Baroque Guitar Anthology

Le troisième volume de la série Guitar Anthology baroque contient 16 oeuvres originales de compositeurs des 17ème et 18ème siècles, transcrites pour guitare par le co-auteur Stuart Willis. Y compris les pièces de Weiss, de Visée, Hagen et Daube, entre autres, il présente une sélection soignée de travail, et, comme dans les autres volumes de la série, est idéal pour tous les joueurs intéressés à acquérir un aperçu de la richesse et de la variété des la guitare baroque et le répertoire de luth.Le livre contient des biographies de compositeurs et des notes pédagogiques sur l'ensemble des oeuvres, et est accompagnée d'enregistrement d'un CD de toutes les pièces jouées par Jens Franke. Convient aux étudiants de ca. 6-7 ans d'expérience de jeu, ou ceux de niveau Grades 5-6. / Guitare

Frank Koonce: Baroque Guitar In Spain And The New World is an anthology containing representative selections from the publications and manuscripts of four important Spanish Baroque guitarists namely GasparSanz Antonio de Santa Cruz Francisco Guerau and Santiago de Murcia.In addition to being fun and entertaining music for all to enjoy this collection is intended to help bridge the gap betweenscholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern Guitar.

Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures

Century Spain-Scholarly editions which serve different purposes than performance editions are not often designed with the modern guitarist in mind. For instance Renaissance vihuela tablatures are usually transcribed with the open firststring as G not E. Most are presented in double-staff notation a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore these editions sometimes give idealized but not realistic solutions for voicing note duration and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections edited for modern guitar from the seven books for vihuelathat were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology edited for modern guitar from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.

The solos duets and songs in this anthology are taken from the original sources and are graded and carefully fingered for the modern player. It is as faithful as possible to the originals while offering a practical performingscore suitable for the concert stage. Includes pieces by de Visee Sanz and other master composers for the lute as well as introductory text sections and study notes.

Par THOMAS MACE. The first complete anthology of lute music contained within Thomas Mace's historic treatise Musick's Monument (1676), transcribed and edited for classical guitar by Andrew Shepard-Smith. An exquisite and intriguing collection of early English Baroque lute music containing twelve preludes, eight complete lute suites, transcription notes, and a detailed table of ornaments (as outlined in Musick's Monument). Originally written as a pedagogical text for lute and theorbo, Mace's lute music contains wonderful insights into the performance practice of the time. A very valuable addition both the performance repertoire and to the guitar reference literature. Staff notation - moderate to advanced. / Niveau : Intermédiaire / Recueil / Guitare

25 Oeuvres originales et transcriptionsL'auteur de la fameuse série Anthologie de la guitare romantique, Jens Franke, revient avec un nouveau recueil de pièces des XVIIe et XVIIIe siècles. Le premier volume de l'Anthologie de la guitare baroque contient 25 pièces magnifiques et rares, transcrites pour la guitare par le coauteur Stuart Willis ; il comprend des oeuvres de Gaspar Sanz, David Kellner et Robert de Visée. S'adressant aux élèves d'environ 2-3 ans d'expérience, le volume contient en outre la biographie des compositeurs, des notes pédagogiques sur chaque pièce et un CD contenant les enregistrements de toutes les oeuvres, interprétées par Jens Franke.Contenu - Introduction - Sanz: Marionas - Sanz: Villano - Sanz: Espanoleta - Sanz: Torneo - Anon.: Folie d'Espagne - Anon.: Ouvrez-moy la porte, petite Nannon - Le Cocq: Menuet - Anon.: Entree - Anon.: Menuet - Anon.: Sarabande - Anon.: Gigue d'Angleterre - Anon.: Sarabande - De Visée: Menuet - Derosier: Sarabande - Derosier: Gigue - Le Cocq: Sarabande - Mouton: Prelude - Kellner: Sarabande - Kellner: Double - Le Cocq: Menuet - Le Cocq: La Burlesque - Le Cocq: Gigue - Anon.: Sarabande - Anon.: Prelude - De Visée: Gigue - Teaching Notes - About the Composers