100 And One Solos Bass Clef Instruments

Bass Clef Instruments-The solos in this book represent a cross section of the music of Charlie Parker. The sixty solos have been transcribed from the recordings for Bass Clef instruments.Includes Back Home Blues' Red Cross Ko-Ko Visa and Chi Chi. Plus scale syllabus and biography.

A collection of hip musical compositions by award-winning bassist Tyrone Brown. Compositions for Bass offers 10 pieces in various grooves including Swing Latin and odd meters. The online audio recording has Mr.Brown performing each piece - eight on acoustic bass and two on acoustic bass guitar. The pieces are also playable on electric bass guitar. Some tunes are suitable for solos or duets. The solo from each piece is alsotranscribed. In standard notation. Includes access to online audio.

(Sample solos by Mike Steinel)Welcome to the exciting world of jazz improvisation! Whether you are using this book as a supplement to the Essential Elements for Jazz Ensemble method book or just by itself this play-along book will help you get started creating your own improvised solos. The recordings feature professional jazz players performing well-known jazz classics and provide an excellent model for playing in a jazz style. Inaddition sample solos are provided as a guide for creating effective melodies. An added feature on the CD-ROM is the Amazing Slow Downer software program for changing the tempo of any of the recorded tracks - when used in yourcomputer ASD allows you to adjust the tempo to suit your needs as you progress through the book.Includes 10 blues classics: All Blues ? Bags' Groove ? Blue 'N Boogie ? Blue Monk ? Blues in Frankie'sFlat ? Blues in the Closet ? Cold Duck Time ? St. Louis Blues ? Straight No Chaser ? Tenor Madness.

I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians students teachers and all those who take a general interest in this field of music.The focus of this series is on the language of instrumental music nowadays performed in Brazil based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music which are presented in the following versions:1. Complete takes in other words the full versions of the pieces included in the book which are performed by all the instruments playing simultaneously;2. Without melody / solo part so that the melodic instruments can play along with the recording executing their own interpretations and practicing improvisations;3. Without harmony so that the harmonic instruments can practice the language of accompaniment especially with regard to the rhythmic vocabulary of each style.4. Without bass so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects;5. Without drums so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations.Each book contains the scores in the form of lead sheets in four different versions: in C Bb Eb and bass clef. Due to the widely defined concept of this method it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution.The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos rhythmic comping phrases bass lines and drum grooves for instance can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition