Langue : Italiano
Addio sogni di gloria (Achille Togliani) - Addormentarmi così (Lidia Martorana) - Amor (Dea Garbaccio) - Amor di pastorello () - Amore baciami (baciami, baciami) (Lidia Martorana) - Angeli negri (Angelitos negros) (Fausto Leali) - Arrivederci Roma (Renato Rascel) - Aveva un bavero (Quartetto Cetra) - Ba...ba...baciami, piccina (Quartetto Cetra) - Balocchi e profumi (Gino Franzi ) - Bambina innamorata (Alberto Rabagliati) - Bellezze in bicicletta (Silvana Pampanini) - Bombolo (Gino Ruggiero) - Buona sera (Fred Buscaglione) - Buongiorno tristezza (Claudio Villa) - Casetta in Canadà (Carla Boni) - Cha cha cha della segretaria (Las secretarias) (Michelino) - Che bambola! (Fred Buscaglione) - Chissà, chissà, chissà (Quizas, quizas, quizas) (Pedro Vargas) - Chitarra romana (Carlo Buti) - Ciliegi rosa (Nilla Pizzi) - Ciribiribin (Trio Lescano) - Creola (Daniele Serra) - Domenica è sempre Domenica (Renato Rascel) - Eri piccola così! (Fred Buscaglione) - Eulalia Torricelli (Corrado Lojacono) - Evviva la torre di Pisa (Renato Rascel) - Fascination () - Fili d'oro (Gino Franzi) - Fiorin fiorello (Claudio Villa) - Firenze sogna (Carlo Buti) - Gelosia (Jalousie) (Nilla Pizzi) - Gigolette (Claudio Villa) - Granada (Placido Domingo) - Grazie dei fior (Nilla Pizzi) - I cadetti di Guascogna (Clara Jaione) - I pompieri di Viggiù (Clara Jaione ) - Il tango delle capinere (Aurelio Gabrè) - In cerca di te (solo me ne vo per la città) (Nella Colombo) - In un palco della scala (Quartetto Cetra) - Kriminal tango (Piero Trombetta) - L'edera (Nilla Pizzi) - La canzone dell'amore (Armando Gill) - La più bella del mondo (Nicola Di Bari) - La romanina (Carlo Buti) - La strada del bosco (Gino Bechi) - Le rose rosse (Anna Fougez) - Lettera a Pinocchio (Johnny Dorelli) - Lo studente passa () - Love in Portofino (Fred Buscaglione) - Lucciole vagabonde () - Ma l'amore no (Alida Valli) - Ma le gambe (Trio Lescano) - Mamma (Beniamino Gigli) - Maramao perchè sei morto' (Trio Lescano) - Marina (Rocco Granata) - Mattinata fiorentina (Alberto Rabagliati) - Meglio sarebbe () - Mille lire al mese (Gilberto Mazzi ) - Miniera (Aurelio Gabrè) - Nel blu, dipinto di blu (Domenico Modugno) - Nella vecchia fattoria (Quartetto Cetra) - Non dimenticar...(le mie parole) (Emilio Livi e Trio Lescano ) - Non passa più (Ernesto Bonino) - Non ti scordar di me (Vergiss mein nicht) (Beniamino Gigli ) - O mama mama (Nilla Pizzi e Duo Fasano) - Papà Pacifico (Nilla Pizzi) - Papaveri e papere (Nilla Pizzi) - Parlami d'amore Mariù (Vittorio De Sica) - Piemontesina () - Porta un bacione a Firenze (Odoardo Spadaro) - Portami tante rose... (Tito Schipa) - Reginella campagnola (Carlo Buti) - Renato (Renatta) (Mina) - Rosamunda (Dea Garbaccio) - Scrivimi (Carlo Buti) - Sempre nel mio cuore (No puedo quererte) () - Serenata celeste (Claudio Villa) - Signora fortuna (Aurelio Gabrè e Carlo Buti) - Silenzioso slow (Abbassa la tua radio) (Alberto Rabagliati) - Soldi, soldi, soldi (Betty Curtis) - Tango del mare (Pooh) - Tango della gelosia (Oscar Carboni) - Tango delle rose (Anna Fougez) - Terra straniera (Luciano Tajoli) - Ti voglio tanto bene (Narciso Parigi) - Torna piccina (Tito Schipa) - Tornerai (Alfredo Clerici ) - Tu che mi hai preso il cuor (Dein ist mein Ganzes herz) () - Tutte le mamme (Giorgio Consolini) - Un bacio a mezzanotte (Quartetto Cetra) - Un'ora sola ti vorrei (The Showmen) - Vecchia Roma (Claudio Villa) - Vecchio frack (Domenico Modugno) - Vecchio scarpone (Gino Latilla e Doppio Quintetto Vocale) - Violino tzigano (Carlo Buti) - Vivere (Tito Schipa ) - Vogliamoci tanto bene (Renato Rascel) - Voglio amarti così (Solamente una vez) (Harry Wright) - Vola colomba (Nilla Pizzi)Collection : Professional Books
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: BR.EB-9205
World premiere: Donaueschingen, April 25, 2010
ISBN 9790004183632. 11 x 14 inches.
