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| Verbum Caro Carl Fischer
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arra...(+)
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arranged by Jeb Mueller. Fold. Performance Score. 8 pages. Duration 1 minute, 59 seconds. Carl Fischer Music #CM9588. Published by Carl Fischer Music (CF.CM9588). ISBN 9781491154106. UPC: 680160912605. 6.875 x 10.5 inches. Key: Eb major. Latin. Traditional Latin. Tomas Luis de Victoria (15481611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victorias time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [v??bum k??? p?n?m v?rum] verbo carnem efficit: fitque sanguis Christi merum. [v??b? k??n?m ??fit?it fitkw? s??gwis k?isti m??um] Et si sensus deficit, ad firmandum cor sin cerum. [?t si s?nsus ?d?fit?it, ?d fi??m?ndum k?? sin t???um] Jeb Mueller. TomA!s Luis de Victoria (1548a1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoriaas time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is ao,a which sounds similar to the English words bought and got. The letter ata should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of asa should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [vEE 3/4 bum kEE 3/4 E pEnEm vErum] verbo carnem efficit: fitque sanguis Christi merum. [vEE 3/4 bE kEE 3/4 nEm EEfitEit fitkwE sEAgwis kE 3/4 isti mEE 3/4 um] Et si sensus deficit, ad firmandum cor sin cerum. [Et si sEnsus EdEfitEit, Ed fiE 3/4 EmEndum kEE 3/4 sin tEEE 3/4 um] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from Pange lingua more hisapano. The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomás Luis de Victoria (1548–1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from Pange lingua more hisapano.The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance.Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria’s time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity.PRONUNCIATION GUIDEVictoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is “o,†which sounds similar to the English words bought and got. The letter “t†should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of “s†should be soft and never hardened to [z], such as in praise.Verbum caro, panem verum,[vɛɾbum kɑɾɔ pɑnɛm vɛrum]verbo carnem efficit: fitque sanguis Christi merum.[vɛɾbɔ kɑɾnɛm ˈɛfitʃit fitkwɛ sɑŋgwis kɾisti mɛɾum]Et si sensus deficit, ad firmandum cor sin cerum.[ɛt si sɛnsus ˈdɛfitʃit, ɑd fiɾˈmɑndum kɔɾ sin tʃɛɾum]Jeb Mueller. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tomas Luis de Victoria: 2 Victoria Motets Brass Quintet: 2 trumpets, horn, trombone, tuba BVD Press
By Tomas Luis de Victoria. Arranged by Roper. For Brass Quintet. Published by BV...(+)
By Tomas Luis de Victoria. Arranged by Roper. For Brass Quintet. Published by BVD Press.
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Missa Pro Defunctis Choral SATB SATB A Cappella [Sheet music] Kalmus
SATB, a cappella (Latin Language Edition). Composed by Tomas Luis de Victoria (d...(+)
SATB, a cappella (Latin Language Edition). Composed by Tomas Luis de Victoria (da Vittoria). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Masterwork; Renaissance; Sacred. Book. 24 pages. Kalmus Classic Edition #00-K06496. Published by Kalmus Classic Edition
$7.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| O Vos Omnes Brass Quintet: 2 trumpets, horn, trombone, tuba - Easy Eighth Note Publications
By Tomas Luis De Victoria (1548 - 1611). Arranged by Ken Bray. For Brass Quintet...(+)
By Tomas Luis De Victoria (1548 - 1611). Arranged by Ken Bray. For Brass Quintet. New York Festival List. Renaissance. Level: Easy. Duration 00:03:40. Published by Eighth Note Publications.
