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Vivaldi
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Antonio Vivaldi: Concerto in E minor No.6 RV 484 for bassoon & piano
$5.99
#
Bassoon, Piano (duet)
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Antonio Vivaldi
Antonio Vivaldi: Sonata in G minor Op.2 No.1 for violin & piano
$3.99
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Violin and Piano
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Antonio Vivaldi
Antonio Vivaldi: Sonata in F major Op.14 No.2 for cello & piano
$3.99
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Cello, Piano
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Antonio Vivaldi
Antonio Vivaldi: Sonata in E minor Op.14 No.5 for cello & piano
$3.99
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Cello, Piano
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Antonio Vivaldi
Antonio Vivaldi: Concerto in B minor Op.3 No.10 RV 580 (COMPLETE) for four violins, strings and harpsichord
$9.99
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String quartet: 4 violins
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Antonio Vivaldi
Antonio Vivaldi: Concerto in B minor Op.3 No.10 RV 580 (f.score) for four violins, strings and harpsichord
$4.99
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String quartet: 4 violins
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Antonio Vivaldi
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2, 3 ou 4 Violons (20)
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Solistes SATB, Choeur SATB/SATB, 2 … (17)
Trumpet (17)
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Oboe and Orchestra (17)
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Flûte Traversière, Violon, Basson e… (16)
Flûte Traversière ou Flûte à Bec So… (16)
String Trio: 2 violins, cello (16)
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Easy Piano (16)
4 Violons, Violoncelle, Cordes et B… (16)
Double Bass (16)
Soli, Mixted choir and accompanimen… (14)
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Violoncelle, Cordes et Basse Contin… (14)
Basson, Cordes et Basse Continue (14)
Brass ensemble (14)
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1 ou 2 Hautbois (13)
Violon, Orchestre à Cordes et Basse… (13)
2 Violons, Violoncelle Obligatoire,… (13)
Trio (13)
Violon, Cordes et Orgue (13)
Brass Quintet: 2 trumpets, horn, tr… (13)
Keyboard (13)
Trombone and Piano (13)
Flûte à Bec F2, F1, C1 et F (12)
2 Violons, Violoncelle Obligatoire,… (12)
Alto, Cordes et Orgue ou Clavecin (12)
CD (12)
Oboe (12)
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2 Cellos, Piano (12)
2 Violons, Violoncelle, Cordes et B… (11)
3 Guitars (trio) (11)
Solo S, Choeur SATB/SATB, 2 Orchest… (11)
Choeur SATB/SATB, 2 Orchestres: 2 V… (11)
2 Violons Obligatoires, Cordes et B… (11)
Mezzo-Soprano voice, Piano (11)
1 Piano, 4 hands (11)
Divers Ensembles Avec Orchestre (11)
Guitar Ensemble (11)
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Hautbois, Cordes et Basse Continue (10)
Orchestre à Cordes avec 2 Violons O… (10)
French horn (10)
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Choral (10)
Tenor Saxophone and Piano (10)
Treble (Alto) Recorder (9)
Flute, Orchestra (9)
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1 ou 2 Flûtes Traversières (9)
Orchestre à Cordes avec 4 Violons O… (9)
2 Mandolines Et Orchestre D'Instrum… (9)
2 SATB Choeur, Cordes Et Orgue (Ou … (9)
Solistes SSAT, Choeur SATB, 2 Hautb… (9)
Solistes SATB, Choeur SATB, 2 Hautb… (9)
Euphonium, Piano (duet) (9)
French Horn and Piano (9)
Choral 2-part (9)
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2 Trumpets, Keyboard (piano or orga… (9)
Solistes SSA, Choeur SATB, Hautbois… (8)
2 Violons, Violoncelle et Orchestre (8)
Solistes ATB, 2 Hautbois, 2 Violons… (8)
2 Cors et Cordes et Basse Continue (8)
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Partition D'Orchestre In 16 Poche (8)
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Pocket, Study conductor (8)
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:: (7)
3 Recorders (trio) (7)
Divers Ensembles Sans Orchestre (7)
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Piano Trio: piano, violin, cello (7)
Flautino, 2 Violons, Alto, Violonce… (7)
Tenor Saxophone (7)
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Hautbois, 2 Violons, Altos, Violonc… (7)
Flute, Basso continuo (7)
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Violon, Orchestre à Cordes et Clave… (6)
Ensemble de Chambre Mixte (6)
Flûte à Bec F1, 2 Violons et Basse … (6)
Violon Et 2 Orchestres (6)
Flautino, 2 Violons, Alto, Clavecin… (6)
Basse En Bb Et Piano (Orgue) (6)
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Musette (Hurdy Gurdy, Flûte Travers… (6)
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Tenor voice, Piano (6)
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C Instruments (6)
Piano Quintet: piano, violin, viola… (6)
2 Violins and Basso (6)
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Book (5)
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Dulcimer (5)
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2 Recorders (duet) (5)
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Solo S, Hautbois, 2 Violons, Alto e… (5)
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Contralto, 2 Violons, Alto Et Basse (5)
Piccolo, Piano (5)
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Violon, Cordes Et Clavecin (5)
Trombone (5)
Soprano et Cordes (5)
Flûte Traversière Hautbois et Basso… (4)
Basson et Concert Band ou Harmonie (4)
2 Altos, Cordes et Basse Continue (4)
Flûte à Bec Alto, 2 Violons et Bass… (4)
2 Sopranos, Alto, Ténor, Basse, Cho… (4)
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Flûte Traversière, Hautbois, Basson… (4)
Mandoline, Cordes et Basse Continue (4)
Flûte Traversière Cordes et Basse C… (4)
Flûte à Bec Alto, Basson et Basse C… (4)
Flûte à Bec Alto ou Flûte Traversiè… (4)
Orchestre à Cordes, Guitare et Cond… (4)
Flûte à Bec Alto, Hautbois et Basse… (4)
Harp (4)
Flûte, Cordes Et Basse Continue (4)
Flûte à Bec Alto et Basse Continue … (4)
3 Violons, Orchestre et Clavecin (4)
Flûte à Bec Alto ou Flûte Traversiè… (4)
Flûte Traversière ou Flûte à Bec Al… (4)
Flûte à Bec Alto ou Flûte Traversiè… (4)
Violon/Instrument à Cordes/Basse Co… (4)
Flûte Traversière, Hautbois, 2 Viol… (4)
Voloncelle, 2 Violons, Alto et Bass… (4)
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Fac-similé (4)
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2 Flutes (duet) (4)
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2 Violons, Violoncelle Ad Libitum e… (4)
Ukulele (4)
School Ensemble (4)
C Trumpetor et Trompette Sib/Cornet… (4)
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2 Violons, Ensembles de Cordes et B… (4)
Violon, Orchestre à Cordes et Clave… (4)
Flûte à Bec Alto ou Flûte Traversiè… (4)
Flûte à Bec, Cordes et Basse Contin… (4)
Choeur SATB, Cordes et Orgue ou Cla… (4)
Flûte Traversière, Hautbois, Violon… (4)
Flûte Traversière, 2 Violons et Bas… (4)
Brass Quartet: 4 trombones (4)
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Opera (4)
2 Mandolines et Guitare (4)
Mezzo-Soprano voice (4)
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2 Cellos (duet) (3)
Flûte A Bec, Cordes Et Basse Contin… (3)
Contralto Et Basse Continue (3)
Instruments A Vent (3)
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Brass Quartet: 2 trumpets, horn, tr… (3)
Bass guitar (3)
Guitare et Instruments Divers (3)
Recorder Ensemble (3)
Violin, Guitar (duet) (3)
Choral TTBB (3)
Parties Supplémentaires (3)
Violon, Orchestre à Cordes et Orgue (3)
Banjo (3)
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Orchestre (3)
2 Violas, Piano (3)
Soprano voice (3)
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2 Clarinets (duet) (3)
3 Violons, Orchestre à Cordes et Ba… (3)
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Alto, Cordes Et Orgue (Ou Clavecin) (3)
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Melody line, (Lyrics) and Chords (2)
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Oboe, Basso continuo (2)
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2 Hautbois et Orchestre (2)
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Voix de femme (Soprano ou Mezzo), … (2)
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Choeur Mixte Sans Accompagnement (2)
Alto (Partie séparée) (2)
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Marimba (2)
Piccolo Flûte à Bec ou Flûte à Bec … (2)
Medium voice, Piano (2)
Clavier et Piano (2)
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Flute Trio: 3 flutes (2)
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Flöte, Streicher und Basso continu… (2)
ELECTRONIC KEYBOARD GROUPS (2)
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2 Violoncelles, Basse Continue Et O… (2)
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2 Trombones (duet) (1)
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Biography (1)
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Flûte à bec (1)
Instruments En Si Et Ut (1)
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VIVALDI Flute Concerti in D major (RV429); G major (RV435); A minor (RV440)
Flute
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Music Minus One
Music Minus One Flute. Composed by Antonio Vivaldi (1678-1741). Sheet music. Mus…
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Music Minus One Flute. Composed by Antonio Vivaldi (1678-1741). Sheet music. Music Minus One. Classical. Softcover Audio Online. 20 pages. Music Minus One #MMO3315. Published by Music Minus One
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Vivaldi - 3 Concerti for Flute and Orchestra: D Major (RV427); F Major (RV434); G Major (RV438)
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Music Minus One
Music Minus One Flute. Composed by Antonio Vivaldi (1678-1741). Music Minus One.…
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Music Minus One Flute. Composed by Antonio Vivaldi (1678-1741). Music Minus One. Classical. Softcover Audio Online. 20 pages. Music Minus One #MMO3314. Published by Music Minus One
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VIVALDI 'Le Quattre Stagioni' ('The Four Seasons') for Flute and Orchestra (arranged by Paul Fried), op. 8, nos. 1-4
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Music Minus One Flute. By Paul Fried. By Antonio Vivaldi (1678-1741). Sheet music with CD. Music Minus One. Classical. Softcover Audio Online. 48 pages. Music Minus One #MMO3397. Published by Music Minus One
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Antonio Vivaldi : Complete Sonatas for Cello and Basso Continuo
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Wiener Urtext
(Samtliche Sonaten fur Violoncello und Basso continuo). By Antonio Vivaldi (1678…
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(Samtliche Sonaten fur Violoncello und Basso continuo). By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. Standard notation
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Vivaldi Album
Soprano voice, Piano
Ricordi
12 Selected Arias for Soprano Soprano and Piano. Composed by Antonio Vivaldi (…
