SKU: HL.49011296
ISBN 9790001123310. UPC: 073999745160. 9.0x12.0x0.13 inches.
These 3 sonatas are original works for the recorder written between 1700 and 1720 by lesser known English masters of the baroque period. William Turner: Sonata F major * William Topham: Sonata F major * Robert Valentine: Sonata g minor.
SKU: OU.9780193950269
ISBN 9780193950269. 12 x 8 inches.
For SSAATB and organ William Turner was inspired by the acoustic of Wren's new St Paul's Cathedral and fully exploits it in this sumptuous anthem, which is the companion to his Evening Service in A (CMSR 109). Also in The Restoration Anthem Volume 2 (1688-1714).
SKU: OU.9780193953932
ISBN 9780193953932. 10 x 7 inches.
For SATB and organ (optional) William Turner was one of the most important composers writing at the time of the Restoration of the monarchy. This sprightly anthem, first performed at the coronation of Queen Anne, is well within the grasp of competent choirs and will be highly suitable to celebrate the Diamond Jubilee of the present Queen.
SKU: OU.9780193950177
ISBN 9780193950177. 10 x 7 inches.
For SSAATB and organ. The first in a new series of Restoration Canticles from the editors of the acclaimed The Restoration Anthem volumes, Turner's Evening Service in A (here transposed to B flat) uses rich six-part harmony and displays inventiveness and variety in the verses.
SKU: BT.DHP-1084506-401
ISBN 9789043129220. 9x12 inches. English-German-French-Dutch.
This mega-value bumper book contains 50 top hits from the past 50 years. There is something for everyone in this 256 page folio. Each song is clearly printed with piano part, vocal line and guitar tab. Includes hits by: Elvis Presley, Nora Jones,Abba, Sting, Jimi Hendrix, Eric Clapton, U2, The Beatles, Prince, Oasis and many many more. Met een boek vol bladmuziek uit de Top 2000 van Radio 2 is voor veel liefhebbers een langverwachte wens in vervulling gegaan. Er is een selectie gemaakt van vijftig hits uit verschillende poptijdperken. De arrangementen zijn zo geschrevendat zegeschikt zijn voor zangers, pianisten, gitaristen en basgitaristen. Als gitarist kun je spelen aan de hand van de akkoordsymbolen en/of akkoorddiagrammen.Inhoud: Against All Odds (Phil Collins) � Angels (Robbie Williams) � Candle in the Wind 97 (Elton John) � Dancing Queen (ABBA) � Everything I Do (I Do It for You) (Bryan Adams) � Hey Jude (The Beatles) � I Shot the Sheriff (Eric Clapton) � KillingMe Softly (Roberta Flack) � Morning Has Broken (Cat Stevens) � Purple Rain (Prince and The Revolution) � The Best (Tina Turner) � Up Where We Belong (Joe Cocker and Jennifer Warnes) � Sweet Home Alabama (Lynyrd Skynyrd) � Time After Time (Cyndi Lauper)e.v.a.Top 2000 Songbook: das sind 50 Tophits in einem Buch für Gesang mit Begleitungen für Klavier und Gitarre (mit Akkorddiagrammen).
Inhalt: Against All Odds â?¢ Angels â?¢ Candle in the Wind â??97 â?¢ Dancing Queen â?¢ Everything I Do (I Do It for You) â?¢ Hey Jude â?¢ I Shot the Sheriff â?¢ Killing Me Softly â?¢ Morning Has Broken â?¢ Purple Rain â?¢ The Best â?¢ Up Where We Belong â?¢ Sweet HomeAlabama â?¢ Time after Time â?¢ Great Balls of Fire â?¢ Imagine â?¢ Our House â?¢ Torn â?¢ Wonderwall â?¢ Like a Rollin Stone u. v. m. Top 2000 Songbook : une compilation des 50 plus grands succès musicaux des 50 dernières années, dans une version arrangée pour Piano, Voix et Guitare (grilles d´accords incluses).
