Format : Book
SKU: FH.VLE02
ISBN 9781554409143.
Carefully selected and curated to support teachers and students in their artistic and technical development, the Violin Series, 2021 Edition includes pieces from a diverse range of eras and styles that represent stepping stones to major violin repertoire.
Violin Orchestral Excerpts 9-ARCT presents excerpts ordered chronologically from the Baroque to the modern era and includes overtures, ballets, operas, chamber music, orchestral music, and contemporary works. Selections are organized progressively to present relevant materials with both section parts and concertmaster solos for youth and community orchestras, chamber music ensembles, and to provide preparation material for auditions at the professional level. This book features works from Ludwig van Beethoven, Antonin Dvorak, Edward Elgar, Franz Joseph Haydn, Gustav Mahler, Wolfgang Amadeus Mozart, Felix Mendelssohn, Sergei Prokofiev, Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Arnold Schoenberg, Rodney Sharman, Caroline Shaw, Dmitri Shostakovich, Bedrich Smetena, Richard Strauss, Pyotr Il'yich Tchaikovsky and Dinuk Wijeratne.
SKU: AP.55-9165A
ISBN 9781843280064. English.
This instrumental series provides beginners of all ages with fun, alternative material that will increase their repertoire, and overall enhance the enjoyment of their instrument. The books contain simplified arrangements of well-known tunes designed to help players develop reading and playing skills, while increasing confidence in solo playing. The professionally recorded CDs feature full backing and demonstration tracks.
SKU: KN.KEN10084S
UPC: 822795100846.
This excellent adaptation of the George Frederic Handel classic presents two of seven movements from this Baroque masterwork in their entirety -- a minuet and a finale. The remaining movement which opens this set features a skillful grouping of themes from the original overture. Total duration 5:10. Available in SmartMusic.
SKU: CF.BF115
ISBN 9781491150993. UPC: 680160908493. 9x12 inches.
Johann Sebastian Bach’s (1685—1750) SixSonatas and Partitas have captivated violinistsfor centuries. Rachel Barton Pine—havingspent decades studying the music of Bach,his contemporaries, and his predecessors—now offers this unparalleled edition completewith detailed historical notes, performancesuggestions, and downloadable study materialsincluding a new Urtext edition and a speciallyprepared manuscript. Pine’s interpretationis informed by thorough historical study, which has been polished byyears of performance insight, but also encourages those studying Bach’srepertoire to craft their own unique interpretation of these timelessmasterpieces. This edition closely follows Pine’s critically acclaimed 2016recording “Testament: Complete Sonatas and Partitas for Solo Violin byJ.S. Bach” (Avie 2360) making it an invaluable resource for any student,teacher, or performer enthralled with J.S. Bach’s long standing legacy.Ms. Pine holds the distinction of being the only American and youngestperson to win the gold medal at the J.S. Bach International ViolinCompetition in Leipzig, Germany, 1992.here is no one right way to play Bach. More thanalmost any repertoire, each individual’s interpretation isas unique as their personality. Though I have spent decadesstudying Bach’s music as well as that of his contemporariesand predecessors, my final rationale for artisticdecisions is often taste and instinct. Every violinist whoundertakes a lifetime’s journey with this incredible repertoireis continually discovering new ideas. Thus, theopinions on the following pages may evolve over time.However, everything in the sheet music closely follows my2016 recording “Testament: Complete Sonatas and Partitasfor Solo Violin by J.S. Bach” (Avie 2360), which I trulyfeel represents the culmination of my exploration intothese extraordinary works.In choosing to present this edition, my hope is thatyou will find useful solutions to challenges of fingering,bowing, and polyphony, and helpful information aboutphrasing. I have also included additional dynamic suggestionswith the hope that trying these ideas will help inspireyou to discover your own. All of these markings aredesigned to work with a baroque violin and baroque bow,a modern violin and baroque bow, or a modern violinand modern bow. While the information in this editionis unusually dense, there is much that I did not include,such as lifts, breaths, articulations, whether to play on oroff the string, metronome markings, details of timing,and emphases other than hemiolas.I offer this book to you in the spirit of Bach: “SoliDeo Gloria.”.
