SKU: SU.95010165
Violin, Piano Duration: 6' Composed: 1970 Published by: Subito Music Publishing.
SKU: AP.36-52710007
ISBN 9781682965597. UPC: 660355173103. English.
This is an exciting venture into chromatic fingerings and 1st - 4th position for the advanced-intermediate player in the key of A minor. The piano part is quite reasonable.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CU.EC10112
SKU: HL.49030529
ISBN 9790220123689. UPC: 884088070519. 9.0x12.0x0.091 inches.
SKU: MA.EMR-54331
Festive March / Minueto / Savage / Cradlesong / Funeral March / Prelude / Mazurka / Minuet / Air / Polka / Imitation / Echo / Elegy / Hungarian / Gate Of Fear / Calm / Siciliana / Syncopated / Habanera / Canon / Tarantella / Carol / Pastorale / ...
SKU: CU.EC5206
ISBN 9790215905894.
SKU: HL.48024948
ISBN 9781784545659. UPC: 840126947205. 9.0x12.0x0.195 inches.
Drawing on the composer's transcriptions for violin (with Samuel Dushkin) and for cello (with Gregor Piatigorsky), Kim Kashkashian has produced a long-overdue viola version of this neoclassical masterpiece. The choice of movements from Stravinsky's Pulcinella Suite differs between those for violin and cello; Kashkashian has in turn made a slightly different selection comprising Introduzione, Serenata, Aria, Tarantella, Toccata and Minuetto e Finale. A show-stopping addition to the repertory of modern viola music.
SKU: HL.159738
9.0x12.0 inches.
SKU: HL.133905
8.25x11.75x0.089 inches. Author: Vieuxtemps.
SKU: HL.49045318
ISBN 9781495082535. UPC: 888680656669. 9.5x12.0x0.515 inches.
The title refers to three instruments, three movements, and three ways of treating musical time. The tone of the work is serious yet as playful as the title suggests.The first movement, Ratios, opens with a series of seemingly unrelated ideas in tempo ratios of 3:2 and 4:3. As the movement proceeds, the ideas develop, transform, and superimpose in increasingly wide spirals. The slower second movement, Cycles, is a fantasy built on the strict scaffolding of an omnipresent, diatonic cantus firmus set in symmetrically expanding and contracting cycles. The quick finale, Phases, is a moto perpetuo tarantella in which the instruments move in and out of phase as they chase one another. The flowing eighth notes merge and finally unify ideas from the previous movements.
