Vivaldi A. - Gloria Rv 589 - Vocal Score

The chorus score contains no Piano reduction or solo parts - for full Vocal score (with Piano reduction) see BA7674-90. Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldidisplays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.The same mastery has also been applied to the ?Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive Choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).

Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements totender transparently scored solo passages. The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Vocal score as well as choral score available for the “Gloria”. - Informative foreword (Ger/Eng).

Antonio Vivaldi's Gloria In D RV589 for soloists SATB chorus baroque Orchestra (Oboe Trumpet Bassoon Keyboard and Strings) or Keyboard.Both full and vocal scores make clear distinction between original and editorial markings. They are supplemented by a full critical apparatus and continuo realization and information on performance practice is relevant without being prescriptive.This edition is also unique in including a transcription of the 'Cum sancto spirito' from Ruggieri's Gloria which formed the basis of Vivaldi's own setting. All material is also available on hire.

Uplifting and melodic the unforgettable tunes and infectious optimism of Antonio Vivaldi’s Gloria have helped make it one of the most popular choral works in the Baroque repertoire. For this Oxford Choral Works edition the distinguished Vivaldi scholar Paul Everett has returned to the original autograph manuscripts as the most authoritative source. Also featuring a transcription of Giovanni Maria Ruggieri’s earlier work Cum Sancto Spirito upon which Vivaldi is said to have based his work. This is the Complete Vocal Score of this tremendous work and represents one of the most accurate and authoritative editions available

Vocal Score-Vivaldi's beautiful setting of the Magnificat is a mature work and blends a variety of choral styles in and around brief solo sections. Vivaldi's Magnificat along with his Gloria is among his best-known choral works and this vocal score has been edited by Gian Francesco Malipiero with piano reduction by Raffaele Cumar.

Vocal Score-Vivaldi's classic work arranged for SSA soli SATB chorus and organ/piano accompaniment. This the Schirmer edition includes a piano reduction and is edited by William Herrmann.  Please note that this vocal score features lyrics in English and Latin.

Full Score- A splendid curtain-raiser to Vivaldi's Gloria Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices not five. Durante's vocally richer five-voice version has been chosen for the SacredChoruses volume which this orchestration accompanies and merits performance as an alternative to the familiar four-voice version which may or may not have been Durante's own work.

Ed. critica P. Everett - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. This volume presents the vocal score of Vivaldi's Stabat Mater RV 621 for alto, strings and continuo, based on the critical edition by Paul Everett. Composed for the church of Santa Maria della Pace in Brescia, it was performed, for the first time, on 8 March 1712, for the Seven Sorrows of the Virgin Mary celebration. It is considered as one of the most inspired and celebrated Vivaldian works. Together with the Gloria RV 589 and the Quattro stagioni, it dates from a juvenile period. / Niveau : Intermédiaire / Répertoire / Chant et Piano