SKU: CY.CC2775
The Concerto Grosso for Three Trombones with Piano accompaniment by Lindol Mitchell is a realization for Piano of the original orchestral score by Jeremy Niles Kempton. The original orchestral work was composed in 1961 as part of Mitchell's Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The solo performers were nine students of Emory Remington, including Ralph Sauer and Donald King.The work is is subtitled in stile Barocco> and is in three movements. Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists. Movement II is a slow and serious Larghetto in C minor.Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way.The 13-minute work is appropriate for advanced performers.The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.
SKU: PR.144405550
UPC: 680160603565. 9 x 12 inches.
Martin's Piano Trio consists of three movements constructed in abstraction—somewhat beyond simply variations, to the point that the listener intrinsically understands the connections, which may not readily be apparent. The Piano Trio was featured in a 2012 concert by North/South Consonance, who will also be performing a retrospective of Martin's works in the current season.
SKU: PR.14440555S
UPC: 680160603589. 9 x 12 inches.
SKU: BA.BA11041
ISBN 9790006543106. 34 x 27.2 cm inches.
This three movement piano trio from Giselher Klebe’s late period of creativity originates from his estate. The composition’s appeal lies in the clear, restrained diction whilst at the same time a high intensity of expression is achieved. Two diverse slow outer movements with eruptive injections frame a lively middle movement. This work which has a duration of 20 minutes undoubtedly represents an impressive document of a musical style which we perceive today as the classical modern.