Andreas Ludwig Schulte: Here comes Bobby the Bear: Fanfare Band: Score & Parts

Rock music is always a success. And when it is supported verbally as it is done in this composition the party can begin. Bobby is a friendly circus animal that has seen a lot of the world. There is nothing left to wish for and his freedom from worries radiates from this rock march by Andreas Ludwig Schulte.

Rock music is always a success. And when it is supported verbally as it is done in this composition the party can begin. Bobby is a friendly circus animal that has seen a lot of the world. There is nothing left to wish for and his freedom from worries radiates from this rock march by Andreas Ludwig Schulte.

Rock music is always a success. And when it is supported verbally as it is done in this composition the party can begin. Bobby is a friendly circus animal that has seen a lot of the world. There is nothing left to wish for and his freedom from worries radiates from this rock march by Andreas Ludwig Schulte.

The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward. The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves and the music expresses feelings of romance nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities.It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless the valiant rider wins in the end. With a flashback to the beginning the journey is completed musically thus giving the composition a dignified finale. Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen. Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten. Raak in de ban van het wilde westen!

The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward. The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves and the music expresses feelings of romance nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities.It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless the valiant rider wins in the end. With a flashback to the beginning the journey is completed musically thus giving the composition a dignified finale. Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen. Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten. Raak in de ban van het wilde westen!

The young have the future. This is the statement made at the beginning of ‘Like a Child’ by Andreas Ludwig Schulte. The opening radiates strength and ambition but one is also made to wonder which direction will be chosen which choices will have to be made.After the introduction the first steps on the path of life are taken still somewhat unsteadily (the 3/4th time used illustrates this uncertainty). However the child has now set off and will meet the future with an open mind unafraid even though experience will teach it how easily it can be hurt.Fortunately it is sometimes allowed to be vulnerable and it discovers there will always be someone to offer shelter support and love. (Adagio) The last part breathes a far greater independence. Youth is able to face the future it can even take on the whole world!

The young have the future. This is the statement made at the beginning of ‘Like a Child’ by Andreas Ludwig Schulte. The opening radiates strength and ambition but one is also made to wonder which direction will be chosen which choices will have to be made.After the introduction the first steps on the path of life are taken still somewhat unsteadily (the 3/4th time used illustrates this uncertainty). However the child has now set off and will meet the future with an open mind unafraid even though experience will teach it how easily it can be hurt.Fortunately it is sometimes allowed to be vulnerable and it discovers there will always be someone to offer shelter support and love. (Adagio) The last part breathes a far greater independence. Youth is able to face the future it can even take on the whole world!

In ‘Land of Legends’ German composer Andreas Ludwig (what’s in a name) Schulte takes you along to the fictional world of legends myths and fairy tales. The introduction to the first part (The Castle) describes the majestic contours of the scene of action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres. The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate a lot of hustle and bustle appears to be going on in the courtyard. Pages squires and soldiers are busy attending to their arms. Beer is being brewed flax is being spun cattle are being tended and some craftsmen fromneighbouring villages are busily at work. In the upper chamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious. There are also festivities some of them sober others exuberant. The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets the bride makes her entrance at the hand of her father. Afterwards at the party there is dancing to the music played by minstrels and of course a plentiful banquet follows.