The King and I - Revised Edition

Trevor Wye's famous Practice Books for the Flute are invaluable to players of every grade and have received worldwide acclaim, selling over 1 million copies in total. Each book concentrates on individual facets of Flute technique in concise detail. This revised edition has updated diagrams, clearer musical notation and improved overall design.Book 6 is invaluable for both amateur and would-be professional players. It builds on knowledge gained in the earlier books, whilst also breaking new ground. Tone, posture, technique, articulation, the top register, breathing and intonation are all covered in depth. / Flûte

Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)

Description The new full-colour revised edition of John Pitts' best-selling recorder course. Book 2 has 13 new items as well as new optional duets. Songlist A Child This Day Is Born Amazing Grace An Eriskay Love Lilt Barnyard Song Boogie Blues Botany Bay Cascadura Beguine Cherry Tree Rag Clementine Cossack Dance Descant Down In Bethlehem Fais Dodo Gavotte God Rest Ye Merry, Gentlemen Good King Wenceslas Grandma Grunts Haul Away Joe I Like The Flowers Incey Wincey Spider Kalinka Kookaburra Kum Ba Ya La Mourisque Land Of The Silver Birch Little Red Wagon London's Burning Manx Lullaby My Bonnie Lies Over The Ocean Now All The Forests Are At Rest Old Joe Clark Old Paint One More River Over The Sea To Skye Pokare Kare Polonaise Portuguese Dance Row, Row, Row Your Boat Scarborough Fair Sinner Man Skip To My Lou Tango Chacabuco Ten Green Bottles The Ash Grove The Child's Carol The Fireman's Not For Me The First Nowell The Hollow Elm Tree The Lord Mayor's Parade Tzena Unto Us A Boy Is Born Way Down South What Would You Do? Woofenbacker's Boogie Zulu Lullaby

The late 1960s saw the perfect fusion of blues and rock, giving birth to modern rock guitar and a generation of groundbreaking players. Real Blues-Rock Guitar focuses on these amazing guitar players and shows you their chord progressions, licks, styles, and techniques. This revised edition, now with companion DVDs and all-new engravings, guides you through the styles of blues-rock guitar masters like Jimi Hendrix, Eric Clapton, Billy Gibbons, Jeff Beck, Jimmy Page, The Allman Brothers, Joe Walsh, and many others---with insight that has been carefully researched and documented to help you understand their unique styles. On the accompanying 2-DVD set, Kenny Chipkin performs every example in the book, breaks down how to play the solos effectively, and provides his unique perspective on the history and influence of the blues-rock greats. High-quality MP3 tracks for all the examples and solos in the book are included. / Guitare

Easy popular pieces for young Recorder players selected and arranged by Jerry Lanning. Revised edition with CD backing tracks and demo CD.

Third Part of the Clavier Ubung-In 1739 Bach?s Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of Organ composition as it offers an impressive cross section of Bach?s artistry.This present volume is an updated edition of Volume 4 Series IV of the New Bach Edition presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary as there were relatively few corrections affecting the musical text. However the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work?s genesis but also offers an up-to-datedescription of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach?s autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach Digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must in the interest of its use by researchers and performers incorporate intervening new discoveries wherever possible. With this in mind Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach Digital thereby enabling the user to gain quick access to the sources.- With altered readings integrated into the musical text taking into account new musicological evidence.- With a new Preface by Christoph Wolff (Ger/Eng) discussing this work and its sources.- Newly engraved and with improved page

In his friendly, humorous style, Greg Horne makes learning acoustic guitar fun and easy. This revised edition features examples in TAB and standard music notation and a new DVD hosted by guitar virtuoso Jared Meeker. You'll learn how to hold the instrument, play with a pick, count time, read music, and play simple chords. After mastering the basics, you'll be introduced to fingerpicking, barre chords, improvisation, music theory, and a variety of styles including blues, rock, country, and folk. Beginning Acoustic Guitar is a must-have for anyone serious about starting to learn acoustic guitar. Second Edition Features: * Updated examples in the styles of acoustic guitar masters * New companion DVD demonstrating the examples in the book * Improved instruction on acoustic guitar techniques and theory, covering flatpicking, fingerstyle, and strumming / Guitare

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

With this newly-edited complete edition of the essential book of practice exercises The Virtuoso Pianist In Sixty Exercises is intended to help pianists acquire essential technical and practical skills. Themusic and text have been updated with a sleek modern design and the Download Card features audio demonstrations of every exercise.   When Charles Hanon first published these sixty exercises in 1873 heintended for the common problems of young pianists to be remedied by the practising of these pieces. Problems like crossing the thumb the strength of the fourth and fifth fingers and the difference in right and left hand skillwere all common and still are today. The book itself however became dated making this new and revised edition necessary. Updated with a beautiful and modern new design these practice pieces are a joy to play and the includedDownload Card lets you hear them first so that you can play them exactly as they should be played.   The method involves scales broken chords and other exercises split into three sections 'Preparatory' 'Transcendent' and 'Virtuoso'. Throughout descriptions help the student to better prepare themselves while recommended metronome ranges suggest tempos that the student can steadily increase. TheHanon Exercises have been praised and criticised over the years but with a sensible practice regime and their incorporation into a more musical and fun schedule some fantastic results canbe gained very quickly.    For over a century these Hanon Exercises have been testing amateur and professional pianists helping them to work on common problems faced by all.With this updated version of the complete Virtuoso Pianist In Sixty Exercises you can aim to acquire the agility strength and suppleness that Hanon intended but with a clean and modern looking design and the