Acoustic Fingerstyle Guitar Workshop (GILEWITZ RICHARD)

Guitarist educator and historian Stefan Grossman was a student of acoustic blues and gospel singer/guitarist Rev. Gary Davis. Beginning when he was 15 Stefan studied with Davis on weekends spending eight to ten hours at his house in Harlem absorbing all he could. While studying with Rev. Davis he met and studied with other country blues guitarists: Mississippi John Hurt Son House Skip James Mance Lipscomb and Fred McDowell.In the early 1960s Stefan formed the Even Dozen Jug Band (which also included such future luminaries as John Sebastian Steve Katz Maria Muldaur and David Grisman). In 1966 he worked with the alternate rock band the Fugs beforemoving to Great Britain in 1967. In 1969 he co-founded Kicking Mule Records with Ed Denson a label that showcased acoustic fingerstyle guitar. Many of these albums that Stefan produced during this period are finally being re-released on CD on his own label.From 1967 to 1987 Stefan Grossman lived in Great Britain and Italy and toured worldwide. He performed and recorded with John Renbourn for 15 years and they produced four albums together.Stefan's solo discography goes all the way back to 1966 when he recorded How to Play Blues Guitar with Rory Block (now released as Country Blues Guitar SGGW103). Since that time he has recorded over 30 solo albums and has written numerous books highlighting the playing of legendary bluesmen from the 1920s and 1930s.Nowadays Stefan divides his time between the USA and England. He continues to do concerts and workshops worldwide and remains one of the world's foremost authorities on acoustic blues guitar. The Guitar Artistry of Stefan Grossman brings together performances from 1965 to today. He performs solo with the Even Dozen Jog Band with John Renbourn as well as Duck Baker. In between the music Stefan weaves together the story behind his playing.An 87 page PDF booklet is included on the DVD. This details

Direct from the master of guitar clinics this 96-page book contains a plethora of topics based on Richard Gilewitz's experience of conducting fingerstyle guitar and sound seminars for nearly a decade in a variety of settingsworldwide. Sections are built around the most frequently asked questions from players of all ages and skill level with topics supported by written explanations exercises original music tablature and notation pieces charts andphotographs. Recommended for players and teachers of both 6 and 12-string guitar this book provides encouragement and new avenues for growth for all students wishing to improve upon their life-long craft. The companion CDand 83-minute DVD provide a guide to discussion on learning slide how to select a guitar capos metronomes tuners strings composition hand positions practice methods touring and recording tips standard and open tunings picking patterns and more. Original compositions offered in tablature and notation include 'Dirt To Dust' with the new 'Gypsy Minor' introduction 'Bilingual Fantasy' 'Jamaicalina' 'Pre Dawn Mourning' 'Echoing Gilewitz' 'Mrs.Firecracker's Place' and 'The Maison Blanche Exit Song' . •

Morning Thunder-In The Guitar Artistry Of Chris Proctor the National Fingerstyle Guitar Championship winner talks about his style and influences as well as giving dazzling performances on both 6- and 12- string guitars.Chris Proctor falls squarely into the ?New World? steel-string guitar style. Beginning with pop and rock music Chris was soon drawn to the country blues. After exploring that tradition he studied classical and jazz music the traditional music of the British Isles bluegrass and old-time Appalachian music and finally began to investigate the world of the 12-string guitar.In 1982 Chris won the U.S. National Fingerstyle GuitarChampionship and released his first recording ?Runoff.? That recording and the 8 that followed on the Flying Fish Rounder Windham Hill and Sugarhouse labels over the next 27 years elevated Chris to the top rank in the steel-string world. Chris also wrote articles and books filmed instructional videos of his transcriptions and techniques created the guitar workshop program for Taylor Guitars and designed the Taylor Chris Proctor Signature Model guitar.Beginning in the year 2000 Chris broadened his original focus on new music to include reinterpreting music of his diverse set of original influences. His performances today are a primer on the acoustic guitar music of the ?New World.? They feature original guitar techniques and devices invented and adapted by Chris and they convey a striking array of tones textures and moods.Titles include: Tap Room Hot Spot War Games Ozymandias Beppe Ladybug Stomp Nights in White Satin Bach to Ireland Late Again Interstate Morning Thunder The Last Steam Engine Train Revisiting the Sailor?s Grave Gecko Drive and Medley:A Scarce O? Tatties/The Lyndhurst Jig??? Review: Watching Taylor fingerstylist and original workshop clinician Chris Proctor in his new DVD Morning Thunder is an enlightening exercise. Proctor has

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This volume presents his renditions of Jelly Roll Morton's Kansas City Stomp and King Porter Stomp, the classic American Songbook tunes If I Had You, Moonlight Serenade / Niveau : Facile / Tablatures / Guitare Tablatures

In this lesson Fernando Perez presents several tunes from West Africa. Directly learnt from African Jalis (Griots) these are traditional as well as original compositions specially arranged for Guitar. Imitating the sound of West African instruments such as Kora Ngoni or Balafon Perez demonstrates unique techniques on the Guitar in order to perform the grooves and melodies in a faithful way. All the tunes can be played on nylon or acoustic steel string Guitars. In this lesson you will learn: Understanding the sound and techniques of African instruments in order to apply them to the guitar. Different techniques imitating Korascale runs Balafon breaks etc. Several grooves from Mali Senegal Gambia. How to properly keep these grooves counting tapping and feeling. Kora picking style with thumb and index. Main scales used in West African music. How West African music connects with Blues styles. Combining West African styles with your own Blues licks. Explanations on how to further develop this music style. A West African repertoire full of variety. Each tune is taught phrase by phrase and played slowly on a split-screen. Titles include: The Mandinka Song Massina Madou Fatoudiob Sanu Mali Blues and Kulanjan. 107 minutesLevel 3Detailed tab/music PDF booklet on the DVD

?Buster B. Jones is an acoustic player a fingerpicker a country flavored soloist - and he?s one of the finest players we?ve heard in years... His technique is only a means to an end. His true gifts are his melodic sense innatemusicianship unfailing human and brilliant improvisational powers. He can drive a tune with fluid rhythmic force or stroke it with sensuous loving touch... He?s a monster player with chops galore great ideas and anencyclopedic reservoir of guitaristic influences.? Guitar Player Magazine Buster B. Jones is a master of hot fingerpicking guitar solos. He has combined his love for the styles and techniques of Chet Atkins JerryReed and Merle Travis to create an original and exciting approach for fingerstyle guitar. In this series of lessons Buster presents and teaches guitar solos that he plays in the woodshed as well as on stage. Eachinstrumental has evolved from its basic form to a complex arrangement featuring melodic variations chromatic rolls rhythmic licks and lyrical runs. These instrumentals will challenge the talents of any intermediate to advancedstudent.

Blues Guitar-The advanced fingerpicking techniques introduced and explored in this DVD lesson will give another dimension to your blues guitar style. Contemporary acoustic fingerstyle blues encompasses a wide variety of styles techniques andsounds. In this lesson four multi-sectioned blues instrumentals based on traditional techniques blues piano ideas single string melodic guitar licks and horn styled solos are presented. The music varies from a piano-styledboogie to a slow country blues reminiscent of the playing of Blind Blake and Jelly Roll Morton to a New Orleans blues in the style and character of Ray Charles and Snooks Eaglin. Includes a 32 page PDF booklet thatcontains all the music included in the lesson.