Vol.3 Pieces for Solo Recorder

Pieces for the Solo Recorder - Volume 3 for Solo Sopranino Descant Treble and Tenor Recorder - edited by John Turner.Little Suite No.2 - Arnold ClarkeFive Shakespeare Dances - James LangleyVariations on a Trio Tune - John ManduellSpring Dances - John AddisonTreble Music - Richard ArnellInvocation at Midsummer - Peter Crossley-HollandRondeaux des Oiseaux - Robin OrrSuling - Mervyn CookeNorwegian Herbarium - Kjell MarcussenPipe Pieces - David Dubery

The New International Edition of Suzuki Piano School Volume 3 includes French German and Spanish translations new Romantic and 20th-century pieces as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed slightly to include a new Romantic piece by Gurlitt and a 20th-century piece by Bartók as well as the Bach 'Minuet in G Minor' (from Notebook for Anna Magdalena Bach) formerly in Volume 2. Other improvements include a cleaner appearance with less editing and spacious new engravings as well as more detailed titles thatinclude the keys sources composer dates and catalog numbers.

for Solo Recorder and Piano. Par ADAMS PETER. Six Pieces for encores. Includes introductory notes in English, German and French. 1. L'Oiseau Du Bois (Charles Le Thiere) 2. Nocturne in E flat (Chopin) 3. Feu Follet; or 'Will o' the Wisp' (Hans Wessely) 4. Tambourin (Gossec) 5. Variations on 'Non Piu Mesta' (Chopin) 6. Czardas (Monti)/ Recueil / Flûte à Bec et Piano

The New International Edition of Suzuki Piano School, Volume 2 includes French, German and Spanish translations, new Romantic and 20th-century pieces, as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed slightly with minimal reordering of the music. The Mozart Minuet and Bach Musette from the earlier edition were eliminated and replaced with two new 20th-century pieces by Bartók (noted below), and the Bach Minuet in G Minor (from J. S. Bach?s Notebook for Anna Magdalena Bach) has been moved to Volume 3. Other improvements include a cleaner appearance with less editing and spacious new engravings, as well as more detailed titles that include the keys, sources, composer dates, and catalog numbers. Titles: Écossaise (J. N. Hummel) * A Short Story (H. Lichner) * The Happy Farmer, from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in G Major, BWV 822 (J. S. Bach) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (Anonymous) * Minuet in G Minor, BWV 822 (J. S. Bach) * Cradle Song, Op. 13, No. 2 (C. M. von Weber) * Arietta (W. A. Mozart) * Hungarian Folk Song, from For Children, Sz. 42 (Béla Bartók) * Melody, from Album for the Young, Op. 68, No. 1 (R. Schumann) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (C. Petzold) * Sonatina in G Major, Anh. 5 (Moderato, Romance) (L. van Beethoven) * Children at Play, from For Children, Sz. 42 (Béla Bartók).

For use in lessons or for your first concert performance - Easy Concert Pieces for Cello and Piano contains easy and well-known solo pieces from the Renaissance to the modern era, carefully selected according to technical and musical demands: Volume 1 very easy (1st position), Volume 2 easy (1st and half position), Volume 3 easy to intermediate (1st to 4th position). Besides original compositions by Bréval, de Fesch, Reinagle or Gretchaninoff there are readily playable arrangements of classical masterpieces and modern compositions from the world of pop, jazz, spirituals, bossa nova and tango. Recordings and backing tracks for all the pieces are included on the accompanying CD. / Violoncelle Et Piano

Solos For Young Violists – Volume 3 is part of a graded series of works ranging from elementary to advanced levels and representing an exciting variety of styles and techniques for Violists. Volume 3 contains 7 pieces for Viola with Piano accompaniment including a Sonatina in three movements by William Keith Rogers.This is a valuable resource for teachers and students of all ages and offers a broad spectrum of pieces some of which will be familiar many of which will be new to you. A large number of the works in this series have long been recognised as stepping-stones to the major Viola repertoire while others are newly publishedpieces for further choices of study. The Viola part is included in a separate pull-out book and a table describes the technical and musical features as well as the relevant Suzuki Viola level for cross-method teaching. A CD of demonstration recordings is available IMP8020.

