Armida

SKU: HH.HH402-FSC

ISBN 9790708059820.

Not only is Armida Haydn’s most highly regarded opera, but the composer himself, on completing the score in 1783, referred to it as his best work. Topically interesting – love versus duty in the time of war – Armida is suitable for large and small opera companies alike and offers tremendous scope for imaginative staging. Based on the autograph score in the Royal College of Music, London, and on manuscript fragments in Eisenstadt, this edition has been prepared by the distinguished Haydn conductor Anton Gabmayer, since 1992 musical director of the Haydn Festival at Eisenstadt, with which Edition HH has forged close links.

SKU: TM.05275SET

Aka Montagues and Capulets. Banda = 1+1.0.2.2/2.2.1.0,1perc. Chorus I = SA; Chorus II = TB.

SKU: HL.51481120

UPC: 196288034773. 9.0x12.0x0.625 inches.

This volume brings together Mozart's youthful attempts at this later so central genre of the string quartet: the astonishing “Lodi Quartet” K. 80 by the only fourteen-year-old composer, the three “Quartet-Divertimenti� � K. 136-138 which are also readily played by chamber orchestras, and Mozart's first true string-quartet cycle K. 155-160 which was composed during his third (north-)Italian journey in 1772/73. Mozart's cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem “dot or wedge.” The Armida Quartet provided artistic input for this edition.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SKU: HL.49005094

ISBN 9790001054492.

Die Auswahl dieser Sammlung ist so getroffen, dass sie der Eigenart des Instruments weit entgegenkommt. Die gutklingenden, abwechslungsreichen Satze sind leicht lesbar und auch spielbar, und es sind nur die leichtesten Tonarten ausgewahlt worden. Der Band ist fur den Unterricht bestens geeignet.

SKU: CL.012-1488-01

This overture to the opera is characteristic of Haydn. It is an abbreviated sonata form with a waltz instead of a development section. The melodies have real vitality, and ingenious counterpoint enriches the repetition of thematic material.

SKU: FP.FFL20

ISBN 979-0-57050-098-7.

A brilliant collection of easy classics by some of the great composers, including Beethoven, Czerny, Gluck, Mozart, Kahlau, Enckhausen and more. Suggested grading 2.

SKU: CL.012-1488-02

SKU: VD.ED12605

ISBN 9790202026052. 12 x 9 inches.

SKU: HL.51487120

UPC: 196288034353. 6.75x9.5x0.395 inches.

This volume brings together Mozart's youthful attempts at this later so central genre of the string quartet: the astonishing “Lodi Quartet” K. 80 by the only fourteen-year-old composer, the three “Quartet-Divertimenti� � K. 136-138 which are also readily played by chamber orchestras, and Mozart's first true string-quartet cycle K. 155-160 which was composed during his third (north-)Italian journey in 1772/73. Mozart's cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem “dot or wedge.” The Armida Quartet provided artistic input for this edition.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)