SKU: HL.14020140
9.75x14.25x0.195 inches.
1. EOS: The Goddess of the Dawn, who travelled on the winds and sprinkled down dew upon the earth 2. PAN: The God of the countryside, of flocks, shepherds and animals, a famous player of the syrinx, or pan pipes, - the shepherd's pipe. 3. BOREAS: The God of the North Wind who had two faces - one facing where he was going, the other from whence he came. He was the male counterpart to Eos. 4. CIRCE: The Enchantress who changed men into beasts. Ulysses was given a sprig from a certain plant by Hermes which allowed him to resist her charms. 5. PANDORA: When Pandora was created by Zeus, he ordered all the Gods to endow her with some of their attributes. She was also given a box, but forbidden to open it. Her curiosity about its contents overwhelmed her - she opened it and all the evils of the world flew out. Too late she closed it, but she managed to prevent the escape of Hope. 6. SELENE: The Goddess of the Moon who drives across the night sky in her chariot to visit the sleeping Endymion. She was once seduced by Pan.
SKU: HP.9085
UPC: 763628190859.
In Little Seeds you will find new hymns from my heart. My devotional life is given to you in my hymnwriting. During the past three years I have been writing songs for the unity of the church - songs reminding us of our baptism. I have been writing biblical story hymns for lesser-known characters. I have written paperless songs that may be easily memorized. I set a Rumi poem. There are new hymns for Christian missions from everywhere to everywhere. You will find new texts and musical settings for folk songs from around the world. I hope I have treated these with the love and respect they deserve. You will find alternate arrangements of some songs that may be useful in different settings. Lim Swee Hong composed three tunes for this collection at my request. I am also pleased to include Lianne Tan's first published hymn tune in Little Seeds.
SKU: PR.UE037178
ISBN 9783702474812. UPC: 803452071921.
The great violinist Yehudi Menuhin commissioned Bartok for a new work, and Bartok responded with the Sonate. When first Menuhin saw the work, he deemed it unplayable! Upon further inspection, the composition began to make sense, and Menuhin would ultimately hail it as the most important composition for violin alone since Bach. Similarly, Dejour - captivated by the Sonate - would have grave doubts about transcribing such a virtuosic masterpiece for violin for his own instrument, the guitar. He, too, came to realize that the Sonate could well transfer to the guitar, with its chord progressions, contrapuntal motion, and more. While still demanding of virtuosity, the Sonate is now available as a masterpiece for guitar.
SKU: CY.CC2769
As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two.The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one's life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio.Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone iProfessor at the Eastman School of Music.
SKU: BA.BA08841-79
ISBN 9790006541232. 32.5 x 25.5 cm inches.
Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA08841-74
ISBN 9790006541218. 32.5 x 25.5 cm inches.
SKU: BA.BA08841-65
ISBN 9790006540587. 32.5 x 25.5 cm inches.
SKU: BA.BA08841-85
ISBN 9790006541256. 32.5 x 25.5 cm inches.
SKU: BA.BA08841-75
ISBN 9790006541225. 32.5 x 25.5 cm inches.
