Format : Study Score / Miniature
SKU: UT.NAP-4
ISBN 9790215318373. 9 x 12 inches.
Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e CembaloNicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas. Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.
SKU: BR.OB-5238-30
Hauschild combines source criticism with the demands of performance practice, while keeping the Critical Notes brief (it goes without saying that they are in the score). His editorial emendations can thus be checked immediately.
ISBN 9790004335475. 10 x 12.5 inches.
Ludwig van Beethoven composed his Eighth Symphony op. 93 in 1811/1812. As a consequence of the wartime upheavals of those years, the world premiere of the work did not take place until 27 February 1814 in Vienna under the composer's direction.Hauschilds new edition is based on all the major primary sources. With masterful expertise, Hauschild combines source criticism with the demands of performance practice, while keeping the Critical Notes brief (it goes without saying that they are in the score). His editorial emendations can thus be checked immediately. Whoever seeks more about how the Breitkopf new edition differs from other available editions will also find this information quickly and easily.Hauschild combines source criticism with the demands of performance practice, while keeping the Critical Notes brief (it goes without saying that they are in the score). His editorial emendations can thus be checked immediately.
SKU: BR.PB-5238
ISBN 9790004210000. 10 x 12.5 inches.
SKU: BR.OB-5238-15
ISBN 9790004335420. 10 x 12.5 inches.
SKU: LM.26120D
ISBN 9790231701753.
BEETHOVEN : Mailied Op.52 n. 4 - BIZET : Suite n. 2 de L'Arlesienne - BRAHMS : Deutsche Volkslieder n. 11 - BRAHMS : Volks-Kinderlieder n. 2 - DEBUSSY : Petite suite En bateau Ballet - GERSWHIN : Swenee Capitol revue - LULLY : Le Bourgeois gentilhomme Chanson de Jeanneton - MILHAUD : La pomme et l'escargot - MOZART : Petite musique de nuit KV525 allegro - MOZART : Sehnsucht nach dem Frulinge KV596 - MOZART : Symphonie des.jouets menuetto - NEGRO SPIRITUAL : Were you there when they crucified my Lord ? - RAMEAU : Pieces de clavecin Musette en rondeau - SCHUBERT : Berceuse - SCHUMANN : Quatuor avec piano en Mib Maj. Op.47 (transcrit et transpose)...
SKU: LM.26120
ISBN 9790230961202.
SKU: HL.49010006
ISBN 9783795764036. UPC: 841886007130. 5.25x7.5x0.216 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: BR.OB-5236-30
Hauschild's new edition is based on all the major primary sources: autograph, first edition of the parts, copies of the score supervised by Beethoven, and the first edition of the score.
Have a look into ISBN 9790004335093. 10 x 12.5 inches.
Beethoven's Sixth Symphony (Pastorale) was written in the summer months of 1807 and 1808. The first performance of the work - along with that of the Fifth Symphony - took place on 22 December 1808 as part of a musical Akademie, or subscription concert, in the Theater an der Wien under the direction of the composer.Peter Hauschild's Urtext edition of the Pastorale is based on all the important primary sources: autograph, first edition of the parts (Leipzig: Breitkopf & Hartel, 1809), copies of scores supervised by Beethoven and, finally, the first edition of the score. Hauschild has combined source criticism and the requirements of performance practice while also keeping the Critical Report succinct and easy to grasp; this makes the editorial decisions easy to trace.Hauschild's new edition is based on all the major primary sources: autograph, first edition of the parts, copies of the score supervised by Beethoven, and the first edition of the score.
SKU: BR.OB-5231-15
ISBN 9790004337059. 10 x 12.5 inches.
Whether for first editions or not the primary sources of Beethoven's works always have to be interpreted with great expertise. The editor's knowledgeability is the decisive point when it comes to the level of quality of a new edition. And both Clive Brown and Peter Hauschild are setting standards.On the whole, it was a good idea for Breitkopf to give itself time with these editions. The difficult feat of doing justice to the needs of performers and to philological scholarship has been carried off at a level that raises the standards to an almost frighteningly high level. (Peter Gulke) In the case of the First Symphony, Clive Brown reaches an optimal balance between source criticism and performance-practical requirements. Interpreters and scholars appreciate the source criticism for performance practice that Breitkopf cultivates not only in its Beethoven editions.In the case of the First Symphony, Clive Brown again reaches an optimal balance between source criticism and performance-practical requirements.
SKU: BR.OB-5328-19
ISBN 9790004333846. 10 x 12.5 inches.
Cesar Franck wrote his Symphony in D minor in 1887/88; in spite of the work's lukewarm reception at its world premiere on 17 February 1889, the work was published during his lifetime. It was not until a few years later that the established conductors dared perform this work more frequently . It marked the inevitable triumph of a work which had once caused such a furor and whose individuality of conception burst the framework of the genre (double tonality of D and F minor in the opening movement; the combination of Andante and Scherzo in the central one; the recapitulation of the main themes and motifs of the previous movements in the finale). The work was finally accepted into the concert repertoire for good around the turn of the century, not least through the good offices of influential critics and composers.Just as with the previously published Carnival of the Animals (PB/OB 5321) by Saint-Saens, Franck's work also raises many questions concerning its origin and history. Peter Jost based his work on the first edition (the autograph was destroyed in a fire in 1935) as well as on the piano reduction (four-handed) by the composer.A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use.
SKU: BR.OB-5236-27
Have a look into ISBN 9790004335086. 10 x 12.5 inches.
SKU: BR.OB-5236-23
Have a look into ISBN 9790004335079. 10 x 12.5 inches.
SKU: BR.OB-5328-30
ISBN 9790004333877. 10 x 12.5 inches.
