Wanderer Fantasy

Wanderer Fantasy-Based on the Urtext of the New Schubert Edition.Includes: notes on performance practice (Ger/Eng) an informative foreword (Ger/Eng) and a critical commentary (Eng).The most famous of the fantasies the Wanderer Fantasy now appears in a separate edition.While Schubert was playing the Wanderer Fantasy for a circle of friends he faltered and exclaimed impatiently: The Devil should play this stuff!” Yet it wasn’t the Devil but Liszt like Schumann a great admirer of the piece who later arranged the Wanderer Fantasy for Piano and Orchestra and again for two Pianos. It was also Liszt whogave the work the nickname it has retained to the present day.This new edition replaces the existing edition BA 5640.

Wanderer Fantasy Impromptus Moments Musicaux and Twelve Other Works-Supplementing the Dover edition of Schubert's complete piano sonatas this volume contains all of the remainder of Schubert's music for pianoforte solo. Breitkopf

for Piano-Early evidence of Schubert’s interest in music of the past can be found in his Fantasy in C minor of 1811 (D 2 E) with its echoes of Mozart’s fantasy in the same key. A recurring motivic snippet in the virtuosic Graz Fantasy in C major (D 605 A) probably composed between 1818 and 1821 already foreshadows the monumental Wanderer Fantasy of 1822 (op. 15 - D 760).Printed with spacious new engraving Franz Schubert's Fantasies For Piano unites the composer's great fantasies for solo Piano in a single volume and presents the early work Fantasy in C minor for the first time in ascholarly-critical Urtext edition.It offers advanced pupils students and professional pianists a richly varied musically and technically thrilling addition to their repertoire. The edition features notes on performance practice an informative preface practical page turns and an elegant engraving.The most famous of the fantasies the Wanderer Fantasy now appears in a separate edition (BA 10870).Based on the Urtext of the New Schubert Edition.First scholarly-critical performing edition of the Fantasy in C minor (D 2 E).Notes on performance practice (Ger/Eng).Includes an informative foreword (Ger/Eng) and a Critical Commentary (Eng).

New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos

All piano music except Sonatas, Dances, and a few unfinished pieces. Contains Wanderer, Impromptus, Moments Musicals, Variations, Scherzi, etc. Content : 1 Fantasy, Op. 15 (Wanderer) 2 Four Impromptus, Op. 90 3 Four Impromptus, Op. 142 4 Moments musicals, Op. 94 5 Adagio and Rondo, Op. 145 6 Ten Variations 7 Variations on a Theme by Anselm Hüttenbrenner 8 Variation on a Waltz by Antonio Diabelli 9 Andante in C Major 10 Piece for Pianoforte in A Major 11 Adagio in E Major 12 Allegretto in C Minor 13 Three Pieces for Pianoforte 14 Five Pieces for Pianoforte 15 Two Scherzi 16 March in E Major

Dreamland (2010) for Soprano Clarinet and String Quartet.Text by Edgar Allan Poe 1844. Parts: WH31171APreface / Programme Note When looking for an interpretation on the internet of Edgar Allan Poe´s DREAMLAND it turns out that there are as many interpretations as there are interpreters. Some believe it is the mad hallucinations of a drug addict (could be Poe himself) others see it as Poe´s equivalent of Dante´s INFERNO – a tale from the Underworld.One thing is certain though. DREAMLAND is a ”fantasy” the vision of a dreamvoyager arriving at andstaying in a mythical location beyond and between space and time a place of strange majesty and surreal spectacles such as: “Mountains toppling evermore into seas without a shore”. At the same time it is a “peaceful soothing region” – a mystical ”wonderland” not unlike the fabled Eldorado whichis mentioned in the poem.Poe biographer Arthur Hobson Quinn called it “one of Poe´s finest creations” with each phrase contributing to one effect: a human traveler wandering betweenlife and death.DREAMLAND first appeared in print in America in the June 1844 issue of Graham´s Magazine and was subsequently published in a June 1845 edition of The Broadway Journal. Poul Ruders July 2010

Compilation. Authentiques transcriptions guitare de 58 célèbres chansons des années 60. Partitions en notations standards et tablatures. / Rép International / Tablatures / Guitare Tablatures