Format : DVD
Approche unique de Craig Wagner fingerstyle guitar comprend des quantités égales de jazz, funk, blues, rock, pop, bluegrass et les arômes de pays. Il transforme la guitare en un ensemble musical combo avec aventureuses techniques incorporant tapping à deux mains, polyrythmie, walking basse, banjo rouleaux, cordes exotiques et le déplacement des voix intérieure. Sa forte est la composition et l'agencement. Dans cette vidéo leçon, il présente effrayantes remaniement des normes jazz caravane et Cherokee, Herbie Hancock Chameleon et Superstition de Stevie Wonder. C'est une leçon de DVD très difficile, conçue pour le guitariste fingerstyle avancé. Techniques avancées enseignement comprennent: 2 main Tapping Walking Bass polyrythmie Latin rythmes arpèges Chord théorie
SKU: MB.GW1075
5.75x4 inches.
This lesson is intended for advanced players looking for ways to voice chords and arrange tunes in ways that sound rich and complex but feel nimble under the hands. We?ll look mostly at arrangements I?ve made of blues and fiddle melodies, and also look at the playing of the remarkable Johnny St. Cyr.We begin our lesson with Ma Rainey?s Yonder Comes the Blues. This is followed by Jelly Roll Morton?s Jelly Roll Blues. Composed in 1915 and was one of the first published jazz compositions. Johnny St. Cyr was a famous New Orleans musician who played both guitar and the six-string banjo. He recorded with Louis Armstrongs Hot Five and Hot Seven bands. He also played with Jelly Roll Mortons Red Hot Peppers. His Guitar Blues is a tour-de-force and challenge for any fingerstyle guitarist. We finish our lesson with the Mineola Rag first recorded by the East Texas Serenaders. Titles include: Yonder Come The Blues, Jelly Roll Blues, Guitar Blues and Mineola Rag Detailed tab/music PDF file on the DVD. 96 minutes. DVD is region 0, playable worldwide.
SKU: MB.31060M
ISBN 9781513468051. 8.75x11.75 inches.
As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. Titles include: Oh, You Beautiful Doll, I’ve Got The Blues, High Society, St. Louis Blues, Davenport Blues, Poor Butterfly, Dixie Jass Band One-Step, Memphis Blues, Big Foot Ham, Grandpa’s Spells, The Original Jelly Roll Blues, Midnight Mama, Milenberg Joys, Fizz Water, Back Home in Indiana, Sweet Georgia Brown, Red Wing (An Indian Intermezzo), There’ll Be Some Changes Made, Way Down Yonder In New Orleans, Charleston, Where The Morning Glories Grow, Limehouse Blues, Susie (of the Islands), I Need Some Pettin’, Weather Bird, Cornet Chop Suey, Kansas City Stomps, King Porter Stomp, Jubilee Stomp, Take It Easy, If I Had You, Moonlight Serenade
