World Music For Guitar

Trois méthodes complètes créées par une des meilleures écoles de guitare aux Etats-Unis : The National Guitar Workshop. Chaque volume contient : Des exemples en notations standards et en tablatures - Des solos à travailler - Les techniques de guitare acoustique telles que l'accompagnement, le flatpicking et le fingerpicking - Des sujets tels que la théorie, l'arrangement, l'improvisation et la composition - Des leçons sur le styles de guitare acoustique comme le blues, le funk acoustique et la world music. / Guitare / Partition Cd

Throughout his career Christopher Parkening America's preeminent classical guitarist has had the opportunity to perform with many of the world's leading artists and orchestras. This folio Duets and Concertos contains many selections from those collaborations and features a wide range of musical pairings which show the guitar at its versatile best: voice and guitar guitar duets chamber music and concertos. All of the pieces included here have been edited and fingered for the guitar by Christopher Parkening and to quote Christopher himself ???No compromise has been made in requirement of technique. All of these pieces are suitable for performance by the virtuosoguitarist.??? This folio contains 35 transcriptions.

This book is part of a series that forms an expertly structured and comprehensive method of studying acoustic guitar; it has been compiled by the Registry Of Guitar Tutors ? the world?s leading authority on guitar education. The book is very user-friendly as it is written in easy-to-read TAB as well as traditional notation and it comes with a free 16-track CD so you can ?listen and learn?. This book covers all the material needed for the London College of Music Grade Eight examination in acoustic guitar playing enabling you to study for an internationally recognised qualification. However even if you do not intend to takean exam this book will help you achieve your full potential as a guitarist by developing all aspects of your playing in a structured way. This volume includes fingerstyle/flatpick pieces in a range of styles ? from traditional to contemporary plus a comprehensive selection of chords scales and arpeggios. There are also chapters on musical knowledge and accompaniment playing plus aural exercises to help improve your musical abilities ? making it ideal for those who wish to extend their musical range and knowledge and improve their playing to the highest level. The book is cleverly designed so that it can be used by both fingerstyle and plectrum players.

For the first time this edition presents work for Guitar solo and for Guitar duet by Graciano Tarragó grouped into different collections. Despite the fact that the composer published the set of works separately (with the exception of the collections of studies and the Catalan Christmas songs) it is not difficult to see that a natural classification surges from its formal structure from its source of inspiration and from its intent upon observing the works as a whole.The main objective of this revision was to update its presentation to meet the demands of the Guitar world today and to offer scores that ease the introduction to the study of this copious collectionof works. The works hold an indisputable musical beauty and demand technical virtuosic knowledge of the highest level.

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles?the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won?t kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, ?One man?s remorse is another man?s reminiscence.? Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bes

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

This tutorial comprises 50 top-class Guitar solos inspired by the world s greatest guitarists past and present. What is special about these easy solos' It is the fact that they are accessible to everyone. This tutorial comprises 50 top-class Guitar solos inspired by the world???s greatest guitarists ??? past and present. What is special about these ???easy??? solos' It is the fact that they are accessible to everyone. Here even the guitarist-to-be is offered the possibility to take over the lead Guitar part. But easiness doesn???t exclude diversity. To make this tour through the world of Guitar soloing instructive but also interesting and entertaining the solos included in this tutorial feature different keys modes (major and minor) and forms (binary and ternary) they differ in their density and in their richness of phrasing. The introductory chapteroutfits you with the tools (scales and articulation techniques) you need to know for thoroughly under- standing the 50 solos presented here; provided with this knowledge you will be able to extend and develop them and possibly even to create some of your own. The DVD attached to the tutorial offers you the possibility to mindfully observe all 50 Guitar solos ??? first at actual playing speed then at a slower speed. This again gives you the opportunity to closely follow up the movement of the hands to choose the right fingerings and keep in time(!) For its part the MP3 CD is composed of as many backing tracks as there are solos in the tutorial; the 50 backing tracks are recorded at two different tempi: the intended tempo (actual playing speed) and the rehearsal tempo (slower speed). The backing tracks provided here are of an appropriate length (about 4 to 5 minutes each which sums up to almost 7h of musical practice). This means that you have enough time at your disposal to practice under the best conditions.

This premier method for the beginning classical guitarist by one of the world's pre-eminent virtuosos and the recognized heir to the legacy of Andrés Segovia is now available with a CD! Guitarists will learn basicclassical technique by playing over 50 beautiful classical pieces 26 exercises and 14 duets and through numerous photos and illustrations. The method covers: rudiments of classical technique note reading and music theory selection and care of guitars strategies for effective practicing and much more! The CD includes 99 demonstration tracks.

This method has been specially devised for guitarists who want to progress at rhythmic Guitar (or accompaniment). Beginners will discover the fundamentals while more advanced players will be shown how to overcome any theoretical or technical issues that they might be encountering. Numerous styles are covered including blues jazz rock pop funk metal reggae and world music. The accompanying DVD includes all of the examples in the book demonstrated in a video for ease of understanding. The audio CD features backing tracks for students to play along with.This method has been specially devised for guitarists who want to progress at rhythmic Guitar (or accompaniment). Beginners will discover the fundamentals while more advanced players will be shown how to overcome any theoretical or technical issues that they might be encountering. Numerous styles are covered including blues jazz rock pop funk metal reggae and world music. The accompanying DVD includes all of the examples in the book demonstrated in a video for ease of understanding. The audio CD features backing tracks for students to play along with.

The ground breaking 2016 Acoustic Guitar syllabus from Rockschool further continues their long-standing commitment to world leading industry relevant music education. Designed to provide both student and instructor with a truly diverse range of contemporary repertoire a vast array of crucial supporting tests and both a technical and stylistic understanding that is second to none. Featuring: 6 pieces in each book from the worlds of Rock Pop Metal Blues Country Jazz and Acoustic Specialists. Professional backing tracks for both pieces and supporting tests. Duet arrangement available at every grade. Fact files andtechnical guidance. Plus: Ear Tests Technical Exercises Quick Study Pieces Sight Reading and Improvisation examples General Musicianship Questions

Hot Rock Guitar - Grade 1 includes eight hit songs to play in your Rockschool exam, GCSE music or just rocking out. Hot Rock Guitar - Grade 1 works in addition to your Rockschool Guitar Grade 1 book to provide you with further song choices for your exam.You can select up to two pieces from Hot Rock to play in your Rockschool Guitar Grade Exam or three to play in your Rockschool Guitar Performance Certificate.Featuring:Chasing Cars [Snow Patrol]Jailbreak [Thin Lizzy]Living On A Prayer [Bon Jovi]Run To You [Bryan Adams]Sunshine Of Your Love [Cream]Wishing Well [Free]Wonderful Tonight [Eric Clapton]Zephyr Song [Red Hot Chili Peppers]Plus:8 of the best rock tracks - 8 world renowned artistsTAB and Standard NotationGCSE friendly: schools can use for GCSE musicFact Files: band and artists background information with recommended listeningWalkthroughs: in-depth guidance on every trackAmp settings: get the right tone with authentic amp settings for each trackDownloadable audio: use your download card for easy access to your audioLearn by playing the music you love / Guitare

The art and technique of the Classical Guitar. The premier method for the beginning classical guitarist by one of the world's preeminent virtuosos and the recognised heir to the legacy of Andres Segovia. Learn basic Classical Guitar technique by playing beautiful pieces of music.Includes over 50 classical pieces 26 exercises and 14 duets.Rudiments of Classical Guitar technique note reading and music theory.Selection and care of Guitars. Strategies for effective practicing.