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12 Selected Arias for Soprano Soprano and Piano. Composed by Antonio Vivaldi (1678-1741). Edited by Alessandro Borin. Vocal Collection. Classical, Opera. Softcover. Ricordi #NR14245000. Published by Ricordi
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Antonio Vivaldi: Sonate Violin and Basso Continuo RV11, RV37
Violin, Basso continuo
Ricordi
Critical Edition Score. Composed by Antonio Vivaldi (1678-1741). String. Soft…
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Critical Edition Score. Composed by Antonio Vivaldi (1678-1741). String. Softcover. 40 pages. Ricordi #PR1440. Published by Ricordi
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Vivaldi! An Aria and Two Concertos
Oboe, Piano (duet)
Last Resort Music Publishing
(arranged for oboe and piano). By Antonio Vivaldi (1678-1741). Edited by Francis…
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(arranged for oboe and piano). By Antonio Vivaldi (1678-1741). Edited by Francisco Castillo. Arranged by Daniel Kelley. For oboe solo and piano. Baroque. Advanced. Published by Last Resort Music Publishing
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Vivaldi : Sinfonia in B Minor
String Orchestra
[Score and Parts]
-
Intermédiaire
Wingert-Jones Publications
(Al Santo Sepolchro). Composed by Antonio Vivaldi (1678- 1741). Arranged by B…
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(Al Santo Sepolchro). Composed by Antonio Vivaldi (1678- 1741). Arranged by Brendan Mcbrien. For string orchestra. Concert Work. Grade 4. Score and set of parts. Duration 4:45. Published by Wingert- Jones Publication
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Vivaldi: Gloria in D. Revised edition
Soli, Mixted choir and accompaniment
Carus Verlag
Composed by Antonio Vivaldi (1678-1741). Edited by Gunter Graulich. Arranged b…
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Composed by Antonio Vivaldi (1678-1741). Edited by Gunter Graulich. Arranged by Paul Horn. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Mass sections, Christmas, Praise and thanks. Full Score. Composed 1713/1717. RV 589. Duration 29 minutes. Carus Verlag #CV 40.001/50. Published by Carus Verlag
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Oboe Concerti: TELEMANN F minor; HANDEL No. 8 in B-flat major; VIVALDI D minor, RV454(236) (New Digitally Remastered 2 CD set)
Oboe
[Sheet music + Audio access]
Music Minus One
Teleman * Handel * Vivaldi Music Minus One Oboe. Composed by Various. Music Minu…
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Teleman * Handel * Vivaldi Music Minus One Oboe. Composed by Various. Music Minus One. Classical. Softcover Audio Online. 16 pages. Music Minus One #MMO3401. Published by Music Minus One
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Antonio Vivaldi - Concerto No. 6 in A minor, Op. 3/6, RV 356
Violin and Piano
[Reduction]
Schott
(from L'Estro armonico Violin and Piano Reduction). By Antonio Vivaldi (1678-174…
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(from L'Estro armonico Violin and Piano Reduction). By Antonio Vivaldi (1678-1741). Edited by Christopher Hogwood. Arranged by Annette Seyfried. For Violin, Piano Accompaniment. String. Softcover. 16 pages. Schott Music #VLB172. Published by Schott Music
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Vivaldi: Gloria in D. Revised edition
Soli, Mixted choir and accompaniment
Carus Verlag
Composed by Antonio Vivaldi (1678-1741). Edited by Gunter Graulich. Arranged b…
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Composed by Antonio Vivaldi (1678-1741). Edited by Gunter Graulich. Arranged by Paul Horn. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Mass sections, Christmas, Praise and thanks. Vocal score. Composed 1713/1717. RV 589. Duration 29 minutes. Carus Verlag #CV 40.001/53. Published by Carus Verlag
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Vivaldi : Concerto for Four Cellos
String Orchestra
[Score and Parts]
-
Intermédiaire
Grand Mesa Music
Composed by Antonio Vivaldi (1678-1741). Arranged by J. Cameron Law. For 4 s…
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Composed by Antonio Vivaldi (1678-1741). Arranged by J. Cameron Law. For 4 solo cellos and string orchestra. Grade 4 (section), Grade 5 (solo). Score and set of parts. Duration 3 minutes, 30 seconds. Published by Grand Mesa Music
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Antonio Vivaldi - Nisi Dominus
Pocket, Study conductor
[Study Score / Miniature]
Ricordi
(Psalm 126), RV 608. By Antonio Vivaldi. Study Score. Size 7.75x10.5 inches. 72 …
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(Psalm 126), RV 608. By Antonio Vivaldi. Study Score. Size 7.75x10.5 inches. 72 pages. Published by Ricordi.
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Antonio Vivaldi: Gloria
Choral SATB
SATB, Orchestra
[Octavo]
Walton Music
Composed by Antonio Vivaldi (1678-1741), edited by Mason Martens. Octavo for sol…
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Composed by Antonio Vivaldi (1678-1741), edited by Mason Martens. Octavo for solo voices, SATB choir and orchestra. With piano reduction. Choral. 80 pages. Published by Walton Music.
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Classical Guitar Music of Vivaldi
Guitar notes and tablatures
Classical guitar
[Sheet music]
-
Intermédiaire
Creative Concepts
Performed by Antonio Vivaldi (1678-1741), arranged by Joseph Harris. Guitar tabl…
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Performed by Antonio Vivaldi (1678-1741), arranged by Joseph Harris. Guitar tablature songbook for guitar. 80 pages. Published by Creative Concepts.
