SKU: HL.282475
ISBN 9781540034328. UPC: 888680789190. 9.0x12.0x0.847 inches.
Music is what helped many keep their spirits up during the Great Depression in the 1930s. Here are 100 of the most memorable songs of the decade presented in easy piano arrangements with lyrics. Songs include: As Time Goes By * Blue Moon * Body and Soul * Embraceable You * Georgia on My Mind * The Glory of Love * How Deep Is the Ocean (How High Is the Sky) * I Don't Know Why (I Just Do) * I Got Rhythm * I'll Be Seeing You * In the Mood * The Lady Is a Tramp * Love Is Here to Stay * Mood Indigo * My Funny Valentine * The Nearness of You * Over the Rainbow * Sing, Sing, Sing * Summertime * Thanks for the Memory * The Very Thought of You * The Way You Look Tonight * and more.
SKU: HL.4001649
9.0x12.0x0.068 inches.
Symphonic Band – Grade 4 The memorable songs of one of America's foremost showmen have been combined into a delightful symphonic medley by Warren Barker. This entertaining tribute includes Road to Morocco, Two Sleepy People, Buttons and Bows, Moonlight Becomes You, and, of course, Thanks for the Memory.
SKU: CF.CM9565
ISBN 9781491153611. UPC: 680160911110. 6.75 x 10.5 inches. Key: E minor. English. Text: E.E. Cummings. E. e. cummings. E.e. cummings.
Trotta's unique juxtaposition of texts from the past (Requiem?text in the?Liber Usualis) with the present (e.e. cummings poem?i carry your heart) results in a compelling, lush composition accessible to mixed choirs of all sizes. With optional oboe and solo or small group, i carry your heart?is appropriate for concert, festival, retirement or a special tribute. It is certain to be adored and appreciated by all. Highly recommend!.This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.This piece incorporates theA IntroitA from theA RequiemA in theA Liber UsualisA in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features theA RequiemA text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.This piece incorporates theA IntroitA from theA RequiemA in theA Liber UsualisA in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features theA RequiemA text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance.This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department.Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.
SKU: HL.263232
ISBN 9781540021038. UPC: 888680729318. 9.0x12.0x0.586 inches.
Romance, heartbreak, optimism, melancholy, or just a lovely autumn day - it's all been captured by American songwriters. A generation of the country's finest songwriters captured universal feelings and experiences in such an infectious combination of words and music that their songs still inspire today. This collection features 100 classics by treasured composers arranged for ukulele: All the Things You Are (Jerome Kern) * Blue Skies (Irving Berlin) * Come Fly with Me (Sammy Cahn) * Georgia on My Mind (Hoagy Carmichael) * Mood Indigo (Duke Ellington) * On the Street Where You Live (Lerner & Loewe) * People Will Say We're in Love (Rodgers & Hammerstein) * Somebody Loves Me (George Gershwin) * You'd Be So Nice to Come Home To (Cole Porter) * and more.
SKU: PR.144407270
UPC: 680160681891. 9 x 12 inches.
My Eighth and Ninth String Quartets, begun in late 2017, are sonic cousins. Akin to real cousins, each piece exhibits differing natures. They were requested by two ensembles that have become asecond familiesa to me: The Jupiter Quartet of Urbana, Illinois and the Amernet Quartet based in Miami, Florida. Their collective dedication to, and care for, our art remains a personal and constant are-fuelinga for me. The quartets were commissioned by, and dedicated to, Margaret and Philip Verleger of Denver, Colorado. Additional financial support was provided by the School of Music at Stetson University, Timothy Peter, Dean. Quartet No.8 is laid out in a classical four-movement design. The work does break somewhat from conventional tradition by often placing quartet members into soloistic roles as the movement titles note. individual The opening piece presents at the outset a three-note motto which is turned over, tumbled, and energetically discussed, primarily by a violin duet. It is a duel. The two players part company only infrequently during the movement's progress, pausing briefly for other commentary by their alower cohortsa, the Viola and Cello do not argue, but abet their friends' aeffortsa. The piece's overall character is fairly bright and dancelike, closing in an unresolvedastandoffa. not Two principal asound-objectsa stitch the second movement scherzo together: sliding hands (glissandos) and a plucked ashufflea (pizzicato) - both instigated by the (solo) cellist. The others are influenced - or are not - by their aleadera, and follow - or interrupt - the cello throughout their four-voiced conversation. The third movement (longest of the set) is an elegy dedicated to the memory of a close personal friend, the American composer David Maslanka (1943 - 2017). Its' genesis is a simple 5-note melody derived from my own name (SaC/DaC/EaC/H). This line commences in the (solo) viola and is obsessively uttered without relief during the movement's lamentations. The closing movement revisits much of that opening three-note material, but now dressed up for the full quartet to view. It is a slowly accelerating romp which - twice - cannot avoid a nod to the Amernet and Jupiter performers by offering a humble bow to the 4th movement of Gustav Holst's PLANETS - Jupiter: The Bringer of Jollity. My quartet serves as an honouring salute of thanks for the talent, respect, and friendship of these two young quartets. STRING QUARTET No. 8 is roughly 22 minutes in duration. It was written as an homage to Franz Joseph Haydn, my adesert-island-composera, and completed in Holly Hill, Florida in early April of 2019. S.H.