The Bass Recorder

Eihei-Ji was expertly composed by Hilda Paredes for Soprano Recorder Tenor Recorder Bass Recorder and Electronics.Hilda Paredes is one of the leading Mexican composers of her generation. Her music is now performed widely around the world. Paredes has been commissioned by soloists ensembles and orchestras around the world.Hilda's music has been performed by internationally renowned ensembles such as Lontano London Sinfonietta Ensemble Modern and many more.

Together Or Not for Bass Recorder Violin and Accordion was composed by Danish composer Pelle Gudmundsen-Holmgreen in 2012. Parts are available: WH31623A

The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a 'hands-on' tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality rhythm andtechnical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: o the bass recorder - construction instrument types historical background o technical foundations of bass recorder playing posture fingering sound and articulation o practise and rehearsal techniques intonation in ensemble playing o stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Learning the bass recorder whilst playing in an ensemble continues in this 3rd volume of Workshop Bassblockflöte. Greater emphasis is placed on the techniques of refining sound quality 2 and 3 part arrangements and playing not only the bass voice but also the middle or even the melodic line. The enclosed CD recorded by the editors Irmhild Beutler

Bassblockflöte lernen im Ensemble für 3-5 Blockflöten (SA(A)TB) und CD-The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a ?hands-on? tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tonequality rhythm and technical demands.The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects:? the bass recorder ? construction instrument types historical background? technical foundations of bass recorder playing posture fingering sound and articulation? practise and rehearsal techniques intonation in ensemble playing? stylistically diverse ensemble repertoire ranging from medieval to contemporary musicThe Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with.Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. ? Contents: ? Anonymus: Dindiridin Greensleeves Un poquito canto

Recorder Quartets 13 outstanding pieces for Bass recorder. Includes 'Scarborough Fair' 'On My Own' fro Les Miserables 'El Choclo' 'Maria' from West Side Story 'When I'm Sixty- Four' and more.

Bass Recorded Versions-Red Hot Chili Pepper's eighth studio album Californication saw the return of the passionate guitar wizardry of John Frusciante to reunite the band's strongest line-up and at its best. It was some task to make analbum that lived up to the epic Blood Sugar Sex Magic or the acclaimed One Hot Minute but the Chili Peppers seemed to manage it with this raw uncompromising album that saw a significant move towards melody ratherthan suggestive rhythm. This folio contains authentic bass guitar transcriptions (transcribed from the original recordings) in both standard notation and tablature of all of Flea's bass line including Scar Tissue Around The World Californication and Purple Stain.

Bass Recorded versions for Pink Floyd's most famous album with accurate Bass Tablature transcriptions of all of Roger Waters' bass lines. Includes seminal tracks such as: The Great Gig in the Sky Money and Time

Our Bass Recorded Versions folio features note-for-note bass transcriptions with tab for all seven track's from Mastodon's ambitious 2009 concept album: Crack the Skye * The Czar * Divinations * Ghost of Karelia * The Last Baron * Oblivion * Quintessence.

Description Rage Against The Machine: Rage Against The Machine (Bass Recorded Versions) No text available for the item Songlist Bombtrack Bullet In The Head Fistful Of Steel Freedom Killing In The Name Know Your Enemy Settle For Nothing Take The Power Back Township Rebellion Wake Up

Learn Bass Recorder in Ensemble Playing Partitur und Stimmen - Mit Playback CD vom Ensemble Dreiklang Berlin - Anleitung zum Bassblockflötenspiel - for 3-5 recorders (sa(a)tb) and cd arranger: Ripper, Martin arranger: Rosin, Sylvia C. arranger: Beutler, Irmhild The bass recorder brings a deep, rich timbre to the recorder ensemble. Nevertheless, when beginning with the bass recorder, even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a ?hands-on? tutor, which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality, rhythm and technical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: ? the bass recorder ? construction, instrument types, historical background ? technical foundations of bass recorder playing, posture, fingering, sound and articulation ? practise and rehearsal techniques, intonation in ensemble playing ? stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line, which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher.

Ensemble Dreiklang Berlin This new publication from the members of this famous recorder trio will provide excellent material for descant and treble recorder players who are ready for playing in a trio for the first time. Presented here for descant/descant/treble or, descant/treble/treble recorders, these pieces can also be played on the lower recorders (Tenor and Bass). A variety of possible instrumentations is listed in the book. The seven folksong arrangements in this first publication of the series have an added original piece: Parrots of the Caribbean. Each book includes short explanations about the pieces as well as tips for alternative instrumentations allowing tenor and bass recorders to be used. Rosin, Sylvia Corinna: Parrots of the Caribbean aus Italien: Saltarello Schwedisches, Volkslied: Es waren zwei Königskinder Zuccalmaglio, Anton Wilhelm von: Schwesterlein Nicolai, Philipp: Ich habe die Nacht geträumet aus Franken: Ich hörte ein Sichlein rauschen Haußmann, Valentin: Tanzlied Traditional: Loch Lomond

Originally this work was written for string players and the title says it all: the strings were played pizzicato i.e. plucked with the fingers. You can imitate the effect of the â??short notesâ?? on the recorder perfectly well.This airy and humorous polka requires a playful performance: experimenting with the tempo is the motto. When it comes to playing together Pizzicato Polka is not always easy: additional evidence of the quality of the Viennese orchestras of the day. For ensembles that do not have a bass recorder at their disposal an alternative part for tenor recorder has also been provided. A performance with five recorders is possible as well using this extra partto reinforce the bass melody. Johann Strauss II wrote the famous Pizzicato Polka together with his brother Josef.

An anthology of some of the best recorder music from the early Renaissance Baroque Rococo Classic and early Romantic periods. The music of historically well-known as well as lesser-known and obscure composers has beenincluded. Solos duets some trios and quartets from the various periods and schools (German Italian French and English) have been chosen because of their musical content and charm primarily and because they illustrate andtypify the musical values of the eras in which they were composed. In some instances keys have been transposed signature and bar lines have been added. Separate movements taken from sonatas and suites have been included aswell in addition to some thematic material. The arrangements are primarily for the descant or soprano recorder. The alto tenor and bass recorders are included however in duets trios and quartets. Phrasing breath markshave been indicated for use at the player's discretion.