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Motets from the 16th Century Choral SATB Wilhelm Hansen
Choral (SATB) SKU: HL.14030971 (Motetter Og Lauder). Music Sales A...(+)
Choral (SATB) SKU: HL.14030971 (Motetter Og Lauder). Music Sales America. A Cappella, Classical, Latin, Motet. Book [Softcover]. 20 pages. Edition Wilhelm Hansen #WH26882. Published by Edition Wilhelm Hansen (HL.14030971). ISBN 9788759854402. 7.0x10.25x0.084 inches. A wonderful selection of motets from the 16th century which are suitable for SATB a capella. $3.95 - See more - Buy online | | |
| Pater noster Choral SATB Suddeutscher
2 Mixed choir-SATB Composed by Tomas Luis de Victoria (1548-1611). Edited by Wil...(+)
2 Mixed choir-SATB
Composed by Tomas Luis de Victoria (1548-1611). Edited by Wilhelm Horn. Stapled. Choral score. 40 pages. Duration 22 minutes. Suddeutscher Musikverlag #SM01670. Published by Suddeutscher Musikverlag
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Missa Salve Regina Choral SATB SATB/SATB (Double Choir) Suddeutscher
Composed by Tomas Luis de Victoria (0-1611). Edited by Wilhelm Horn. For double ...(+)
Composed by Tomas Luis de Victoria (0-1611). Edited by Wilhelm Horn. For double SATB choir. Stapled. Choral score. Published by Suddeutscher Musikverlag
$32.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tomas Luis De Victoria: Masses And Motets - Missa Dum Complerentur Organ Music Sales
SATB Choir (Organ) SKU: HL.14021606 By Andrew Parker. By Tomas Luis de Vi...(+)
SATB Choir (Organ) SKU: HL.14021606 By Andrew Parker. By Tomas Luis de Victoria. Edited by Andrew Parker. Music Sales America. Motet. Book [Softcover]. 72 pages. Music Sales #NOV020691. Published by Music Sales (HL.14021606). ISBN 9781846091841. UPC: 884088434793. 6.75x10.0x0.222 inches. This beautifully presented edition from Novello offers a full Mass setting alongside a Motet, both for large mixed chorus, by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony, this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass setting is based. Both are transcribed and edited by Andrew Parker. The pairing of the two works offers an exciting and fascinating performance opportunity, with the devout grandeur of the Mass set against the modesty of the original Motet. Missa Dum Complerentur for SAATTB voices. Motet: Dum Complerentur Dies Pentecostes for SSATB voices. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ave Maria Choral SATB SATB A Cappella [Octavo] CanticaNOVA Publications
Composed by Tomas Luis de Victoria (1548-1611). Edited by Andrea Angelini. Text:...(+)
Composed by Tomas Luis de Victoria (1548-1611). Edited by Andrea Angelini. Text: Hail Mary. Renaissance treasure. Marian. Octavo. Published by CanticaNOVA Publications (C5.7019).
$1.40 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O Magnum Mysterium Brass Quartet Eighth Note Publications
By Tomas Luis de Victoria (0-1611). Arranged by David Marlatt. For Brass Quartet...(+)
By Tomas Luis de Victoria (0-1611). Arranged by David Marlatt. For Brass Quartet. Brass Ensemble - Quartet; Masterworks; Part(s); Quartet; Score. Eighth Note Publications. Masterwork Arrangement; Renaissance. 16 pages. Published by Eighth Note Publication
$12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 52 Motets Choral SATB - Intermediate Music Sales
Choral (SATB) - intermediate SKU: HL.14032506 Vol.3. Composed by T...(+)
Choral (SATB) - intermediate SKU: HL.14032506 Vol.3. Composed by Tomas Luis de Victoria. Music Sales America. Classical, Motet. Vocal Score. Music Sales #UMV99073. Published by Music Sales (HL.14032506). Latin. Tomas Luis de Victoria (1548-1611) was one of the last representatives of the 'prima prattica', the polyphonic style which was dominant in the period music history has labelled the 'renaissance'. Vol. 3 of these 52 motets for mixed voice choirs. $17.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O Magnum Mysterium Brass Quartet: 4 trombones Cherry Classics
Trombone Quartet - Moderately Advanced SKU: CY.CC2372 Composed by Tomas L...(+)
Trombone Quartet - Moderately Advanced SKU: CY.CC2372 Composed by Tomas Luis de Victoria. Arranged by Andrew Converse. Renaissance. Full score & Parts. Published by Cherry Classics (CY.CC2372). Tomas Luis de Victoria was the most famous composer of the 16th century in Spain, and one of the most important composers of the Counter-Reformation, along with Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an accomplished organist and singer. However, he preferred the life of a composer to that of a performer. He is sometimes known as the Spanish Palestrina because he may have been taught by Palestrina. O Magnum Mysterium is a 4 part a cappella motet written in Latin for the Catholic Church service and is performed mostly around the Christmas period as the text refers to the great mystery of the Virgin birth, animals and baby Jesus in the manger. This work was written during the composer's stay in Rome and has some of Palestrina's influence. Dr. Converse has done a beautiful job of transcribing one of the most beautiful sacred choral works of the Renaissance period. $17.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 52 Motets - Vol. 2 Choral [Vocal Score] Music Sales