Sommaire : Against All Odds â?¢ Angels â?¢ Candle in the Wind â??97 â?¢ Dancing Queen â?¢ Everything I Do (I Do It for You) â?¢ Hey Jude â?¢ I Shot the Sheriff â?¢ Killing Me Softly â?¢ Morning Has Broken â?¢ Purple Rain â?¢ The Best â?¢ Up Where We Belong â?¢ SweetHome Alabama â?¢ Time after Time â?¢ Great Balls of Fire â?¢ Imagine â?¢ Our House â?¢ Torn â?¢ Wonderwall â?¢ Like a Rollin Stone...
SKU: HL.49029398
ISBN 9790220124495. 9.0x12.0x0.084 inches. English.
This substantial cycle was written for the tenor Peter Pears, and first performed by him in 1953 at the Royal Festival Hall, London, with the distinguished pianist Noel Mewton-Wood. It follws the example of Britten's Serenade in setting a variety of poets, and the set is framed by settings of the same words by Goethe in translation by Louis MacNeice, the unifying factor being presumably the quality of the poetry. The angry setting of Timor Mortis, using the well-known Dies Irae tune is the emotional hear of the cycle.John Turner 2010.
SKU: HL.50486777
8.25x11.75x0.193 inches.
For flute, clarinet, percussion, piano, violin, viola and cello.
SKU: AP.45835
UPC: 038081524368. English.
This is the other version of Away in a Manger, the beloved Christmas carol, written by William J. Kirkpatrick. Arranged by Jeffrey E. Turner, it features a string quartet within the orchestra and its haunting beauty is mesmerizing. This is sure to become one of your holiday favorites. (3:00).
SKU: AP.45835S
UPC: 038081524375. English.
SKU: FP.FTJ06
ISBN 9780951479537.
Composing for the recorder can be intimidating for those with limited or no experience playing the instrument. John Turner's new book is the ideal primer, taking the would be recorder composer on a journey through the history of recorder composition, and onwards to explore player techniques and the musicality offered by this versatile instrument. Each section is extensively referenced to exisiting compositions, providing a fantastic platform for further research by the reader.About the Author:JOHN TURNER is one of the leading recorder players of today. Born in Stockport, he was Senior Scholar in Law at Fitzwilliam College Cambridge before pursuing a legal career, acting for many distinguished musicians and musical organisations alongside his many musical activities. These included numerous appearances and recordings with David Munrow's Early Music Consort of London, the Academy of Ancient Music, the English Chamber Orchestra, the Academy of St. Martin-in-the-Fields and the English Baroque Soloists. He now devotes his time to playing, writing, reviewing, publishing, composing and generally energising.He has played as recorder soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the English Baroque Soloists, the English Chamber Orchestra, and many other leading orchestras and ensembles. Concertos and works with orchestra have been written for him by Gordon Crosse, Anthony Gilbert, Peter Hope, Kenneth Leighton, Elis Pehkonen, Alan Bullard, John Casken, and many other distinguished composers. His recordings include no less than five sets of the Brandenburg Concertos, as well as the F Major version of Brandenburg Concerto No. 4 with Menuhin and George Malcolm, but lately he has madenumerous acclaimed recordings of the recorder’s contemporary concerto and chamber music repertoire, including several concerto discs, all of which have received critical acclaim. In all, he has given the first performances of over 600 works for the recorder, with works by many non-British composers, including Leonard Bernstein, Ned Rorem, Peter Sculthorpe, Douglas Lilburn and Petr Eben.Many of the works he has premiered have now entered the instrument’s standard repertoire, and these and his own recorder compositions are regularly set for festivals and examinations. He edits series of recorder publications for both Forsyths and Peacock Press, and founded the periodical Manchester Sounds, in response to the perceived threat to music libraries in Great Britain. In addition he was responsible for the rediscovery of several works for his instrument, including the Rawsthorne Recorder Suite, Antony Hopkins' Pastiche Suite, Herbert Murrill’s Sarabande, the Handel F Major Trio Sonata and John Parry's Nightingale Rondo (the only substantial known British nineteenth century work for a fipple flute). He was awarded an Honorary Fellowship by the Royal Northern College of Music in 2002 for his services to British music, and is a Visiting Distinguished Scholar of Manchester University.
SKU: FP.FTJ04
ISBN 9790570503902.
