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Violas in Concert Classical Collection Volume 2
$11.95
- See more - Buy online
Lead time before shipment :
1 to 2 weeks
Format : Sheet music
Classical Collection. Arranged by composed by Elizabeth Stuen-Walker. Masterworks; String Ensemble (Suzuki); Suzuki. Masterwork Arrangement. Book. 80 pages. Alfred Music #00-23080X. Published by Alfred Music
Instrumentation :
Viola ensemble
Publisher :
Alfred Publishing
ISBN 1589512308. Masterwork Arrangement.
Violas in Concert is a collection of viola ensembles arranged and composed by Elizabeth Stuen-Walker. The classical collection includes pieces by Bach, Beethoven, Dvorák, Seitz, and others. The uniqueness of this collection is that the melodic material is shared among the different parts equally, making them more enjoyable to play and perform.
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Sheetmusicplus
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, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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Violas in Concert Classical Collection Volume 1 (Formerly Titled Ensembles for Viola Volume 3)
Viola ensemble
[Sheet music]
Alfred Publishing
Classical Collection. Arranged by composed by Elizabeth Stuen-Walker. Masterwork...
(+)
Classical Collection. Arranged by composed by Elizabeth Stuen-Walker. Masterworks; String Ensemble (Suzuki); Suzuki. Masterwork Arrangement. Book. 64 pages. Alfred Music #00-0410S. Published by Alfred Music
$9.99 - See more - Buy online
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1 to 2 weeks
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Violas in Concert: Classical Collection, Volume 3
Viola
[Sheet music]
Alfred Publishing
Arranged by Elizabeth Stuen-Walker. For Viola. String Ensemble (Suzuki). Masterw...
(+)
Arranged by Elizabeth Stuen-Walker. For Viola. String Ensemble (Suzuki). Masterwork. Book. 100 pages. Published by Alfred Music Publishing
$14.95 - See more - Buy online
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Violas In Concert V.2 (STUEN-WALKER ELIZABETH)
Viola
[Sheet music]
Warner Bros.Publications
Arrangeur: Elizabeth Stuen-Walker. Par STUEN-WALKER ELIZABETH. Violas in Concert...
(+)
Arrangeur: Elizabeth Stuen-Walker. Par STUEN-WALKER ELIZABETH. Violas in Concert is a collection of viola ensembles arranged and composed by Elizabeth Stuen-Walker. The classical collection includes pieces by Bach - Beethoven - Corelli - Dvorak - Seitz - Shostokovich and others. The uniqueness of this collectionat the melodic material is shared among the different parts equally, making them more enjoyable to play and perform. / Méthode / Méthode / Alto
20.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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Violas In Concert ,classical V 1 - Viola
Alfred Publishing
Formerly titled Ensembles for Viola Volume 3, Violas in Concert is a collectio...
(+)
Formerly titled Ensembles for Viola Volume 3, Violas in Concert is a collection of viola ensembles arranged and composed by Elizabeth Stuen-Walker. The classical collection includes pieces by Bach, Beethoven, Corelli, Dvorák, Seitz, Shostokovich, and others. The uniqueness of this collection is that the melodic material is shared among the different parts equally, making them more enjoyable to play and perform.
14.80 EUR - Sold by Woodbrass
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Elias Barreiro: Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico: Guitar
Guitar
Classical guitar
[Sheet music]
-
Intermediate
Mel Bay
The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmon...
(+)
The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.
12.99 GBP - Sold by Musicroom UK
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