The Real Latin Piano

Le vrai piano latine rédigée par Kiki Sanchez apprend à jouer les rythmes latins les plus importants sur le piano, tels que: Salsa, Cumbia, Gaujira, Timba, Cumbia, Bolero et d'autres styles. En outre, le livre explique clairement comment effectuer des rainures Piano latines sur clave 2-3 et 3-2 ainsi que montrant la structure traditionnelle Salsa organisation et la façon d'effectuer Piano Montuno à l'aide d'harmonies jazz américains.Vision Sanchez est d'étendre vos capacités musicales et avoir une meilleure compréhension sur la façon de jouer plusieurs rythmes latins sur le piano. Ceux-ci seront non seulement vous aider avec vos capacités piano, mais permettra d'enrichir vos connaissances musicales en tant que producteur, arrangeur et éducateur. Dans ce livre Kiki introduit un montuno de son Pérou natal appelé le Festejo péruvienne. Comme Kiki éducateur a été de travailler avec Pati Vargas sur le voyage d'Amérique latine musicale, enseignement de la musique et les différentes cultures de l'Amérique latine dans plusieurs écoles et collèges publics de la région sud de la Floride.Le CD qui accompagne le livre comprend 50 pistes audio, 114 fichiers mp3 et 114 fichiers MIDI / Piano

für Klavier oder Orgel-Hier werden nur Stücke von echt Latein-Amerikan. Koloritund Empfinden vorgestellt und auf Nationalhymnen wird verzichtet. Jedes Stück wurde mit Akkordsymbolen versehen (mit Akkordlexikon). This book contains real Latin-American pieces including folk- and national songs. Each piece contains chord symbols and there are chord-boxes in the back of the book.

La Navidad es una época ideal para tocar de forma individual o colectiva ya sea en casa escuelas de música conservatorios primaria o secundaria. Este segundo volumen recoge una selección de veinte nuevos villancicos populares incluyendo catalanes en euskera en gallego andaluces e incluso de origen latino con sus letras originales. Este libro incluye un CD con varias opciones: En un equipo de música tradicional encontrará una pista de cada villancico con el piano y la percusión facilitando así su aprendizaje; pero si el CD se reproduce en un ordenador o DVD además se tendrá acceso acontenido extra de cada villancico en diferentes formas:1. Piano y percusión (mp3 y audio tradicional) Contenido extra para cada título:2. Sólo acompañamiento de piano y percusión (mp3)3. Flauta y percusión (mp3)4. Guitarra y percusión (mp3)5. Piano solo (mp3)6. Guitarra sola (mp3)7. Solo percusión (mp3)8. Piano flauta guitarra y percusión (mp3)9. Letras

The Associated Board's Jazz Piano series is a comprehensive introduction to the world of jazz. A pioneering set of publications and a rigorously planned syllabus provide the building blocks you need to play jazz with imagination understanding and style and to improvise effectively right from the start.The skill of playing unpreparedly in a lively musical creative and accurate way is at the very heart of every jazz performance. the quick study requiring the recreation of a previously unseen or unheard short head followed by an improvised response practices this crucial skill. It will give you the confidence to learn repertoire more effectively and toprepare for the very real demands of busking through those unrehearsed situations which are a regular feature in a jazz musician's life.As an accompaniment to the Board's jazz piano syllabus this book contains a set of practice quick studies for Grades 1 to 5. Covering a wide variety of jazz styles the studies will require you to play in both swing and straight quavers from Grade 1 and to use swing rock and latin grooves. An invaluable introduction to the book explains the concept behind quick study useful ways to extend and develop activities related to it details of the exam and what the examiner will be looking for.

On The Right Track presents 12 easy Jazz Piano solos to add a cool swing to your practice hours. You will discover for the first time exactly what it's like to play in a real Jazz trio as this book is accompanied by a CD of Bass and Drum backing tracks. Mike Cornick's clever solos allow you to explore a variety of styles from Ragtime and Trad to Latin syncopations and cool Blues sounds. Each piece is a performance solo in itself giving you some entertaining tunes for your next performance either as a soloist or with the backing tracks.