Three Salutes was written for the seventieth birthday of the composer Nicholas Marshall. The first performance in Great Britain was given on 29th September 2012, by the composer and the dedicatee, at the Temple Church, Budleigh Salterton, Devon, and the first overseas performance was given on 27th October 2012 at Kuwana City Hall, Mie Prefecture, Japan, by Hidehiro Nakamura and Yuka Sasaki.A Whirl received its first performance at Wakefield Cathedral on 15th February 1992 by the composer and Jonathan Bielby, in celebration of the marriage of Jonathan Bielby and Jayne Hall.John Turner was born in Stockport in 1943, and is one of the leading recorder players of today. He was Senior Scholar in Law at Fitzwilliam College, Cambridge, and as a practising solicitor acted for many leading musicians and musical organisations. He has premièred over 500 works for his instrument, including concertos written for him by Kenneth Leighton, Anthony Gilbert, Gordon Crosse, John Casken, Stephen Dodgson, Elis Pehkonen, John Gardner, Peter Hope and many others. His discoveries include recorder works by Handel, John Parry (The Nightingale Rondo, being the only known British nineteenth centuryconcert work for a fipple flute), Alan Rawsthorne and Antony Hopkins. His own recorder compositions, notably Four Diversions and Six Bagatelles (both in the Forsyth catalogue), are standard repertoire and examination pieces for the instrument worldwide. He was made a Fellow of the Royal Northern College of usic in 2002 for his services to British music and is a Distinguished Visiting Scholar of Manchester University.
SKU: FP.FHP06
ISBN 9790570504053.
The heartachingly beautiful Tallis Remembered is a timeless little piece composed by outstanding British composer Peter Hope for the 2013 William Alwyn Festival, where it featured a violin instead of the clarinet. The work was inspired by Wendy Cope’s wistful poem ‘Tallis’s Canon’ and is effectively a set of through-composed variations on Tallis’s well-known tune. A recording of the work can be heard on the CD 'Windblown: Sonatas for Wind Instruments by Peter Hope'. It has been regularly featured on Radio 3.Hope has written and arranged for many internationally known names, including Jose Carreras and Kiri te Kanawa, and other composers including John Williams and James Horner. His original compositions include the Suite: Ring of Kerry (which won an Ivor Novello Award in 1968/9), a Trumpet Concerto, performed by Elgar Howarth, a Concertino for bassoon and orchestra, recorded by Graham Salvage with the Royal Ballet Sinfonia, and a Recorder Concerto, recorded by John Turner with the Manchester Camerata Ensemble. His Bramall Hall Dances, for recorder and guitar/piano are published by Forsyth Brothers Ltd. and have become a standard repertoire work for the recorder.
SKU: FP.FTJ05
ISBN 9790570503919.
John Turner was born in Stockport in 1943, and is one of the leading recorder players of today. He was Senior Scholar in Law at Fitzwilliam College, Cambridge, and as a practising solicitor acted for many leading musicians and musical organisations. He has premièred over 500 works for his instrument, including concertos written for him by Kenneth Leighton, Anthony Gilbert, Gordon Crosse, John Casken, Stephen Dodgson, Elis Pehkonen, John Gardner, Peter Hope and many others. His discoveries include recorder works by Handel, John Parry (The Nightingale Rondo, being the only known British nineteenth century concert work for a fipple flute), Rawsthorne and Antony Hopkins. His own recorder compositions, notably Four Diversions and Six Bagatelles (both in the Forsyth catalogue), are standard repertoire and examination pieces for the instrument worldwide, and a companion work, Three Salutes, was published in 2013. He was made a Fellow of the Royal Northern College of Music in 2002 for his services to British music and is a Distinguished Visiting Scholar of. Manchester University.
SKU: GI.G-10580
ISBN 9781622776375.