On the broadcast of the film From Dusk Till Dawn, the following note could be read in Gong (German radio and television programme guide) on 21 May: The gangsters Seth (George Clooney) and Richard Gecko (Quentin Tarantino) are on the run. On their way to Mexico, they take the apostate preacher Fuller and his children hostage. On their journey, they end up in Titty Twister Bar, not suspecting that it is peopled by vampires. Well, after deducting some film junk, some typical elements remain: what is past and over, constant new dramatic pair constellations, what is dead and constantly reawakening, the transformations, the troubles and destructions, the final annihilation teeming with destruction etc. Basically, it is a myth of ruin, in whose structure the elements are interchangeable. It could also be told with a coherent material concept, in a historically obsolete manner, in an old-fashioned way, with non-compensation, with flaring abolition yes, does everything always work??? It is good that it only takes place in a bar and that the bar invites us into Titty Twister in attractive neon writing. Restless nature and beauty are at home in the bar today. That facilitates for us the effortlessness of having fun in life. And today there is a special programme my piece Titty Twister for Accordion, Viola, Nepalese Singing Bowl, Pinballs and Mini Dramolettes. Its all expression, isnt it??? Nicolaus A. Huber (2009) CD: Anton Hubert (viola), Wolfgang Dimetrik (accordeon) CD Gramola 98922 Bibliography : Kampe , Gordon: Erinnern und Vergessen. Wechselwirkungen in der Kammermusik Nicolaus A. Hubers, in: Programmbuch ,,Wittener Tage fur neue Kammermusik 2017, S. 42-47, auch abgedruckt in: MusikTexte, Heft 154 (August 2017), pp. 37-39.World premiere: Donaueschingen, April 25, 2010.
SKU: BT.1342-06-020-MS
9x12 inches. English-German-French-Dut ch.
In the seventies, Elvis Presley gave many concerts with an orchestra that included a large wind section. These concerts were characterised by enthusiasm and a fast tempo. Burning Love was one of the up-tempo numbers where the bass guitar player played an especially important role. Thus, this arrangement of Burning Love, written by Thijs Oud, brings a specific challenge for the musicians in the low register. The trumpets and the trombones can also play standing behind the band adding to the visual and dynamic enhancement.Elvis Presley gab in den siebziger Jahren viele Konzerte, auf denen er sich von einem großen Orchester mit zahlreichen Bläsern begleiten ließ. Ein hohes Tempo und absolut mitreißende Begeisterung kennzeichneten diese Auftritte. Eine der beliebten schnellen Nummern war Burning Love, in dem die Bassgitarre eine wichtige Rolle spielte. So ist denn auch Thijs Ouds gelungene Bearbeitung von Burning Love eine besondere Herausforderung für das tiefe Register, während die Trompeten und Posaunen die ursprünglichen Bläserstimmen übernehmen.Dans les années 1970, Elvis Presley s’est produit, plusieurs reprises, avec un orchestre disposant d’une grande section d’instruments vent. Caractéristiques de ces concerts : un débordement d’enthousiasme et une énergie intense. Burning Love est l’une de ces chansons au rythme enlevé où la guitare basse joue un rôle particulièrement important. Cet arrangement de Thijs Oud ne laissera personne de marbre. Negli anni 1970, Elvis Presley si esibì a più riprese con un’orchestra avente a disposizione una grande sezione di strumenti a fiato. Questi concerti furono caratterizzati da un enorme entusiasmo e coinvolgimento del pubblico. Burning Love è una di queste canzoni dal ritmo molto elevato dove il basso riveste un ruolo particolarmente importante.
SKU: BR.EB-9380
ISBN 9790004188507. 10.5 x 14 inches.
,,Trau er nur dem holzernen Freund nicht. Er ist manchmal ein lederner (aus den Beethoven-Konversationshe ften) Dieses Schlagzeugtrio, das in enger Zusammenarbeit mit den Widmungstragern entstanden ist, besteht aus drei Teilen. Es wird durch die schiere Freude am dramaturgisch gebundelten Konstruieren entlang seismischer Bruchlinien gepragt. Die drei Percussion-Spieler wechseln wahrend des Werkes zwischen drei Setups an verschiedenen Spielpositionen - vom Buhnenhintergrund, uber die Mitte der Buhne bis vorne an der Buhnenrampe. Dabei wird jeweils ein anderes Klangmaterial, im ersten Teil (Part I) das Fell, im zweiten Teil (Part II) das Metall und im dritten Teil (Part III) das Holz in den Mittelpunkt gestellt. Part I (5'30'') ist mit drei O-Daikos besetzt, die mit Fingern, Handen, Fausten, Superballs und Holzstaben gespielt werden. Part II (6'00'') ist um drei Glockenspiele, drei Vibraphone und drei Sixxen gruppiert und integriert auch Metallinstrumente wie Chinese Opera Gongs, Mini-Tam-Tams und Metalltonnen, die mit Fussmaschine gespielt werden. In Part III (4'00'') spielen alle drei Musiker mit Rundstaben, Handen und Rohrenglockenhammern das mit sieben massiven Balken aus Eschenholz besetzte baskische Nationalinstrument Txalaparta, das auch seine ganz eigene Geschichte im Widerstand gegen die Franco-Diktatur hat. Reizvoll war fur mich sowohl, dass man zu dritt auf diesem archaischen Instrument wirklich aberwitzig schnelle Rhythmen spielen kann, als auch, dass dieses Instrument auf Konzertpodien klanglich wie optisch noch vollig neu ist - und dies, trotz aller Schlichtheit, bei einem unglaublichen Reichtum an Klangmoglichkeiten. Kleine rhythmische Zellen, die sich immer wieder zu vielfaltigen neuen Texturen - bis zur klanglichen Entfesselung - zusammenballen und eine feine Differenzierung und Dynamisierung der Anschlagsmoglichkeiten bestimmen dieses Werk. Auch, wenn nur Part II durch den Einsatz bestimmter Tonhohen gepragt ist (durch die Verwendung der von Yannis Xenakis erfundenen Sixxen durchaus mikrotonal), so gibt es doch unuberhorbar abschnittsubergreifende Kontinuitaten in Rhythmik und Motivik, die das ganze Werk bestimmen und es dabei wie feine seismische Adern durchziehen. (Johannes Maria Staud, 2020)World premiere: Vienna, October 17, 2020 Commissioned by KolnMusik GmbH as a part of the Non Beethoven project of the Kolner Philharmonie for 2020, Wiener Konzerthaus and Martin Grubinger / Percussive Planet.
SKU: PR.342402020
ISBN 9781598064995. UPC: 680160616084. 8.5 x 11 inches. English. Text: William Shakespeare; Aurelius Prudentius Clemens; Aeschylus. Aurelius Clemens, William Shakespeare, Aeschylus. Texts from Aurelius Prudentius Clemens, Aeschylus, and William Shakespeare.
When Tim Sharp, Executive Director of the ACDA, offered Stucky the Brock Memorial Commission, it was decided that the text would commemorate the 50th anniversary of the assassination of John F. Kennedy, since the annual convention would take place in Dallas of that year. To that end, Stucky chose four different but pertinent texts to honor the occasion, although never referencing JFK by name. Take Him, Earth was premiered at the ACDA convention in March, 2013. Originally scored for chorus and chamber ensemble of nine instruments (available on a rental basis), Take Him, Earth is presented here in piano reduction. For advanced choirs. Duration: 13'.When Tim Sharp, Executive Director of the American Choral Directors Association, very kindlyoffered me the Raymond W. Brock Memorial Commission for 2013, he suggested that because thepremiere would take place at the national conference in Dallas in the 50th year since the assassinationof John F. Kennedy in that city, the text might refer in some way to that grim anniversary. Hesuggested, too, that I consider using a chamber ensemble or chamber orchestra to accompany thechorus.I took these suggestions to heart, but at the same time I wanted to write something universal enoughto be appropriate on other occasions, in other settings. Thus the score is dedicated to PresidentKennedy’s memory, but otherwise he is never referred to by name. Instead, I assembled a group oftexts that are associated with him in some way, but that also stand alone as a more general eulogy.As a refrain, there are a few lines from the early Christian burial hymn that begins “Take him,Earth, for cherishing” — lines that were earlier set to music by Herbert Howells in his classic motetcommissioned for Kennedy’s memorial service in 1963. The lines of Aeschylus “Drop, drop — inour sleep, upon the heart sorrow falls” from Agamemnon were quoted by Robert F. Kennedy uponthe death of Martin Luther King in April 1968. The celebrated “When he shall die, cut him out inlittle stars” from Act III of Shakespeare’s Romeo and Juliet was cited by RFK a few months after hisbrother’s murder.
SKU: FH.WS1
ISBN 978-1-55440-550-3.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Rhythmi c Repertoire:What Is Beauty but a Breath? - Thomas Greaves, arr. Kathleen WoodGreat Scott - Lennie NiehausCielito Lindo - Quirino Mendoza y CortesHorseshoe Shuffle - Beverley CallandHere Comes the Parade! - Nova PonTheme and Variations - Aleksandr Glazunov, arr. Mark MrozinskiGalloping Across the Prairies - Sean ClarkeLyrical Repertoire:Ave Verum Corpus, K 618 - Wolfgang Amadeus Mozart, arr. Jason GrayMoonglow - Pam WedgwoodCalm as the Night (Still wie die Nacht), op. 326, no. 27 - Carl Bohm, arr. Christine DonkinGymnopedie No. 2 - Erik Satie, arr. Jason Noble Bb Saxophone:Rhythmi c Repertoire:The Sidewalks of New York - Charles B. Lawlor, arr. Forrest KinneySweet Betsy from Pike - American folk song, arr. Christine DonkinMinuet in D minor, BWV Anh. 132 - attr. Johann Sebastian Bach, arr. Jason NobleLyrical Repertoire:A Joyous Tune - Sigurd RascherLondonderry Air - Irish folk song, arr. Forrest KinneyGood News! (Nouvelle agreable!) - 18th-century French carol, arr. Akiko and Forrest Kinney.
SKU: HL.44004829
UPC: 073999048292. International (more than one language).
This book contains sixteen classical melodies known throughout the world. The volume comes with a CD which includes a piano accompaniment as well as performances of the melodies by various instruments. Includes: Pastime with Good Company * Largo * Bist du bei mir * Mozart 40 * Theme from William Tell Overture * The Trout * Pavane.
SKU: CA.2046305
ISBN 9790007036621. Key: G dorian. Language: German/Latin.
Rewor king of a motet by Giovanni Gabrieli (1615). Score available separately - see item CA.2046300.