The Jazz Sessions Series is a tremendous collection of Jazz standards classics and original material by contemporary composers Alexander L’Estrange and Tom Pilling. Each book is dedicated to a particular instrument but they are all able to work in conjunction with each other in ensembles and Jazz bands providing an exciting and enjoyable repertoire. A professionally recorded CD accompanies each book and contains play-along backing tracks as a substitute for real life musicians. This allows for practice at an individual’s preferred pace and enables students to get an authentic feel of the style. One of the main purposes of Jazz Sessions is help encourage anddevelop improvisational skills with a full written solo on one page and an alternative extended version for improvising. A great introduction to experimentation and ideal preparation for ABRSM exams. Reflects a variety of Jazz styles including swing Latin gospel and blues. Backing Tracks give opportunity for confident and atmospheric performance. Carefully tailored for intermediate musicians.

This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like The Buena Vista Social Club.Adios a Cuba (I.Cervantes) - Almendares (I.Cervantes) - Carioca (Ernesto Nazareth) - Coquetona (Danza) (Jose I.Quinton) - Cruz, Perigo!! (Ernesto Nazareth) - El Entreriano (Tango) (A.Rosendo) - El Esquinazo (Tango Criollo) (A.G.Villoldo) - El Panuelo de Pepa (Contradanza) (manuel Saumell) - El Zurdo (Tango) (Juan Maglio) - Esta Chumbado (Ernesto Nazareth) - Garoto (Ernesto Nazareth) - Ilusiones Perdidas (I.Cervantes) - l Chicotazo (Tango No.2) (Vincente Greco) - La Encantadora (I.Cervantes) - La Isabelita (J.Morel Campos) - La Luz Electrica (Tomas Leon) - La Matilde (Contradanza) (Manuel Saumell) - La Paloma (Sebastian Yradier) - La Quejosita (Manuel Saumell) - La Reina de las Flores (Tomas Leon) - Lamentos de Amor (Manuel Saumell) - Laura y Georgina (J.Morel Camppos) - No Me Toques! (J.Morel Campos) - O Que Ha? (Tango) (Ernesto Nazareth) - Por Que, Eh? (Why, Eh?) (I.Cervantes) - Que Le Importa a Usted? (Tomas Leon) - Quien Sabe (Tomas Leon) - Recuerdos de Gottschalk (Contradanza) (Manuel Saumell) - Remando (Tango) (Ernesto Nazareth) - Suipacha (Tango Milonga) (Eduardo Arolas) - Tiene Que Ser (It Must Be) (I.Cervantes) - Trocha (A Cuban Dance) (Wm.H.Tyres) - Tu (Habanera) (E.Sanchez Fuentes) - Vaya Una Pregunta (Tomas Leon) - Vitorioso (Tango) (Ernesto Nazareth) - Vuelta al Hogar (I.Cervantes) - Yo Se Lo Dire a Ustted (Tomas Leon)

Helps students read music faster. A miniature keyboard diagram is printed beneath each measure simulating a real music reading situation.

Preludes and Fugues in all the major and minor Keys except for the really hard ones! Edited by Peter Schickele and with performance notes in English French German Pig-Latin and Hieroglyphics! This is another well-humored and fascinating composition by the inimitable P.D.Q. Bach.

In the autograph of his 'Inventions' J.S. Bach set out the aim of these pieces formulating a dual purpose: the keyboard player should on the one hand practise polyphonic playing with two obligatory parts and develop a 'cantabile' style; at the same time he should also be given an introduction to the study of composition and learn how a piece can be developed from an invented theme (Inventio) by means of imitative techniques. Our new edition in the well-known 'Piano Classics' series is intended for teaching purposes and provides a reliable text an introduction to the work as well as a table for the realization of J. S. Bach's ornaments and trills.