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Vivaldi - Concerto in A Minor; Concerto in D major; Concerto Grosso in A minor
Violin
[Sheet music + Audio access]
Music Minus One
Music Minus One Violin. By Geoffrey Applegate. By Antonio Vivaldi (1678-1741). M…
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Music Minus One Violin. By Geoffrey Applegate. By Antonio Vivaldi (1678-1741). Music Minus One. Classical. Softcover Audio Online. 28 pages. Music Minus One #MMO3126. Published by Music Minus One
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Antonio Vivaldi: Four Seasons - Piano Solo
Piano solo
[Singles]
-
Intermédiaire
Alfred Publishing
Composed by Antonio Vivaldi (1678-1741), arranged by R. Fred Kern. Single piece …
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Composed by Antonio Vivaldi (1678-1741), arranged by R. Fred Kern. Single piece for solo piano. 10 pages. Published by Alfred Publishing.
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VIVALDI L'Estro Armonico: Concerto for Four Violins in B minor, op. 3, no. 10, RV580
Violin
[Sheet music + Audio access]
Music Minus One
Music Minus One Violin. By Bojidara Kouzmanova. By Antonio Vivaldi (1678-1741). …
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Music Minus One Violin. By Bojidara Kouzmanova. By Antonio Vivaldi (1678-1741). Sheet music with CD. Music Minus One. Classical. Softcover Audio Online. 36 pages. Music Minus One #MMO3177. Published by Music Minus One
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Vivaldi Rocks
Orchestra
-
Intermédiaire/avancé
Alfred Publishing
Composed by Antonio Vivaldi (1678-1741). Arranged by by Mark Wood. Performance…
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Composed by Antonio Vivaldi (1678-1741). Arranged by by Mark Wood. Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Pop/Rock; Rock. Score and Part(s). Duration 2:30. Alfred Music #00-49428. Published by Alfred Music
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Antonio Vivaldi : Violin Concerto in B-flat Major, F.I. no. 60
Violin and Piano
-
Avancé
Wolfhead Music
By Antonio Vivaldi. Edited by John Craton. Chamber ensemble. For Violin, piano. …
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By Antonio Vivaldi. Edited by John Craton. Chamber ensemble. For Violin, piano. Chamber Music. For violin scordatura and orchestra, this version is for violin and piano. Baroque. Score and part. 26 pages. Duration 15:00. Published by Wolfhead Music. (WM515) Level: Advanced.
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Antonio Vivaldi : Autumn (from The Four Seasons)
String Orchestra
[Score and Parts]
-
Débutant
Alfred Publishing
By Antonio Vivaldi (1678-1741). Arranged by Douglas E. Wagner. Orchestra. String…
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By Antonio Vivaldi (1678-1741). Arranged by Douglas E. Wagner. Orchestra. String Orchestra. Belwin Beginning String Orchestra. Baroque. Grade 1.5. Conductor Score and Parts. 76 pages
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Inverno (Scenes from Vivaldi's Winter )
String Orchestra
[Score and Parts]
Wingert-Jones Publications
Composed by Antonio Vivaldi (1678-1741). Arranged by Todd Parrish. Classical. Sc…
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Composed by Antonio Vivaldi (1678-1741). Arranged by Todd Parrish. Classical. Score and parts. Published by Wingert-Jones Publications (WJ.3035111).
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Antonio Vivaldi - Lauda Jerusalem
Pocket, Study conductor
[Study Score / Miniature]
Ricordi
(Psalm 147) RV 608. Study Score. Size 7.75x10.5 inches. 68 pages. Published by R…
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(Psalm 147) RV 608. Study Score. Size 7.75x10.5 inches. 68 pages. Published by Ricordi.
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HAYDN Divertimento in D major; VIVALDI Concerto in D major, op. 10 No. 3 'Bullfinch'; FREDERICK THE GREAT Concerto in C major
Flute
[Sheet music + CD]
Music Minus One
For Flute. Classical (orchestral). Includes a high-quality printed music score a…
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For Flute. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete performance of the concerto in split-channel stereo, with the soloist on the right channel; and a second performance in full stereo minus the soloist. Published by Music Minus One
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The Best of Antonio Vivaldi Concertos, Volume One (Viola)
String Quartet: 2 violins, viola, cello
[Part]
Alfred Publishing
(For String Orchestra or String Quartet). Edited by Paul Paradise. For Viola. St…
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(For String Orchestra or String Quartet). Edited by Paul Paradise. For Viola. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 28 pages. Published by Alfred Publishing.
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Antonio Vivaldi (Documents of His Life and Wo
[Sheet music]
Heinrichshofen Verlag
By Antonio Vivaldi (1678-1741). Edited by Walter Kolneder. Arranged by Kurt Mich…
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By Antonio Vivaldi (1678-1741). Edited by Walter Kolneder. Arranged by Kurt Michaelis. Antonio Vivaldi (Documents of His Life and Work). Book
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VIVALDI Two Concerti for Guitar (Lute) and Orchestra: C major, RV425 (F. V/1); D major, RV93 (F. XII/15)
Guitar, Orchestra
[Book + CD]
Music Minus One
For Guitar. This newly engraved, authoritative printed music score features the …
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For Guitar. This newly engraved, authoritative printed music score features the solo guitar part plus orchestral reduction for ease of learning and study, historical notes and performance suggestions, printed on high-quality, acid-free ivory paper. Also includes a compact disc containing a complete version with soloist, in digitally recorded stereo; then a digital stereo version of the orchestral accompaniment, minus the soloist; and a second compact disc containing the complete version of the concerto, followed by a -20% slow-tempo version of the accompaniments for practice purposes. Published by Music Minus One.
