
A. Dvorák: Sinfonie Nr. 9 ( Aus der neuen Welt ), 4. Satz
Konzert für Violoncello h-Moll, 1. Satz
P. Hindemith: Philharmonisches Konzert, Variation I
F. Mendelssohn-Bartholdy: Ein Sommernachtstraum, Ouvertüre op. 21, Scherzo op. 61 Nr. 1
W.A. Mozart: Sinfonie Nr. 39 Es-Dur KV 543, 4. Satz
Sinfonie Nr. 41 C-Dur ( Jupiter ), 4. Satz
Die Entführung aus dem Serail, Ouvertüre
Die Hochzeit des Figaro, Ouvertüre
Die Zauberflöte, Ouvertüre, 2. Akt, Nr. 13 ( Mohren-Arie )
R. Schumann: Sinfonie Nr. 2 C-Dur op. 61, 2. Satz
J. Strauß: Die Fledermaus, Ouvertüre
R. Strauss: Don Juan op. 20
Der Rosenkavalier, Erster Aufzug, Dritter Aufzug, Einleitung und Pantomime
I. Strawinsky: Le Sacre du Printemps, 1. Teil, Danses des adolescentes
G. Verdi: Rigoletto, 2. Akt, Finale
Ein Maskenball, 3. Akt, Scena e Duettino
Aida, 4. Akt
Falstaff, 2. Akt, 2. Teil, 3. Akt
R. Wagner: Tannhäuser, 2. Akt, 2. Szene (Elisabeth/Tannhäuser)
Siegfried, 3. Akt, 3. Szene
Die Meistersinger von Nürnberg, Vorspiel
C.M.v. Weber: Oberon, Ouvertüre
Euryanthe, Ouvertüre
Der Freischütz, Ouvertüre
Violine II: B. Bartók: Konzert für Orchester, 5. Satz
L.v. Beethoven: Sinfonie Nr. 1 C-Dur op. 21, 2. Satz
Sinfonie Nr. 3 Es-Dur op. 55 ( Eroica )
Sinfonie Nr. 6 F-Dur op. 60 ( Pastorale ), 4. Satz ( Gewitter )
Sinfonie Nr. 9 d-Moll op. 125, 1. Satz, 2. Satz
Fidelio, 1. Akt, Nr. 7 (Arie mit Chor)
G. Bizet: Carmen, 1. Akt, Nr. 11 (Finale)
J. Brahms: Sinfonie Nr. 1 c-Moll op. 68, 4. Satz (Einleitung)
Klavierkonzert d-Moll op. 15, 3. Satz
A. Bruckner: Sinfonie Nr. 2 c-Moll, 3. Satz
A. Dvorák: Konzert für Violoncello h-Moll, 2. Satz
F. Liszt: Eine Faust-Sinfonie, 2. Satz: Gretchen (Solo)
F. Mendelssohn-Bartholdy: Ein Sommernachtstraum, Ouvertüre op. 21, Scherzo op. 61 Nr. 1
W.A. Mozart: Sinfonie C-Dur KV 200, 4. Satz
Sinfonie Nr. 39 Es-Dur KV 543, 4. Satz
Sinfonie Nr. 41 C-Dur ( Jupiter ), 4. Satz
Die Entführung aus dem Serail, Ouvertüre
Die Hochzeit des Figaro, Ouvertüre, 1. Akt, Nr. 2 (Duettino), 1. Akt, Nr. 5 (Duettino)
Cosí fan tutte, 2. Akt, Nr. 31 (Finale)
Die Zauberflöte, Ouvertüre, 2. Akt, Finale (Chor)
M. Ravel: Daphnis et Chloé, Ballett, 3. Teil
F. Schubert: Sinfonie Nr. 4 c-Moll ( Tragische ), 4. Satz
B. Smetana: Die verkaufte Braut, Ouvertüre
J. Strauß: Die Fledermaus, Ouvertüre
R. Strauss: Don Juan op. 20
I. Strawinsky: Le Sacre du Printemps, 1. Teil, Danses des adolescentes
G. Verdi: Rigoletto, 2. Akt, Andante mosso agitato, 2. Akt, Finale
Aida, 4. Akt
Falstaff, 2. Akt, 2. Teil
R. Wagner: Tannhäuser, 2. Akt, 2. Szene (Elisabeth/Tannhäuser), Die Walküre, 3. Akt, 3. Szene ( Feuerzauber ). Siegfried, 3. Akt, 3. Szene
Die Meistersinger von Nürnberg, Vorspiel
C.M.v. Weber: Euryanthe, Ouvertüre

Urtext. Study edition of the score. For two Flutes two Oboes two Clarinets two Bassoons a Contrabassoon two Horns in C two Horns in F three Trombones Timpani in F and E and full string ensemble (Violins 1 & 2 Viola Cello and Double Bass).

Reihe : Bärenreiter Studienpartituren - Study scores
Ausgabe : Studienpartitur. Urtextausgabe
Herausgeber : Del Mar, Jonathan
Einband : kartoniert
Instrumentierung : 2 Flöte, 2 Oboe, 2 Klarinette in b, 2 Fagott, 2 Horn, 2 Trompete, Pauke, Streicher
Aufführungsdauer : 26`

Une symphonie qui impressionne par l'intransigeance, amas sonores extrêmement durs et très fortement l'accent sur l'affection. / Orchestre A Cordes

Mendelssohn Bartholdy: Symphony No. 4 in A major 'Italian' (Version 1833) Urtext based on the Leipzig Mendelssohn Complete Edition (Series I Vol. 6) by Thomas Schmidt-Beste To all extents and purposes, Germany is the land of artists, wrote Felix Mendelssohn Bartholdy in 1831 while on his travels in Italy; but Italy, he added, is the land of art. Indeed, everywhere he went in Italy, the 22-year-old composer found impulses for his symphony (I have to save the work until I have seen Naples). But although the country fired his inspiration (It will be the merriest piece that I have ever written), he did not actually write the Italian Symphony there. This did not occur until early 1833, when Mendelssohn obtained a commission from London, where he then conducted the first performance in May 1833. Begun the following year, his revision of the piece remained fragmentary, and the composer no longer performed the work himself. The familiar London version thus represents the only closed form of the work which the composer presented to the public. This is the version of the Italian Symphony that is now appearing in the Breitkopf Urtext collection as a pre-print from the Complete Edition.

Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impressions of the visit which seem to underlie the symphony. Contemporaries praised particularly the ”beauty of the Adagio. ” The work is here presented for the first time in an edition based critically on the sources./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar

Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impressions of the visit which seem to underlie the symphony. Contemporaries praised particularly the ”beauty of the Adagio. ” The work is here presented for the first time in an edition based critically on the sources./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar

Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impressions of the visit which seem to underlie the symphony. Contemporaries praised particularly the ”beauty of the Adagio. ” The work is here presented for the first time in an edition based critically on the sources./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar