Antonio Vivaldi: Concerto In D Minor: Oboe Duet: Instrumental Work

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678–1741) there exists today not only a wealth of magnificent violin concertos but also quite a number of cello concertos to whose development he contributed considerably.More than two dozen of his concertos are dedicated to the violoncello including the probably most famous double concerto: the 'Concerto for Two Violoncellos String Orchestra and Basso continuo in G minor (RV 531)' written after 1770. The sonorous work with its playful outer movements and expressive largo is published in this critical new edition on the basis of thesources.

Rv 497 - F.Viii-7 - Trascrizione per Fagotto e Pianoforte-Antonio Vivaldi's Concerto In A Minor F.VIII 7 transcribed for Bassoon with a Piano reduction of the original Strings and Continuo by Angelo Ephrikian.

Antonio Vivaldi's Concerto In A Minor Op.3 No.8 RV 522 for 2 Violins presented here with Piano accompaniment as edited by Ivan Galamian and Giuseppe Piccioli.

F Iii-1 - Tomo 19 Riduzione Per Violoncello E Pianoforte-Antonio Vivaldi's Concerto In C Minor RV401. Trascription for Cello with Piano accompaniment by Angelo Ephrikian.

Antonio Vivaldi's Concerto Grosso in D minor Op.3 No.11 for two Violins Cello and Strings. Edition for two Violins and Piano. Edited by Klengel.

per flauto archi e cembalo RV 441 (F.VI. No. 11 P.V. 440)-The source of the present edition of the Recorder Concerto in C minor by Antonio Vivaldi is the Collected Works of Vivaldi edited by Malipiero published by Ricordi 1953. The title of the original score is 'Concerto in Do minore per flauto archi e cembalo'; the original setting: Flauto Violini I-II Viole Violoncelli Contrabassi and Cembalo. The arrangement for recorder and piano is kept in accurate conformity with the musical text of the score; the continuo part however has been more freely adapted (of course within the possibilities of baroque style). In contrast to previous arrangements the piano part contains the entire orchestral material in the Tuttis thus the soloist is not obliged to play all the Tutti parts. However in Movement I and III the first and last Tutti may never be omitted by the performer.

Le genre du concerto pour violoncelle est né en Italie du 17e siècle. Merci au compositeur vénitien Antonio Vivaldi (1678-1741), il existe aujourd'hui non seulement une multitude de magnifiques concertos pour violon, mais aussi un certain nombre de concertos de violoncelle au développement duquel il a largement contribué. Plus de deux douzaines de ses concertos sont dédiés à la violoncelle, y compris le probablement le plus célèbre double concerto: le 'Concerto pour deux violoncelles, orchestre à cordes et basse continue en sol mineur (RV 531)' écrit après 1770. Le travail sonore avec ses mouvements extérieurs ludiques et expressive Largo est publié dans cette nouvelle édition critique, sur la base des sources. / 2 Violoncelles, Basse Continue Et Orchestre A Cordes

Music Minus One Flute-BOCCHERINI Concerto in D major VIVALDI Concerto No. 2 in G minor 'La Notte' MOZART Andante for Flute and Strings On one album MMO we bring you two classic concerti of the Italian Baroque and one classical 'goodie' from Mozart. Boccherini's D-major concerto is magical Vivaldi's 'La Notte' is a well-known concerto full of its composer's trademarks and Mozart's well-known Andante for strings is a lovely work. A magnificent collection of music which will bring you years of enjoyment. Includes a high-quality printed music score and a compact disc containing a complete performance of the concerto in split-channel stereo with the soloist on the right channel and a secondperformance in full stereo minus the soloist. Performed by Jeffery Zook flute Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn