Wolfgang Amadeus Mozart: Fantasia In F Minor For Strings K.608: String Ensemble:

Une belle collection des plus célèbres chefs d'oeuvres de Wolfgang Amadeus Mozart pour paino solo, dont `A Musical Joke`, `Ave Verum Corpus` et `Fantaisie en Ré Mineur`. / Classique / Partition /

Eighteen pieces edited and annotated by Richard Jones for the ABRSM. Includes the Fantasia In C Minor K.396.

F. Bläs.Okt.. Par MOZART WOLFGANG AMADEUS. Andante und Allegro in F, KV 594, Fantasia in f, KV 608, Andante C-Dur,KV 616/ Répertoire / Musique de Chambre

nach 'Ein Orgelstück für eine Uhr KV 608'-Fantasia In F Minor for Strings (1799) after the Organ Piece for Mechanical Organ K.608.Despite their high quality Mozart?s works for unusual instruments or instrumental combinations often receive scant attention. One of these remarkable compositions is a piece for mechanical Organ K. 608 that he wrote for ? Müller?s Art Gallery ? in March 1791. By 1799 it had already appeared in print in Vienna as a fantasy for Piano four-hands.But there were also other transcriptions including one for two Flutes and another for String Quartet.Several sources and later editions attest to the popularity of this contemporary stringarrangement of 1799. Our new volume edited by Christopher Hogwood takes the relevant sources into account.It contains a trilingual preface (Eng./Ger./Cz.) discussing the work?s history and performance practice as well as a detailed critical report.- Almost unknown music from Mozart?s final year.- Transcription of 1799 for String Quartet.- Additional Double Bass part provided to allow performances with Chamber Orchestra.- Detailed preface critical report (Eng./ Cz ./Ger.). Also includes facsimiles.- Full score & parts (BA9505) available for sale.

Sonata Movement (Grave & Presto) in B-flat major-Of Mozart's many fragmentary works it is the Requiem which stands out but there are many other fragments in his large compositional output which can ideally be used as a basis for a reconstruction. In the case of these two reconstructions for two pianos the editor has drawn on thematically suitable fragments from Mozart's piano solo repertoire and has arranged them for two pianos. In this way reconstructions are achieved which are based solely on authentic material. The result of this creative exercise is two new highly effective concert works for two pianos offering a valuable addition to Mozart's two existing works for this combination. The editor tookAbbé Maximilian Stadler's sensitive reconstruction of Mozart's fragmentary Larghetto and Allegro in E-flat major for two pianos (K. deest) as a model for his reconstructions.