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Heitor Villa-Lobos
Trio for Violin Viola and Violoncello
SORRY, THIS ITEM IS CURRENTLY OUT OF PRINT
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Format : score
(Score). Composed by Heitor Villa-Lobos (1887-1959). For violin, viola and cello. Score. 62 pages. Editions Max Eschig #ME6801. Published by Editions Max Eschig
Composer/Artist :
Heitor Villa-Lobos
Instrumentation :
String Trio: violin, viola, cello
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Heitor Villa-Lobos
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Per Violino, Viola, Violoncello. Par BUSSOTTI SYLVANO. / Musique contemporaine / Date parution : 1905-06-29/ Répertoire / Violon, Alto et Violoncelle
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1. Violin 2. Violin (Viola) Violoncello-The Sassmannshaus ?Early Start? string methods cultivate playing together as early as possible initially in duets. However playing in larger mixed ensembles is also encouraged and this tried-and-trusted edition for strings provides the perfect start for this.The first songs can all be performed in canon; each piece is notated in violin viola and bass clef so that all three string instruments can play together in any number and combination. The collection then continues with through-composed pieces by such composers as Johann Valentin Rathgeber and Johann Joseph Fux. Here the middle part may optionally be performed by a viola or second violin.Firststeps in string ensemble playingFor violin viola and cello or for two violins and celloIncludes many canons
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Sassmannshaus H. / Close J. Peter - Early Start On The Double Bass Vol.3
String Trio: violin, viola, cello
Barenreiter
The long awaited Sassmannshaus method Early Start on the Double Bass is now ...
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The long awaited Sassmannshaus method Early Start on the Double Bass is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners, developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students. Early Start on the Double Bass encompasses everything that one would expect from a Sassmannshaus method: an easy start, progression at a suitable rate, many cross-references to the other string instruments, songs and scales in different positions from early on, as well as many duets. Lively and colourful illustrations by Charlotte Panowsky complete the edition. For more than three decades The Sassmannshaus Tradition has been the household name for excellence in beginner string methods in German-speaking countries. The English editions for violin, viola and violoncello, which were introduced to the international market in 2008, have proven to be very successful, particularly in the United States. Kids to the Bass! While children learning other string instruments can start as early as the age of four, the appropriate age to begin the double bass is approximately eight (possibly even six); this allows for a faster progression than on the other string instruments, and the method consists of only three volumes. The first volume will be published separately in an English and a German edition; the following two volumes will have German and English text in each book. Original compositions by Boguslaw Furtok enrich the volumes. - Based on the tried-and-tested Sassmannshaus methods for violin, viola and cello - Volume 1: Separate editions in German and English - Volumes 2 and 3: Bilingual, German/English editions - Moderate increase in difficulty - Position playing, duets - Includes new original compositions to B. Furtok - Volume 3 with piano accompaniments to 7 pieces The authors Holger Sassmannshaus is a double bass player with the Niederrheinische Sinfoniker in Mönchengladbach/Krefeld. He also teaches the double bass and performs with several other ensembles. J. Peter Close is a teacher for violoncello and double bass in Munich.
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Trio In F-Dur Op. 8 Für Violine, Viola Und Violoncello (ROMBERG BERNHARD-HEINRICH)
String Trio: violin, viola, cello
[Sheet music]
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Par ROMBERG BERNHARD-HEINRICH. Romberg String Trio est un morceau merveilleux ca...
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Par ROMBERG BERNHARD-HEINRICH. Romberg String Trio est un morceau merveilleux cantabile, brillamment impayés, en particulier l'harmonie d'un tribut plus Baßpartie. Un défi technique intéressant pour le violoncelliste./ Répertoire / Violon, Alto et Violoncelle
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