By Tomas Luis de Victoria (0-1611). For Choral (Vocal Score). Music Sales Americ...(+)
By Tomas Luis de Victoria (0-1611). For Choral (Vocal Score). Music Sales America. Religious. Music Sales #UMV99072. Published by Music Sales
$17.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| O Quam gloriosum est regnum Eulenburg
Choral (Study Score) SKU: HL.49009669 (Motet and Mass) for Choir. ...(+)
Choral (Study Score) SKU: HL.49009669 (Motet and Mass) for Choir. Composed by Tomas Luis de Victoria. Edited by Thomas Rive. This edition: Saddle stitching. Sheet music. Edition Schott. Sacred. Study Score. 32 pages. Eulenburg Edition #ETP1706. Published by Eulenburg Edition (HL.49009669). ISBN 9790200211443. UPC: 073999354454. 5.25x7.5x0.118 inches. Latin. With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. $11.99 - See more - Buy online | | |
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| O Magnum Mysterium
(VICTORIA TOMAS LUIS DE) Brass Quartet: 4 trombones [Sheet music] FLEX Editions
Par VICTORIA TOMAS LUIS DE. / Répertoire / 4 Trombones
16.41 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Ave Maria (VICTORIA TOMAS
LUIS DE) 6 Trombones 2 Trombone Basses [Score and Parts] - Intermediate FLEX Editions
Arrgt: Olivier Lachurie. Par VICTORIA TOMAS LUIS DE. Formation : Musique de Cham...(+)
Arrgt: Olivier Lachurie. Par VICTORIA TOMAS LUIS DE. Formation : Musique de Chambre, Quatuor - Instrumentation : 6 Trombones ou 6 Sacqueboutes 2 Trombones Basse ou 2 Sacqueboutes Basse - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 20 s - Style Musical : Classique, Baroque - Catégorie : Arrangement - Compositeur : Tomas Luis de VICTORIA - Arrangeur : Olivier LACHURIE / Niveau : Intermédiaire / Classique, Baroque / Répertoire / 6 Trombones 2 Trombone Basses
20.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Noel!: Carols And Anthems
For Advent, Christmas And
Epiphany Choral SATB Novello & Co Ltd.
Noel! is an exciting collection for mixed voice choirs, selected and edited by D...(+)
Noel! is an exciting collection for mixed voice choirs, selected and edited by David Hill. The contents range from the Renaissance to the present: the polyphony of Victoria and Byrd, via Bach, familiar settings of traditional and lesser known carols through the ages, and works by today's composers including Richard Rodney Bennett, Judith Bingham, John Tavener and Judith Weir. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. / Choeur SATB
28.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Victoria: Hosianna -
Anonymus: Alta Trinita
Beat (DIVERS AUTEURS /
VICTORIA TOMAS LUIS DE) Choral SATB [Sheet music] Carus Verlag
Par DIVERS AUTEURS / VICTORIA TOMAS LUIS DE. Gattungen: Motetten - Verwendung / ...(+)
Par DIVERS AUTEURS / VICTORIA TOMAS LUIS DE. Gattungen: Motetten - Verwendung / Kirchenjahr: Trinitatis - / Mottet / Répertoire / Choeur Mixte
2.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| 4 Renaissance Motets (DE
VICTORIA TOMAS LUIS) Flute Quartet: 4 flutes [Score and Parts] Carl Fischer
Arrangeur: Phyllis Avidan Louke. Par DE VICTORIA TOMAS LUIS. / Répertoire / 4 F...(+)
Arrangeur: Phyllis Avidan Louke. Par DE VICTORIA TOMAS LUIS. / Répertoire / 4 Flûtes Traversières
47.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| O Regem Coeli (VICTORIA
TOMAS LUIS DE) Choral TTBB Schott
Par VICTORIA TOMAS LUIS DE. Weihnachtsmotette/ Répertoire / Choeur d'Hommes (TT...(+)
Par VICTORIA TOMAS LUIS DE. Weihnachtsmotette/ Répertoire / Choeur d'Hommes (TTBB)
4.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Renaissance Motet Band
Set (VICTORIA TOMAS LUIS
DE) Ensemble Instrumental et Petit
Orchestre [Sheet music] IMC (International Music Co.)
Par VICTORIA TOMAS LUIS DE. / Répertoire / Ensemble Instrumental et Petit Orche...(+)
Par VICTORIA TOMAS LUIS DE. / Répertoire / Ensemble Instrumental et Petit Orchestre
48.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Vidi Aguam (VICTORIA
TOMAS LUIS DE) Choral SATB SATB A Cappella [Sheet music] Notre Dame Choir
Par VICTORIA TOMAS LUIS DE. SATB a cappella -/ Répertoire / Travaux Pour Choeur...(+)
Par VICTORIA TOMAS LUIS DE. SATB a cappella -/ Répertoire / Travaux Pour Choeurs
5.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Missa (VICTORIA TOMAS
LUIS DE) Choral SATB [Sheet music] Carus Verlag
Simile Est Regnum. Par VICTORIA TOMAS LUIS DE. Tonalité : mixolydisch - / Messe...(+)
Simile Est Regnum. Par VICTORIA TOMAS LUIS DE. Tonalité : mixolydisch - / Messe / Répertoire / Choeur SATB
7.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| O Sacrum Convivium!