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Vivaldi Album - Contralto
Alto voice, Piano
[Sheet music]
Ricordi
12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. \'Vivaldi Album\' est une …
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12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. \'Vivaldi Album\' est une collection d\'anthologies d\'airs d\'opéra, subdivisée par tessiture vocale, et tirée du corpus de la musique de théâtre d\'Antonio Vivaldi qui a survécu jusqu\'à nos jours. Ce répertoire comprend vingt-quatre drames musicaux, trois sérénades et un grand nombre d\'arias. Chaque volume est composé de douze pièces qui varient en termes de sensibilité et de caractère, illustrant une pluralité de styles et de situations dramatiques. Elles sont classées par ordre chronologique de manière à fournir un échantillon représentatif de l\'ensemble de la carrière de Vivaldi. Ce recueil pour contralto est le deuxième volume disponible dans la collection, la version pour soprano étant sortie il y a quelques semaines. D\'autres volumes pour d\'autres voix suivront bientôt. / Date parution : 2022-09-27/ Recueil / Voix d\'Alto et Piano
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Vivaldi Concerto In Re Maggiore 2 Violini 2 Violoncelli Archi E Cemb.
Français
Scores
[Sheet music]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres composi…
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In Re Maggiore 2 Violini 2 Violoncelli Archi E Cemb. vous retrouverez tout le talent de ce compositeur. Cette partition a été éditée par les éditions ID Music sous le numéro PR461 et fait bien évidemment partie du pur style Classique. / Scores / Partition
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Vivaldi Concerto In La Maggiore Per Violino, Archi E Cembalo Rv343
Français
Violon, Cordes Et Clavecin
[Sheet music]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres composi…
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In La Maggiore Per Violino, Archi E Cembalo Rv343 vous retrouverez tout le talent de ce compositeur. Ecrite pour Violon et plus précisément pour Violon, Cordes Et Clavecin cette partition a été éditée par les éditions ID Music sous le numéro PR462. / Violon, Cordes Et Clavecin / Partition
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Vivaldi Concerto In La Maggiore Violon Archi Cembalo And Organo
Français
Organ
[Sheet music]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres composi…
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In La Maggiore Violon Archi Cembalo & Organo vous retrouverez tout le talent de ce compositeur. Ecrite pour Orgue cette partition a été éditée par les éditions ID Music sous le numéro RIPR1097. / Orgue / Partition
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Vivaldi Haydn Accolay Violon 2Cd
Français
Piano solo
[Sheet music + CD]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres composi…
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Haydn Accolay Violon 2Cd vous retrouverez tout le talent de ce compositeur. Ecrite pour Piano cette partition a été éditée par les éditions ID Music sous le numéro YOU010. / Piano / Partition Cd
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Vivaldi Concerto In La Maggiore Per Violino, Archi E Cembalo Rv336
Français
Violon, Cordes Et Clavecin
[Sheet music]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres composi…
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In La Maggiore Per Violino, Archi E Cembalo Rv336 vous retrouverez tout le talent de ce compositeur. Ecrite pour Violon et plus précisément pour Violon, Cordes Et Clavecin cette partition a été éditée par les éditions ID Music sous le numéro PR716. / Violon, Cordes Et Clavecin / Partition
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Vivaldi Concertos For Mandolin
Mandolin
Bill's Music Shelf
Des arrangements de duo de trois Concertos bien connu de Vivaldi arrangé pour ma…
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Des arrangements de duo de trois Concertos bien connu de Vivaldi arrangé pour mandoline et guitare : Concerto en un (RV82), Concerto en do (RV425) et le Concerto en ré (RV93). Chaque arrangement dans cette collection a été réduite de soliste avec l'orchestre à cordes, d'un duo pour mandoline et guitare. La mandoline effectue la partie solo et la partie de guitare est une réduction des chaînes. Dans la partie de guitare, des accords ont été ajoutés au-dessus du personnel afin de permettre un embellissement la pratique courante de l'époque Baroque. Un autre instrument c comme les flûte, violon ou un autre guitare peut être facilement substitué à la mandoline. Musiciens trouverez ces arrangements accessibles excellente performance dans tout milieu de la salle de spectacle pour le café local. Le score (guitare/mandoline) et la partie solo de mandoline sont disponibles en version imprimée, alors que la partie d'accompagnement de guitare est disponible en téléchargement gratuit internet. Les parties des mandoline et guitare sont présentés dans la notation. / Mandoline / 56 pages / niveau : Intermédiaire / Partition+Online Pdf - Format: 11 X 8,5
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Antonio Vivaldi Violin Concerto In A Minor
Violin
[CD + DVD]
-
Intermediate
AMA Verlag
Violin Concerto #1 In A Minor, Op.3 #6. Par VIVALDI ANTONIO. Standard violon étu…
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Violin Concerto #1 In A Minor, Op.3 #6. Par VIVALDI ANTONIO. Standard violon étudiant répertoire - magistralement enseigné par Zakhar Bron. Le tournage d\'une classe de maître dans la salle blanche du palais Sheremetjev à Saint-Pétersbourg. DVD avec la partie de violon Solo, préparé et annoté par Zakhar Bron. Zakhar Bron est un violoniste exceptionnelle et enseignant de renommée mondiale qui a reçu de nombreux prix et professeurs, plusieurs de ses étudiants, tels que Vadim Repin, Maxim Vengerov, Erik Schumann et Mayuko Kamino, appartiennent à l\'élite mondiale des solistes de violon. / Niveau : Intermédiaire / Classic - Methods / Méthode / Violon
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Elias Barreiro: Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico: Guitar
Guitar
Classical guitar
[Sheet music]
-
Intermediate
Mel Bay
The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmon…
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The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.