L'édition révisée pour Suzuki Violin School, Volume 6 est maintenant disponible. Comme les autres livres de violon révisées, la musique a été édité par le Comité international de violon. / Piano

The early music specialist and flautist, Annabel Knight, presents the second in a series of four volumes dedicated to flute music from the Baroque period. Featuring a variety of interesting pieces scored for flute and keyboard accompaniment, this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers.Suitable for students of ca. 4-5 years' of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Annabel Knight and Robin Bigwood. / Flûte

A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school, junior and community choirs, and a tuneful introduction to singing simple contrapuntal lines. The second soprano part repeats the tune at bar 33 and should dominate here - the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount importance throughout. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Craig McLeish began his musical life as a chorister at St Paul's Cathedral under Barry Rose. He began composing at the age of ten and his preces and responses for four trebles are still in the repertoire. After a degree at York University he returned to London to study at the Guildhall and sang again at St Paul's as a tenor. At the time he also arranged and copied music for West End shows such as Les Miserables and Miss Saigon, and played bass guitar for various groups. This led to a spell in the cult pop band 'Fat and Frantic', who shaved the top 100 twice with the whimsical anthem Last night my wife hoovered my head. He also worked as musical assistant for David Heneker (Half a Sixpence) and David Fanshawe (African Sanctus). In 1992 Craig became director of the Methodist Association of Youth Clubs Orchestra and Singers, performing concerts throughout the UK and becoming involved in a number of recordings and BBC broadcasts. During this time he arranged more than 250 orchestral scores ranging from Queen to Calamity Jane, Stravinsky and Stevie Wonder. Alongside this he began arranging and writing songs for children's collections (Big Blue Planet, Love Shone Down) and producing recordings and string arrangements for various artists (Sheila Walsh, Kim Hill, Matt Redman). He is also well known as a conductor and arranger for Songs of Praise. Recently Craig has collaborated with composer Tolga Kashif writing orchestrations for the RPO's Seo Taiji Symphony, the Classic FM chart-topping CD by saxophonist Tyler Rix, and the Genesis Suite which was premiered at the Barbican. He has been musical director of Young Voices UK for 13 years, bringing large school choirs together to play with a live band and solo artists, and currently conducts the Milton Keynes Community Choir, Hart and Soul Community Choir and the Milton Keynes Youth Choir. / Choeur SSA

Christopher Norton Connections for Piano is a collection of pieces in popular styles that is ideal for students and teachers looking for a sound pedagogical supplement or alternative to the study of classical piano literature. The entire Connections! series presents a kaleidoscope of contrasting styles keys and tempos. The repertoire in each volume is arranged into four categories: swing lyrical latin and character.Connections for Piano Repertoire is written for both solo and group play-along. The recorded accompaniments created for Connections by professional studio musicians reinforce the styles and double as useful backgrounds for improvising and jamming. Goto www.80dayspublishing.com to hear samples and buy.

Schirmer Performance Editions - with a CD of performances-Offering insightful interpretive suggestions pertinent fingering and historical and stylistic commentary the Schirmer Performance Editions series is designed for Piano students and teachers as well as professional pianists.This volume contains 11 pieces by the composer Serge Rachmaninoff including his most famous Piano piece - the Prelude In C-sharp Minor.Accompanied by a CD of recorded performances this book provides the advanced pianist with a newly-engraved and researched edition of the first half of Rachmaninoff's output of Piano preludes complete with historical notes and performancesuggestions.

Une approche qui comprend des orchestres dans la pratique quotidienne à un stade précoce. Au lieu d'exercices secs, ces éditions mettre l'accent sur l'utilisation des mélodies idiomatiques. C'est comment les orchestres est censée être - FUN ! / Flûte A Bec

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière