The Claw

A Guide For The Claw-Less!. Par LEVENSON DAN. Southern Appalachian native Dan Levenson and Mel Bay Publications present Clawhammer Banjo from Scratch - A Guide for the Claw-less! This book teaches clawhammer banjo the way we play, not the way others say. It really begins as though you really have NO knowledge of how to play the five string banjo clawhammer style. Based on Dan's innovative Meet the Banjo™ program (where Dan brings 15 banjos and teaches players who may have never held a banjo), this book assumes no prior experience. Beginning at the beginning, Dan presents a brief history of the 5-string banjo then goes over the parts of the banjo, holding the banjo, right and left hand positions and his basic clawhammer strum. Even the strum is broken down into the steps of the finger and thumb. You are guided through the chords, the scale and then the individual notes of each of 12 jam session favorite tunes from scratch. Includes 2 reference CD's with all exercises, tunes (slow and up to speed), and a fiddle version of each tune. / Niveau : Débutant / Clawhammer/Frailing - Methods / Méthode / Banjo à 5 Cordes

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

Volume Two-The performances in this DVD series present two generations of artists who have advanced the acoustic guitar’s cause with formidable boldness. We clearly hear their folk blues and country roots even as they develop other distinctly personal harmonic and melodic pathways. Thinking coupled with the 90% perspiration 10% inspiration formula is evident in the performances here no less than in the artful arrangements in the original compositions. There are English guitarist playing original music tinged by American blues and American guitarists picking with English accents. There are guitarists from everywhere bringing music from the keyboard and othersources to the guitar. There is an apparent user-friendly adaptability happening around the instrument: the example of these players encourages the rest of us to tinker with arrangements explore open tunings try varied techniques of picking. The means they demonstrate are flexible. And the ends? Endless. As the redoubtable Claw Jerry Reed once remarked I don’t go to see a man pick. I go to see a man think. Dave Evans Stagefright John Renbourn Rosslyn Stefan Grossman Tightrope John Knowles Coastin' Pat Donohue The Mooch Marcel Dadi Saturday Night Shuffle Duck Baker Blood Of The Lamb Chris Proctor Interstate John Renbourn Little Niles Stefan Grossman Bermuda Triangle Exit El McMeen My Mary Of The Curling Hair Joe Miller Ivory Coast John Knowles Waltz Forever Pat Donohue High Society Duck Baker 'Round Midnight Chris Proctor Morning Thunder El McMeen Angels We Have Heard On High Marcel Dadi Je Te Veux Bonus Instructional Tracks: Stefan Grossman Diddie Wa Diddie and Pat Donohue High Society

This folio features 12 note-for-note transcriptions of Lenny Breau's impressive and intricate Guitar playing over the course of his career. Titles include Breau originals and his unique arrangements of standards: Bluesette Cannon Ball Rag The Claw Days of Wine and Roses Freight Train Georgia on My Mind It Could Happen to You Oscar's Blues Spanjazz Taranta There Is No Greater Love Visions.

Inspired by Charley Wilcoxon's Modern Rudimental Swing Solos these 22 original snare drum solos were written for developing students as well as advanced drummers. Each solo combines rudiments with rhythmic phrasing in musical pieces that include: 40 PAS International Drum Rudiments; contemporary hybrid rudiments; interesting effects like crush rolls back sticking butt-end stabs and claw rolls; rudimental solos that swing; and more. Each solo is fun to play and helps to build technique!

Par HENNIG MAXIMILIAN. Cadences pour Beethoven Concerto op. 61, Brahms Concerto op. 77, KV 219 de Mozart, Mozart-Concerto Adelaide, Paganini Concert op. 6, Tartini Sonate Trill du Diable. Maximilien Hennig (1891-1989) était dans les années 1920 connu comme un virtuose du violon et professeur de musique. Après des études à la Hochschule für Musik de Berlin, qu'il a fondée en 1922, un quatuor à cordes qui porte son nom à Wroclaw, avec qui il a fait par le biais de 22 ans de nombreuses tournées de concerts. En outre, il a effectué avec succès en tant que soliste à la maison et à l'étranger pendant de nombreuses années. A partir de 1936 il a dirigé une master class de violon à l'Ecole de Musique d'Etat à Wroclaw. Après 1946, il a enseigné à Berlin, où il a également été nommé professeur./ Répertoire / Violon

Learning to play the 5-string Banjo is a highly rewarding experience but getting started can be a challenge! Here at last is a book that helps you choose the right instrument and accessories and then gets you playing -fast!Full colour pictures clear diagrams and genuinely practical advice combine to make Start-Up 5 String Banjo do exactly what is says on the cover. You'll start off on the right trackand that makes everything else come more easily.Contents include:Tuning your banjoChord shapesReading tablatureBasic strum styleHammer ons andpull-pffsClawhammer styleDrop thumb frailingBluegrass styleA selection of timeless bluegrass and folk songs to play

Par GASIENIEC MIROSLAW. The first version of the Sonata for violin and piano was written in the autumn of 2008, when I had the opportunity to work with the violinist Robert Bachara, who was pursuing his doctoral studies at Wroclaw Music Academy. A few years later, around the turn of 2016, I revised the musical material, made some changes and shortened the work. It was then that Dr Jacek Ropski, a lecturer at the music academy, took an interest in the Sonata. In January 2016 we produced a recording of this composition, which helped with his post-doctoral studies. I would like to express my profound gratitude to Dr Jacek Ropski for his invaluable musical and performance remarks, which led to the present form of the Sonata for violin and piano. I am also grateful to Professor Bartosz Bryla of Poznan Music Academy for his very favourable review of this composition and warm words of support for its publication. I also hope that this work will find a place among young performers. Miroslaw Gasieniec translated by John Comber / Date parution : 2022-11-08/ Répertoire / Violon et Piano

ABC
Across 110th Street
Adore
After The Love Has Gone
Ain't No Mountain High Enough
Ain't No Sunshine
Ain't Nobody
Ain't Nothing Like The Real Thing
Ain't That A Bitch
Ain't That Peculiar
Ain't Too Proud To Beg
Always And Forever
Always Be My Baby
Another Sad Love Song
Ascension (Don't Ever Wonder)
At Midnight (My Love Will Lift You Up)
B-A-B-Y
Baby I'm Doing It (Baby Don't Do It)
Baby I'm For Real
Baby Love
Back At One
Back To Life (However Do You Want Me)
Band Of Gold
Be Without You
Bernadette
Between The Sheets
Big Bird
The Boy Is Mine
Breathe Again
Brick House
But It's Alright
By Your Side
Call Me (Come Back Home)
Candy
Chain Gang
Chain Of Fools
Cheaper To Keep Her
The Chokin' Kind
Cissy Strut
Come To Mama
Cool Jerk
Crazy In Love
Creep
Cry Baby
Cupid's Boogie
Dance To The Music
Dance With Me Henry (The Wallflower)
Dancing In The Street
Devil With The Blue Dress
DJ Got Us Fallin' In Love
Do It ('Til You're Satisfied)
Do Right Woman Do Right Man
Do You Love Me
Don't Let Go
Doo Wop (That Thing)
Easy
End Of The Road
Endless Love
Everybody Needs Somebody To Love
Everyday People
Everytime I Close My Eyes
Exhale (Shoop Shoop)
Express Yourself
Fa-Fa-Fa-Fa-Fa (Sad Song)
Fallin'
Fannie Mae
Fight The Power 'Part 1'
Fire
Freddie's Dead
Gabbin' Blues
Gee Whiz
Gimme Some Lovin'
Giving You The Best That I Got
Green Onions
Groove Me
Hard To Handle
The Harlem Shuffle
He Was Really Sayin' Somethin'
Heatwave (Love Is Like A Heatwave)
Here And Now
Here I Am, Come And Take Me
Hold On I'm Comin'
Hound Dog
How Sweet It Is (To Be Loved By You)
How Will I Know
Human Nature
I Believe I Can Fly
I Can't Get Next To You
I Can't Help Myself (Sugar Pie, Honey Bunch)
I Can't Stand The Rain
I Can't Turn You Loose
I Forgot To Be Your Lover
I Got The Feelin'
I Got You (I Feel Good)
I Heard It Through The Grapevine
I Just Want To Celebrate
I Like What You're Doing To Me
I Never Loved A Man (The Way I Love You)
I Pity The Fool
I Put A Spell On You
I Second That Emotion
I Thank You
I Wanna Testify
I Want Someone
I Want You Back
I Wish
I'll Be The Other Woman
I'll Be There
I'll Make Love To You
I'll Take You There
I'm Gonna Tear Your Playhouse Down
I've Been Lonely (For So Long)
I've Been Loving You Too Long
In The Midnight Hour
In The Rain
Inner City Blues (Make Me Wanna Holler)
Inside My Love
It Hurts So Good
It's Gonna Work Out Fine
It's Your Thing
Jungle Boogie
Just My Imagination (Running Away With Me)
Just One Look
Just The Two Of Us
Keep On Truckin'
Kiss
Knock On Wood
Lady Marmalade
Last Dance
Last Night
Lawdy Miss Clawdy
Lean On Me
Let The Good Times Roll
Let's Get It On
Let's Stay Together
Living For The City
Lonely Teardrops
Long Tall Sally
Love And Happiness
Love Rollercoaster
Love Train
Lowdown
Mama He Treats Your Daughter Mean
Man In The Mirror
Mercy, Mercy Me (The Ecology)
Midnight Train To Georgia
Miss Independent
Mr. Big Stuff
Mr. Pitiful
More
Mustang Sally
My Girl
My Guy
My Lovin' (You're Never Gonna Get)
My Prerogative
(You Make Me Feel Like) A Natural Woman
Never Can Say Goodbye
Never Knew Love Like This Before
Never Too Much
Ninety-Nine And A Half (Won't Do)
No One
No Scrubs
Nobody Knows You When You're Down And Out
Nothing From Nothing
On And On
One Mint Julep
Papa Was A Rollin' Stone
Patches
Pick Up The Pieces
Please Mr. Postman
Power Of Love/Love Power
Pretty Wings
Private Number
Psychedelic Shack
Purple Rain
Push And Pull
A Rainy Night In Georgia
Reach Out I'll Be There
Real Love
A Real Mother For Ya
Rehab
Respect
Respect Yourself
Right Place, Wrong Time
Rip It Up
Rock With You
Rockin' Chair
Say My Name
Serpentine Fire
Sexual Healing
Theme From Shaft
Shake A Tail Feather
Shake, Rattle And Roll
Shine
Shining Star
Shotgun
Show Me
Signed, Sealed, Delivered I'm Yours
Single Ladies (Put A Ring On It)
Sir Duke
(Sittin' On) The Dock Of The Bay
Sixty Minute Man
Smiling Faces Sometimes
A Song For You
Soon As I Get Home
Soul Finger
Soul Man
Soul Serenade
Stand By Me
Standing In The Shadows Of Love
Stoned Love
Strawberry Letter 23
Super Freak
Superstition
Sweet Love
Sweet Thing (Sweet Thang)
Take Me To The River
Take Time To Know Her
The Tears Of A Clown
Tears On My Pillow
That's The Way God Planned It
That's The Way Love Goes
Think
This Is How We Do It
This Masquerade
This Old Heart Of Mine (Is Weak For You)
Three Times A Lady
Tired Of Being Alone
The Tracks Of My Tears
Turn Your Love Around
Twenty-Five Miles
U Can't Touch This
Unfaithful
Up The Ladder To The Roof
Uptight (Everything's Alright)
Vehicle
Vision Of Love
Walk On By
Walkin' The Dog
We Are Family
We Belong Together
What You Won't Do For Love
What'd I Say
What's Going On
What's Love Got To Do With It
When A Man Loves A Woman
When Can I See You
When Doves Cry
When Something Is Wrong With My Baby
Where Is The Love?
Who's Making Love
Will It Go Round In Circles
Woman To Woman
Work With Me Annie
Working In The Coal Mine
Yeah!
You Can't Hurry Love
You Don't Know My Name
You Got The Love
You Lost The Sweetest Boy
You Make Me Feel Like Dancing
You Sexy Thing
You've Really Got A Hold On Me
Your Good Thing (Is About To End)
(Your Love Has Lifted Me) Higher And Higher
/ Partitions jazz

Michael Clawson has created an exciting and interesting arrangement of the traditional English carol The First Noel. He uses Pachelbel's Canon in D as the basis of the piano accompaniment and then superimposes the traditonal melody of The First Noel. This piece is arranged for two-part voices with piano (two players) accompaniment.

DVD-Celebrated folk music tutor Ken Perlman introduces this DVD that explores the heritage and techniques of the Clawhammer Banjo tradition. Beginning with a look at the brush-thumb technique Perlman uses his expert knowledge and experience to guide you through:Drop thumbingDouble thumbingDrop thumb anticipationSkipSingle-string brush-thumbingChords in double 'C' tuning.During the course of the tutorial all lessons are illustrated with authentic examples of traditional folk songs and Clawhammer favourites including The Meeting Of The Waters and Little Billy Wilson. By the end of the disc you will not only be fluent in a host ofClawhammer techniques but also have a repertoire of songs through which to master your Banjo chops all courtesy of one of the most acclaimed players of the style.

The shepherds sing is a sweet and tranquil setting of a Christmas text by George Herbert. With an atmospheric accompaniment created by rippling arpeggio lines in the piano/harp and a simple instrumental countermelody it begins with a beautiful soprano solo before opening out into gentle choral harmonies. The shepherds sing is featured on the Wroclaw Philharmonic Choir's CD of Bob Chilcott's music.For SATB (with soprano solo) trumpet in B flat (or soprano saxophone or clarinet in B flat) and piano or harp

Enter an extraordinary world filled with magic and wonder where every holiday has its own special land and imaginative one-of-a-kind characters! Now available in a Special Edition DVD Tim Burton's award-winning animated classic will engage audiences and singers alike. This 5-minute medley includes: Kidnap the Sandy Claws Oogie Boogie's Song This Is Halloween What's This? Available separately: SATB SAB 2-Part ShowTrax CD. Duration: ca: 5:00.

14 Complete Notation and Tab Transcriptions-Although his scorching fingerpicking was most impressive at first glance a closer look at Just Us reveals that he is equally adept at what many musicians consider as a more difficult task: playing fewernotes... ones that mean more and say more with less as he does on album opener A Simple Gift title cut Just Us and One Sad Clown.Just Us is an album consisting largely of hisown compositions inspired by his two main Guitars Merle and Pearl. Along the way we are treated to a barn-storming version of Alabama Jubilee (it must be tunes like this that caused Chet Atkins to say of Jones 'He playslike he's double-parked') Collage-a-Reed and Clawin' (each inspired by mentor Jerry Reed) while Let the Sun Shine In sounds like an instant fingerpicking classic that you could swear you have heardbefore but haven't.Including detailed notation on 15 of Buster's songs from Just Us this Book/CD lesson will challenge even the best players. Presented in standard notation and tablature.