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American Company
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Touched by a Child, Touched by a King
$10.95
- See more - Buy online
Lead time before shipment :
1 to 2 weeks
By John Purifoy. SAB. Sacred. Cantata. Published by Lorenz Publishing Company.
Instrumentation :
Choral 3-part
Sub-instrumentation :
SAB
Publisher :
Lorenz Publishing Company
Listen audio
Sheet music extract
Touched by a Child, Touched by a King
$ 10.95
Song List
:
Touched By A Child Touched by a King
Rejoice Rejoice All People
Run Shepherds Run
O Come All Ye Faithful
I Was Touched and I Believe
Truth And The Light The
Light Of The World
Angels Song
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Sheetmusicplus
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USA
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, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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Touched by a Child, Touched by a King
Choral SATB
SATB
[Vocal Score]
Lorenz Publishing Company
By John Purifoy. For SATB choir. Christmas, Sacred. Cantata. Published by Lorenz...
(+)
By John Purifoy. For SATB choir. Christmas, Sacred. Cantata. Published by Lorenz Publishing Company. (65/1916L)
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Touched By A Child
Choral SATB
[Octavo]
Monarch Music
By John Purifoy. For SATB choir. Christmas, Sacred. Sacred Anthem. Published by ...
(+)
By John Purifoy. For SATB choir. Christmas, Sacred. Sacred Anthem. Published by Monarch Music. (10/2541M)
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$2.8025
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Touched by a Child
Choral SATB
SATB
[Octavo]
Monarch Music
By John Purifoy. For SAB choir (with optional full orchestra). Christmas, Sacred...
(+)
By John Purifoy. For SAB choir (with optional full orchestra). Christmas, Sacred. Sacred Anthem
$2.95
$2.8025
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Touched by a Child, Touched by a King - Kit
[CD]
Lorenz Publishing Company
(A Christmas Cantata for choir and Narrator). By John Purifoy. Cantatas. Christm...
(+)
(A Christmas Cantata for choir and Narrator). By John Purifoy. Cantatas. Christmas. CD kit. Published by Lorenz Publishing Company
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Touched by a Child, Touched by a King - Accp CD
[Accompaniment CD]
Lorenz Publishing Company
By John Purifoy. For accompaniment CD. Christmas, Sacred. Cantata. Published by ...
(+)
By John Purifoy. For accompaniment CD. Christmas, Sacred. Cantata. Published by Lorenz Publishing Company. (99/1389L)
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Touched by a Child, Touched by a King - Orchestration
Orchestra
Lorenz Publishing Company
A Christmas Cantata for choir and Narrator
. Composed by John Purifoy. Cho...
(+)
A Christmas Cantata for choir and Narrator
. Composed by John Purifoy. Choral, cantatas. Christmas, Sacred. Orchestration. Lorenz Publishing Company #30/1497L. Published by Lorenz Publishing Company (LO.30-1497L).
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Touched by a Child, Touched by a King - Perf CD
[Listening CD]
Lorenz Publishing Company
By John Purifoy. For performance CD. Christmas, Sacred. Cantata. Published by Lo...
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By John Purifoy. For performance CD. Christmas, Sacred. Cantata. Published by Lorenz Publishing Company. (99/1388L)
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Praise! Our Songs and Hymns ? NIV (Dawn Blue)
Choral
[Sheet music]
Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music ...
(+)
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.
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Praise! Our Songs and Hymns ? KJV (Dawn Blue)
Choral
[Sheet music]
Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music ...
(+)
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.
(1)
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Praise! Our Songs and Hymns ? KJV (Looseleaf/Black)
Choral
[Sheet music]
Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal (Looseleaf). Published by Brentwood-B...
(+)
For SATB. Modern Christian. Sacred. Hymnal (Looseleaf). Published by Brentwood-Benson Music Publishing.
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Rise Up Singing
Lyrics and Chords
[Sheet music]
Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...
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The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.
(1)
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Rise Up Singing
Lyrics and Chords
[Sheet music]
Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...
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Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.
(1)
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The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book
[Fake Book]
Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...
(+)
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.
(14)
$59.99 - See more - Buy online
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The Real Little Best Fake Book Ever - 3rd Edition
Fake Book
[Fake Book]
Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 6x9 inches. 864 pag...
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C Edition. Fake Book (Includes melody line and chords). Size 6x9 inches. 864 pages. Published by Hal Leonard.
(7)
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The Best Fake Book Ever - Bb 2nd Edition
Bb Instruments
[Fake Book]
Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 p...
(+)
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 pages. Published by Hal Leonard.
(7)
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Best Fake Book Ever - 5th Edition
C Instruments
[Fake Book]
Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...
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C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard
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The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments
[Fake Book]
Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...
(+)
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
(2)
$49.95 - See more - Buy online
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Hymns For The Family Of God (Looseleaf/Black)
Choral
[Sheet music]
Brentwood-Benson
Modern Christian. Sacred. Hymnal (Looseleaf). Published by Brentwood-Benson Musi...
(+)
Modern Christian. Sacred. Hymnal (Looseleaf). Published by Brentwood-Benson Music Publishing.
(1)
$64.95 - See more - Buy online
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1 to 2 weeks
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Hymns For The Family Of God (Midnight Blue)
Choral SATB
SATB
[Sheet music]
Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music ...
(+)
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.
(4)
$10.99 - See more - Buy online
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Great Gospel - Songs and Hymns
Choral SATB
SATB
[Sheet music]
-
Intermediate
Brentwood-Benson
(379 Songs and Hymns) Vocal score songbook for SATB choir. Hymnal. With vocal sc...
(+)
(379 Songs and Hymns) Vocal score songbook for SATB choir. Hymnal. With vocal score notation and lyrics. Published by Brentwood-Benson Music Publishing.
(25)
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Gospel's Greatest
Melody line, Lyrics and Chords
[Fake Book]
-
Intermediate
Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...
(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and guitar chord chart. Gospel and worship. Series: Hal Leonard Fake Books. 295 pages. 9x12 inches. Published by Hal Leonard.
(26)
$37.99 - See more - Buy online
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Ruth Elaine Schram: Light a Candle for Peace: SATB
Choral SATB
Shawnee Press
Use this quintessential anthem when lighting the peace candle during Advent. Rut...
(+)
Use this quintessential anthem when lighting the peace candle during Advent. Ruth Elaine Schram is known for her tender music of hope and she has touched this subject with her special magic of melody and text. The optional child'ssolo can be a breathtaking option and the flowing keyboard writing helps make this a real winner.
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La Muette
Jobert
Make the silence talk'La Muette knew how to make the silence talk like no one', ...
(+)
Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions
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Cross Harp Sgk Bluesfly Your Melody
Français
Harmonica
[Sheet music + CD]
ID Music
De 'Shenandoah' à 'Silente Night' en passant par 'Amazing Grace' tous les plus ...
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De 'Shenandoah' à 'Silente Night' en passant par 'Amazing Grace' tous les plus célèbres morceaux d'harmonica deviennent bluesy lorsqu'on les joue en seconde position. Dans ce livre CD, Jon Gindick transcrit et joue 100 chansons que tout le monde connaît dans un style blues / Harmonica / Partition Cd
30.41 EUR - Sold by LMI-partitions
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