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Leonard Bernstein
5% off
The Wrong Note Rag - SATB
$1.80
$1.71 - See more - Buy online
Lead time before shipment :
24 hours - In Stock
(from Wonderful Town). By Leonard Bernstein. Arranged by Ed Lojeski. (SATB). Broadway Choral. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.
Composer/Artist :
Leonard Bernstein
Instrumentation :
Choral SATB
Sub-instrumentation :
SATB
Publisher :
Hal Leonard
Listen audio
Song List
:
The Wrong Note Rag
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Leonard Bernstein
sheet music
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Sheetmusicplus
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USA
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except EU countries!
, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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Christmas A Cappella
Choral SATB
SATB
[Sheet music]
Barenreiter
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...
(+)
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.
(3)
$36.95 - See more - Buy online
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The Wrong Note Rag
Choral SATB
SATB, Piano
Boosey and Hawkes
Ce spectacle-bouchon fera tomber de la maison ! Parfait comme un certain nombre ...
(+)
Ce spectacle-bouchon fera tomber de la maison ! Parfait comme un certain nombre de clôture ou encore, le plaisir paroles et and ldquo - tort and rdquo - notes sera un favori avec tous les artistes interprètes ou exécutants. / Choeur Mixte (SATB) Et Piano
4.50 EUR - Sold by LMI-partitions
(Seller in french langage)
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Benjamin Britten: Te Deum In C: SATB: Score
Choral SATB
SATB, Orchestra
[Sheet music]
Chester
In preparing for publication the 1935 orchestral version of Britten's Te Deum in...
(+)
In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clear that there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor:different articulation and dynamic markings something Britten was later very fussy about but perhaps left unchanged on proof because of his relative inexperience at this stage of his career with the processes of musicpublishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected inthe new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal score to prepare his orchestral version). The two versions have been made consistent in other details - rehearsal cues andbar numbers for example - since Britten intended choristers to use the vocal score to perform the orchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (arare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in the orchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated stringwriting while the spacing of chords is frequently much wider in the string version with melodies transposed into different octaves. Although harmony in both versions is identical voice leading is sometimes altered in the latterto make it better suited to the idioms of the instruments concerned.So although in essence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither beviewed as an occasional piece nor considered solely a liturgical work like many of his choral pieces from the 1930s and 1940s it is equally at home in church and concert hall.
24.99 GBP - Sold by Musicroom UK
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Leonard Bernstein: The Wrong Note Rag: Mixed Choir a Cappella: Vocal Score
Choral 3-part
SAB
[Vocal Score]
Hal Leonard
from Wonderful Town-This show-stopper will bring down the house! Perfect as a cl...
(+)
from Wonderful Town-This show-stopper will bring down the house! Perfect as a closing number or encore the fun lyrics and wrong notes will be a favorite with all performers. Available separately: SATB and SAB. ShowTrax CD also available. Performance time approx. 2:05.
11.25 GBP - Sold by Musicroom UK
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Benjamin Britten: Te Deum In C: Soprano & SATB: Vocal Score
Choral Soprano solo, SATB, Keyboard
[Sheet music]
Chester
Britten's Te Deum In C is arranged for Treble (Soprano) solo SATB choir and Org...
(+)
Britten's Te Deum In C is arranged for Treble (Soprano) solo SATB choir and Organ accompaniment.In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clearthat there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor: different articulation and dynamic markings something Britten was later very fussy about but perhapsleft unchanged on proof because of his relative inexperience at this stage of his career with the processes of music publishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected in the new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal scoreto prepare his orchestral version).The two versions have been made consistent in other details - rehearsal cues and bar numbers for example - since Britten intended choristers to use the vocal score to perform theorchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (a rare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in theorchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated string writing while the spacing of chords is frequently much wider in the string version with melodiestransposed into different octaves.Although harmony in both versions is identical voice leading is sometimes altered in the latter to make it better suited to the idioms of the instruments concerned. So although inessence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither be viewed as an occasional piece nor considered solely a liturgical work like many of his
4.50 GBP - Sold by Musicroom UK
Pre-shipment lead time:
In Stock
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