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Jean-Michel Defaye: A La Maniere De Vivaldi: Trombone: Instrumental Work
Trombone and Piano
[Reduction]
Leduc, Alphonse
French pianist arranger composer and conductor Jean-Michel Defaye (b. 1932) e…
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French pianist arranger composer and conductor Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass À La Manière De Vivaldi composed in 2002 for Trombone and Piano being no exception. With a typical performance lasting about four minutes Defaye's À La Manière De Vivaldi reflects the compositional techniques of Antonio Vivaldi by use of contrapuntal textures modulations to related keys long and even quaverand semiquaver melodic passages syncopation and contrasts in dynamics. Defaye's passion to explore a variety of preceding composers is clear with À La Manière De Vivaldi being a part of a series which explores the music of many great composers. For all aspiring trombonists wishing to vary and expand their repertoire À La Manière De Vivaldi by Jean-Michel Defaye is essential.
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Vivaldi A. - The Four Seasons - Piano
Piano solo
Ricordi
Ever since their first publication in 1725, LE QUATTRO STAGIONI (The Four Season…
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Ever since their first publication in 1725, LE QUATTRO STAGIONI (The Four Seasons) have collectively been known as one of the most significant compositions by Vivaldi. Today they are without doubt the most frequently programmed of Vivaldi´s works, provided here in transcription for piano solo based on the critical edition of the score by Paul Everett and Michael Talbot, published by Casa Ricordi in partnership with Istituto Italiano Antonio Vivaldi, Fondazione Giorgio Cini (Venice). ous-titre : Transcription for Pianoforte / Italian - English Edition Compositeur : Antonio Vivaldi Édition musicale : Ricordi Instrumentation : Piano Type de produit : Recueil Nombre de pages : 56 ISMN : 9790041410340
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Antonio Vivaldi: Gloria RV 589 (Chorus Score): SATB: Vocal Score
Latin
Soli (SSA), gemischter Chor (SATB) und Orchester
Barenreiter
The chorus score contains no Piano reduction or solo parts - for full Vocal scor…
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The chorus score contains no Piano reduction or solo parts - for full Vocal score (with Piano reduction) see BA7674-90. Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldidisplays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.The same mastery has also been applied to the ?Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive Choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
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Morton Gould: Vivaldi Gallery: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Schirmer
Score-Morton Gould's Vivaldi Gallery for String Quartet and Divided Orchestra.Vi…
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Score-Morton Gould's Vivaldi Gallery for String Quartet and Divided Orchestra.Vivalid Gallery is based on materials drawn from various orchestral chamber and choral works of AntonioVivaldi. It was first performed by Milton Katims and the Seattle Symphony Orchestra in the Seattle Opera House on March 25 1968. The same artists have recorded Vivaldi Gallery for RCA Victor.
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Vivaldi A. - Gelido In Ogni Vena (farnace) - Chant Et Piano
Français
Piano, Voice
Editions Buissonnieres
La partition incomplète de Farnace constitue l'ultime témoignage de l'écriture l…
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La partition incomplète de Farnace constitue l'ultime témoignage de l'écriture lyrique de Vivaldi parvenu jusqu'à nous. L''uvre atteint un sommet absolu avec l'air de Farnace au 2e acte, Gelido in ogni vena, dans lequel Farnace, roi du Pont, après avoir ordonné la mort de son fils pour le préserver des mains ennemies, s'effondre à l'annonce de l'exécution de son ordre. Avec cet air d'une suffocante beauté, Vivaldi compose une page majeure de son 'uvre, plongeant le drame dans un climat funèbre, quasi sépulcral, dominé par une remarquable instabilité harmonique qui trahit l'égarement du héros. Dix ans avant ce Farnace, l'Abbé Conti, noble vénitien, vantait les airs d'opéra de Vivaldi dans une lettre adressée à la Comtesse de Caylus, évoquant une musique variée, soit dans le sublime, soit dans le tendre. Deux cent cinquante ans après la mort du Prêtre Roux, cet air proposé ici en réduction chant and clavier donne raison à cet admirateur prestigieux. Le théâtre vivaldien, brûlant d'humanité, mêlant divinement le tendre et le sublime, palpite toujours de sa formidable intensité. L'aria Gelido in ogni vena existe également en matériel d'orchestre Vivaldi : Gelido in ogni vena Arrangement pour clavier : Marine Lombard Format 22 x 31,5 cm Livret piano-chant 4 pages avec couverture cartonnée partie séparée chant-piano 4 pages.