Contributors: Travis J. Cross (University of California–Los Angeles) • David J. Elliott (New York University) • Marissa Silverman (Montclair State University) • Jacob Wallace (South Dakota State University) • Randall Everett Allsup (Teachers College, Columbia University) • Cynthia Johnston Turner (Wilfrid Laurier University) • Carolyn Barber (University of Nebraska-Lincoln) • John Kratus (Independent Scholar) • Vincent C. Bates (Weber State University) • Thomas G. Warner, Jr. (North Carolina Agricultural and Technical State University) • Ben Hawkins (Transylvania University) • Thomas A. Regelski (SUNY Fredonia School of Music, Helsinki University of Finland) • Paul Woodford (Western University) • Charles Peltz (New England Conservatory of Music) In the wind band profession—as in every great discipline—it is critical to take stock in the big questions about where we are heading, and why, as we move through the twenty-first century. This thought-provoking book contains seven high-level exchanges between a leading wind band practitioner and a music education philosopher. Each section of The Future of the Wind Band grapples with the most profound issues facing the music education profession and the path of instrumental music education in our schools: Relevance: What relevance, if any, does the wind band have both to today’s students and to culture more broadly in the twenty-first century? What relevance does the band experience hold for students’ everyday life? Repertoire: What is the relationship between the repertoire performed by wind ensembles and the larger musical world? Pedagogy: What constitutes best practice in terms of musical pedagogy and rehearsal technique within the large-ensemble experience? Creativity: Can the wind band function as a vehicle for enhancing the individual creativity of its members? Economic Justice: How do issues of social class and the distribution of wealth relate to broader questions of social justice within the context of instrumental music education? Professional Ethics: What are the primary ethical responsibilities of the wind band conductor? Democratic Citizenship: What relationship, if any, can be drawn between membership in the wind band and citizen participation in democracy? Such exchanges can only strengthen our profession and pay rich dividends in our musical and educational work with the students we serve. Editor of this book, William (Bill) M. Perrine is Associate Professor of Music and Director of Instrumental Activities at Concordia University in Ann Arbor, Michigan, where he directs the wind ensemble, marching band, and community orchestra.
SKU: HL.645110
ISBN 9781495080807. UPC: 008148017010. 9.0x12.0x0.051 inches. Edited by Wesley Schaum Elementary Level.
An entertaining group of original solos selected for their proven success and popularity with students. The appealing choide of musical styles in each level is ideal for repertoire building. Excellent for student motivation and perfect for recitals. Includes 6 solos: Alien Yard Sale (Larry Rapshaw) * Dad's Dune Buggy (Myra Brooks Turner) * In the Hall of the Mountain King (Grieg) * Mom's Pick-up Truck (Al Rita) * Song of Joy (Beethoven) * William Tell March (Rossini).
SKU: FP.FHP05
ISBN 9790570504039.
Peter Hope's Recorder Sonata is the most substantial piece in his growing body of work for the recorder, published by Forsyth. Hope has written and arranged for many internationally known names, including Jose Carreras and Kiri te Kanawa, and other composers including John Williams and James Horner. His original compositions include the Suite: Ring of Kerry (which won an Ivor Novello Award in 1968/9), a Trumpet Concerto, performed by Elgar Howarth, a Concertino for bassoon and orchestra, recorded by Graham Salvage with the Royal Ballet Sinfonia, and a Recorder Concerto, recorded by John Turner with the Manchester Camerata Ensemble. His Bramall Hall Dances, for recorder and guitar/piano are published by Forsyth has become a standard repertoire work for the recorder.
SKU: HL.49034827
ISBN 9790001125284.
SKU: FP.FHP07
ISBN 9790570504091.
This short piece for recorder and piano, written for the 50th anniversary of the Stockport Recorder College, is an affectionate memory of the double decker trams the composer recalls from his childhood in the 1930s and 40s. The conductor rings the bell, the tram starts, picks up speed and away we go bringing memories of care free days some 80 years ago.Peter Hope has worked for many internationally known names, including Jose Carreras and Kiri te Kanawa, and other leading composers including John Williams and James Horner. His original compositions include the Suite Ring of Kerry (which won an Ivor Novello Award in1968/9), a Trumpet Concerto, performed by Elgar Howarth, a Concertino for bassoon and orchestra, recorded by Graham Salvage with the Royal Ballet Sinfonia, a Recorder Concerto, recorded by John Turner with the Manchester Camerata Ensemble, and an Oboe Sonata, recently published by Forsyth and written in memory of Evelyn Barbirolli.Hope’s Bramall Hall Dances, for recorder and guitar/piano is also published by Forsyth and has become a standard repertoire work for the recorder. Further recorder publications Geordie Tunes, Tallis Remembered and his Recorder Sonata are available from the same publisher.