SKU: BT.EMBZ1868
Ferenc Farkas (1905-2000) wrote his two sonatinas in 1930-31 for two outstanding violinists of his generation: György Hannover, who died young, and Ede Zathureczky, who was to have a bright career. The composer, who was studying in Rome at the master class of Ottorino Respighi at that time, fills the easy-to-understand works with neoclassical themes, sometimes showing the characteristics of Hungarian folk music. At the same time, he provides performers with the opportunity to display their expressiveness and virtuosity.
SKU: GI.G-10291
ISBN 9781574635317.
Although many of the greatest composers from the Baroque, Classical, and Romantic periods did not write for marimba, their works are still available and are perfectly suited for this instrument. Many of these works were written for violin and contain bowings and fingerings that assist in the stylistic interpretation for violin but do not apply to marimba. To that end, Tammy Chen has arranged a collection of outstanding pieces that work perfectly for marimba. To aid the performer in developing a musical interpretation of these master works, she added stylistic markings including phrasing, articulations and musical directives. Below are the compositions included from the Violin Sonatas and Partitas by one of the world’s greatest composers, Johann Sebastian Bach. Giga from Partita No. 3 Double #1 from Partita No. 1 Giga from Partita No. 2 Presto from Sonata No. 1 Allegro from Sonata No. 2 Allemanda from Partita No. 2 Preludio from Partita No. 3 Allegro Assai from Sonata No. 3 Menuetto I. from Partita No. 3 Menuetto II. From Partita No. 3 Corrente from Partita No. 1 Bourrѐe from Partita No. 3 Bourrѐe from Partita No. 1 Gavotte en Rondeau from Partita No. 3 Corrente from Partita No. 2 Largo from Sonata No. 3 Double #2 from Partita No. 1 Double #4 from Partita No. 1 Sarabanda from Partita No. 2 Double #3 from Partita No. 1 Fuga from Sonata No. 1 Andante from Sonata No. 2 Cantabile from Sonata No. 1 Siciliano from Sonata No. 1 Ciaccona from Partita No. 2 Learn more about this new resource from the authors in this short video below: .
SKU: FJ.ST6317S
English.
Whoops and hollers are optional in this festive work (and yes, they are also in the composer's original score!). Your ensemble works as a team to celebrate the happy couple with strong homophonic rhythms and predictable harmonies. At the same time, the first violins have the opportunity to significantly explore their E string tone and pitches in the familiar key of D Major. And since violin 2 doubles the viola, you may wish to have ALL of your violins work on their E strings!
About FJH Beginning Strings
Appropriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5
SKU: GI.G-DVD-795
UPC: 785147079552.
Three major works are captured on this audiophile DVD: Cosmosis by Susan Botti, Concerto for String Quartet by Ervín Schulhoff, and Symphony No. 3 “Circus Maximus” by John Corgliano. Eugene Corporon and the North Texas Wind Symphony, with the help Women of the A Cappella Choir, Jerry McCoy, Conductor, and the DaPonte String Quartet, and other guest musicians capture virtuoso musicians at the height of their powers. A remarkable achievement. 90 minutes, available only on DVD. CONTENTS: Cosmosis (2004), Susan Botti (b. 1962) (SUBO Music) (Poetry of May Swenson) Overboard (Prologue) The 1st Night Interlude The 2nd Night Julie Whittington McCoy, soprano Women of the A Cappella Choir Jerry McCoy, conductor Concerto for String Quartet (1930), Ervín Schulhoff (1894-1942) (Panton International) Allegro moderato Largo Finale (Allegro con brio) Ferdinand Liva, violin, DaPonte String Quartet Susan Demetris, violin, concertmaster, The Dallas Opera Mark Preston, viola, DaPonte String Quartet Myles Jordan, DaPonte String Quartet Symphony No. 3 “Circus Maximus” (2005), John Corigliano (b. 1938) (G, Schirmer, Inc.) Introitus Screen/Siren Channel Surfing Night Music I Night Music II Circus Maximus Prayer Coda: Veritas.
SKU: BT.EMBZ13549
At first sight, this publication appears to merely be a collection of pieces due to the lack of drier technical studies that are characteristic of tutors. Yet the selection of the works, their order according to the development of ensemble playing, and the advice towards technical realization included after the foreword - these all make this publication a tutor. The works form a cross-section of a longer period of the history of chamber music and offer an insight into the different methods of composition.Volume II introduces the Baroque trio sonata through the works of the greatest masters (Vivaldi, Corelli, Albinoni, F. Couperin, Purcell and Bach). The two violin parts do not gobeyond the 3rd position nor the cello parts beyond the 4th position.