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VIVALDI ANTONIO - CONCERTO IN D-DUR RV 91
Chamber Orchestra
Amadeus Verlag
Concerto in D-dur · RV 91
VIVALDI, Antonio (1678-1741)
für Flö…
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Concerto in D-dur · RV 91
VIVALDI, Antonio (1678-1741)
für Flöte, Violine, Fagott und Bc.
Das Quadro zeugt erneut von Vivaldis nie versiegenden Erfindungsreichtum. Der formale Aufbau folgt weitgehend nach dem Schema der Ritornellform, überrascht aber zudem durch ein stark kontrastierendes Klangspektrum zwischen den Instrumentengruppen.
/ Partitions classique / Ensemble et orchestre / Musique de chambre / AMADEUS
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Conc. Pour Vl., Archi E B.C. Delle Raccolte Edite In Vita Di Antonio Vivaldi: Op. III 'L'Estro Armonico': Vol.II
Violon, Cordes et Basse Continue
[Sheet music]
Ricordi
Delle Raccolte Edite In Vita Di A. Vivaldi Op.Iii 'L'Estro Armonico': Volume Ii.…
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Delle Raccolte Edite In Vita Di A. Vivaldi Op.Iii 'L'Estro Armonico': Volume Ii. Par VIVALDI ANTONIO. Contents: Vivaldi: Concerto, Op. 3 No. 7 'Con quattro Violini e Violoncello obligato', RV 567 Vivaldi: Concerto, Op. 3 No. 8 'Con due Violini obligati', RV 522 Vivaldi: Concerto, Op. 3 No. 9 'Con Violino Solo obligati', RV 230 Vivaldi: Concerto, Op. 3 No. 10 'Con quattro Violini e Violoncello obligato', RV 580 Vivaldi: Concerto, Op. 3 No. 11 'Con due Violini e Violoncello obligato', RV 565 Vivaldi: Concerto, Op. 3 No. 12 'Con Violino Solo obligato', RV 265/ Répertoire / Violon, Cordes et Basse Continue
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Vivaldi A. - Orlando Furioso - Chant-piano
Français
Piano, Voice
Editions Buissonnieres
L'œuvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire succ…
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L''uvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire succès rencontré par un petit nombre de concertos a éclipsé tout un pan de ses compositions, notament les opéras, auxquels il consacra pourtant l'essentiel de sa carrière. De 1713 à 1741, Vivaldi donna le jour à une 'uvre colossale, préservée en grande partie par la Bibliothèque de Turin : plus de 450 compositions manuscrites, en grande partie autographes. Orlando furioso, drame héroïco-magique représenté au Teatro S. Angelo de Venise à l'automne 1727, prend place à l'exacte mi-temps de la carrière lyrique de Vivaldi. Quatorze années plus tôt, au mois de mai 1713, le Prete Rosso présentait à Vicence son premier opéra connu, Ottone in villa. Quatorze années plus tard, il s'éteignait dans l'oubli après avoir vainement tenté de faire représenter à Vienne son ultime opéra, L'Oracolo in Messenia. Grâce au travail remarquable du librettiste, Grazio Braccioli, qui a su conserver de l''uvre originale d'Arioste son essence poétique et sa dimension humaniste, Vivaldi y fait éclater le schéma conventionnel du dramma per musica, explorant les formes musicales les plus variées, bousculant la hiérarchie classique des personnages et superposant les actions dramatiques, toutes conduites avec une remarquable efficacité. Près de trois siècles après sa création, l'on demeure confondu face à l'extraordinaire richesse musicale et dramatique de l''uvre, pièce éblouissante où se mêlent toutes les formes existantes du théâtre chanté. La reconstitution de l'opéra a nécessité un important travail préparatoire sur le manuscrit turinois, particulièrement complexe, mêlant des feuillets soigneusement calligraphiés à des feuillets griffonnés à la hâte et comportant de multiples insertions, fragments ou retranchements, ainsi qu'une numérotation irrégulière des scènes. Jacques Manet en a enfin réalisé une version pour clavier très attendue par les chanteurs, mettant ainsi à la portée du plus grand nombre une 'uvre dans sa version complète, telle qu'elle fut conçue en 1727 par Vivaldi. Réduction chant et clavier : format A4, 286 pages, sur papier ivoire - Arrangement pour clavier : Jacques Manet - Présentation : Frédéric Delaméa - Traduction en anglais : Elizabeth Szostak-Clerc
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Antonio Vivaldi: Il Teuzzone RV 736: Orchestra: Score
Orchestra
[Score]
Ricordi
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano …
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Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Fo 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
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Antonio Vivaldi: Il Teuzzone RV 736: Vocal and Piano: Vocal Score
Piano, Voice
Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teu…
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Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
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Antonio Vivaldi: Gloria In D RV 589 - Vocal Score: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate
Peters
Vivaldi's international renown came about largely as a result of his concertos …
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Vivaldi's international renown came about largely as a result of his concertos which were collated and of course performed throughout the courts of Europe. Quite unlike the concertos Vivaldi's voluminous output of sacred works was hardly known beyond the purlieus of their original performance. Following the composer's death they became increasingly unknown and even today it is difficult to say how many pieces of church music Vivaldi composed.As few of Vivaldi’s church compositions can be dated on the basis of written or stylistic evidence the origins of the Gloria In D remain shrouded with conjecture.Rather than being conceived aspart of a larger Mass setting the Gloria is an independent work a cyclical composition of broad design consisting of twelve self-contained movements. Stylistically it closely resembles a concertante Mass.This Urtext edition of Vivaldi’s ever-popular work provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions as edited by Klaus Burmeister.
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CARUS VIVALDI A. - LAETATUS SUM RV 607
Conducteur
Carus Verlag
Laetatus sum
CV 40.013/00
Die hier im Erstdruck vorgelegte Komp…
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Laetatus sum
CV 40.013/00
Die hier im Erstdruck vorgelegte Komposition des 121. Vulgata-Psalms, der in der römischen Liturgie vor dem II. Vaticanum Bestandtteil der Vesper am Festtag einer Jungfrau, namentlich der Jungfrau Maria, war, gehört zu den einfachsten der erhaltenen Psalmvertonungen Antonio Vivaldis.
Werkverzeichnis: RV 607
Besetzung: Coro SATB, Vl, Va, Bc
Sprache: lateinisch
Dauer: 4 min
Seiten: 16 / Partitions classique / Ensemble et orchestre / Conducteur / CARUS
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Antonio Vivaldi: Concerto in D Major: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most pro…
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Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most prolific composers in all of classical music. During his lifetime he composed more than 500 concertos of which approximately 350 of them were for violin. Four works by Vivaldi were known to have been composed for solo lute including this Concerto in D Major F.XII n.15 in three movements: Allegro giusto Largo and Allegro. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar(capotasto). Italian composer Antonio Vivaldi (1678 - 1741) is considered one of the most prolific composers in all of classical music. During his lifetime he composed more than 500 concertos of which approximately 350 of them were for violin. Four works by Vivaldi were known to have been composed for solo lute including this Concerto in D Major F.XII n.15 in three movements: Allegro giusto Largo and Allegro. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar(capotasto).
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Vivaldi Album - Soprano
Soprano voice, Piano
[Sheet music]
Ricordi
Par VIVALDI ANTONIO. The ?Vivaldi Album? is a series of operatic aria anthologie…
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Par VIVALDI ANTONIO. The ?Vivaldi Album? is a series of operatic aria anthologies subdivided by vocal register, drawn from Antonio Vivaldi?s surviving musical works for the theatre. Its sources include twenty-four musical dramas, three serenades and numerous individual arias. Each volume is made up of twelve pieces which vary in terms of affect and character, illustrating a wide range of styles and dramatic situations. They are arranged in chronological order, so as to provide an optimal cross-section of Vivaldi?s entire career. / Date parution : 2022-06-14/ Recueil / Soprano et Piano
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Antonio Vivaldi: Kyrie Rv587: Mixed Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Barenreiter
Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of str…
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Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solo passages.Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period atthe Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).
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Antonio Vivaldi: Dixit Dominus RV 595: Voice
Piano, Voice
Ricordi
Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit D…
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Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit Dominus RV 595 shares a key and some further characteristics with the better-known setting of the same psalm RV 594 but differs from it markedly: first in being scored for an undivided ensemble (i.e. not ?in due cori?): second in belonging to Vivaldi?s first period of sacred music composition around 1715 rather than to a later period. There are stylistic parallels too with Vivaldi?s two Gloria settings RV 588 and RV 589. Three of the eleven movements making up RV 595 use borrowed material which in two instances is taken from movements by unknown composers in Vivaldi?s own collection and in one instance (heavily disguised) from a published madrigal(1705) by Antonio Lotti. The borrowings are absorbed extremely well into the fabric of the setting and do not disrupt its well-unified character. Among the high points of RV 595 are its opening pair of moments ? the first bustling and the second poignantly reflective ? and the fourth movement ?Tecum principium? where two obbligato cellos enter into dialogue with two sopranos. This Dixit Dominus preserved uniquely in Prague ranks among Vivaldi?s finest large-scale sacred vocal compositions. The Introduction and Critical Commentary for this vocal score are based on the Critical Edition by Michael Talbot published in 1993.
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Antonio Vivaldi: Kyrie: Mixed Choir: Part
Barenreiter
Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of str…
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Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solo passages.Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period atthe Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).
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Antonio Vivaldi: Complete Sonatas For Cello: Cello: Instrumental Work
Cello
Wiener Urtext
The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the m…
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The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the most famous Cello works of the Baroque era. Thanks to their moderate technical demands the pieces are an integral part of music lessons as well as of private music-making. But even for the professional early music scene they form a focus of the Cello repertoire. The new edition of the Wiener Urtext Edition serves the needs and demands of all three target groups alike providing a reliable musical text which is no longer based on the unauthorized first Paris edition by Le Clerc & Boivin but on a copy from Naples revised by Vivaldi himself as well as on two othermanuscripts associated with the composer from the Bibliothèque Nationale in Paris and the music library of the Counts of Schönborn at Wiesentheid. Apart from the solo part the edition comprises a Piano (Harpsichord) score with realized Basso Continuo which should be very welcome to pupils and amateurs. An unrealized Basso Continuo part has been added for the professional Continuo player in which the figures of the first Paris edition has been included. Even if they do not trace back to Vivaldi himself they bear witness to the contemporary Basso Continuo practice and can serve as a guide for the execution of Vivaldi's unfigured Bass part. More detailed information on the performance practice is provided in the notes on interpretation by Gerhart Darmstadt which are based on contemporary sources.
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