(VICTORIA TOMAS LUIS DE) Travaux Pour Choeurs [Sheet music] Notre Dame Choir
Par VICTORIA TOMAS LUIS DE. SSATTB a cappella -/ Répertoire / Travaux Pour Choe...(+)
Par VICTORIA TOMAS LUIS DE. SSATTB a cappella -/ Répertoire / Travaux Pour Choeurs
6.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Tomás Luis de Victoria:
O Magnum Mysterium: SATB:
Vocal Score Choral SATB [Vocal Score] Shawnee Press
Written in the late Renaissance period by Tomas Luis de Victoria this beautiful...(+)
Written in the late Renaissance period by Tomas Luis de Victoria this beautiful piece captures the wonder and mystique of Christ's birth. Russell Robinson has arranged “O Magnum Mysterium ” making it more accessibleto both school and church choirs by setting it in a slightly higher key than the original and with notation that is more easily understood. The music of the Renaissance has a pure clarity of sound that every singer shouldexperience. Capture the wonder of Christmas and the holidays with “O Magnum Mysterium.”
12.50 GBP - Sold by Musicroom UK | |
| Tomás Luis de Victoria:
Missa O Quam Gloriosum
Est Regnum: SATB: Vocal
Score Choral SATB SATB, Piano [Vocal Score] - Intermediate Chester
Missa O Quam Gloriosum est Regnum edited and arranged for modern use by Henry Wa...(+)
Missa O Quam Gloriosum est Regnum edited and arranged for modern use by Henry Washington. SATB. Tomas Luis de Victoria left eighteen Mass compositions. His Missa O Quam Gloriosum Est Regnum thebest-known was included in the First Book Of Masses published in Rome in 1583 with a dedication to King Philip II of Spain.
6.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Tomas Luis de Victoria: O
Regem caeli: Upper Voices
A Cappella: Choral Score Choral SSAA SSAA A Cappella Oxford University Press
O Regem caeli. for SSAA unaccompanied. Consisting of two sections, this large-sc...(+)
O Regem caeli. for SSAA unaccompanied. Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines before atriple-metre section of resounding 'alleluia's.
3.35 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Tomás Luis de Victoria:
O Most Holy Mystery:
Concert Band: Score Concert band Curnow Music
Here we find the sound of late Renaissance Spanish composer Tomas Luis de Victor...(+)
Here we find the sound of late Renaissance Spanish composer Tomas Luis de Victoria artistically captured for the concert band. The arranger masterfully articulates de Victoria's subtle and expressive polyphony and clearlybalances the intricate counterpoint through skillful scoring techniques. A well-crafted performance of this piece will be a highlight of any concert program. Dur: 2:35
7.99 GBP - Sold by Musicroom UK | |
| Tomás Luis de Victoria:
O Most Holy Mystery:
Concert Band: Score &
Parts Concert band [Score and Parts] Curnow Music
Here we find the sound of late Renaissance Spanish composer Tomas Luis de Victor...(+)
Here we find the sound of late Renaissance Spanish composer Tomas Luis de Victoria artistically captured for the concert band. The arranger masterfully articulates de Victoria's subtle and expressive polyphony and clearlybalances the intricate counterpoint through skillful scoring techniques. A well-crafted performance of this piece will be a highlight of any concert program. Dur: 2:35
57.99 GBP - Sold by Musicroom UK | |
| Tomás Luis de Victoria:
Masses And Motets - Missa
O Quam Gloriosum: SATB:
Vocal Choral SATB SATB [Sheet music] - Intermediate Novello & Co Ltd.
This beautifully presented edition from Novello offers a full Mass setting along...(+)
This beautifully presented edition from Novello offers a full Mass setting alongside a Motet both for SATB chorus by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass setting is based. Both are transcribed and edited by Andrew Parker.The pairing of the two works offers an exciting and fascinating performance opportunity with the devout grandeur of the Mass set against the modesty of the original Motet.
6.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Tomás Luis de Victoria:
Masses And Motets - Missa
Dum Complerentur: SATB:
Vocal Choral SATB [Sheet music] - Intermediate Novello & Co Ltd.
This beautifully presented edition from Novello offers a full Mass setting along...(+)
This beautifully presented edition from Novello offers a full Mass setting alongside a Motet both for large mixed chorus by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass setting is based. Both are transcribed and edited by Andrew Parker.The pairing of the two works offers an exciting and fascinating performance opportunity with the devout grandeur of the Mass set against the modesty of the original Motet.Missa Dum Complerenturfor SAATTB voices.Motet: Dum Complerentur Dies Pentecostes for SSATB voices.
10.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
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