Suite

[Englische Suiten BWV 806-811] / Classique / Editeur : Rudolf Steglich / Doigtés : Hans-Martin / Partition / Relié toilé / Edition Urtext

Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every cellist.Joachim Linckelmann has made the first two suites available for performance on the flute. His arrangements exploit the technical possibilities of the instrument while never straying far from the original. ln this form the cello suites will not onIy be a welcome diversion in the literature for solo flute, but pose a genuine challenge to every flautist.· Convincing, straightforward arrangement· Welcome addition to the solo flute repertoire / Flûte / Partition

Norwegian composer Edvard Grieg originally wrote Peer Gynt as the incidental music to Henrik Ibsen's 1867 play of the same name which premiered in 1876. Later in 1888 and 1891 Grieg extracted eightmovements to make two four-movement suites: Suite No. 1 Op. 46 (Morning The death of Ã?se Anitra's dance and In the hall of the mountain king) and Suite No. 2 Op. 55 (The abduction of the bride Arabiandance Peer Gynt's homecoming (stormy evening on the sea) and Solveig's song). Some of these movements have received coverage in popular culture and are thus well-recognised everywhere.This edition of the Peer GyntSuites is arranged for Grade 8 Piano solo.

[Englische Suiten BWV 809-811] / Classique / Editeur : Rudolf Steglich / Doigtés : Hans-Martin / Partition / Broché / Edition Urtext

Suites Nos. 5 6 7 and 8-The Eight Great Suites is perhaps Handel's best-known and finest collection of keyboard works. Each of the four suites included here is written in full. This edition includes an informative introduction and a textual notes section. Selections from this volume are featured in the ABRSM Grade 7 Harpsichord and Grade 8 Piano syllabi.

Dans cette édition de Johann Sebastian Bach ' Six Suites pour violoncelle solo ', Maurice Gendron, ayant rédigé ces, met principalement l'accent sur l'utilisation de l'archet comme sur les schémas de doigté. La principale demande qu'il phrases doit être correcte avec les instructions sur l'utilisation de l'archet. Selon sa déclaration c'est comment la 'pureté du style de Bach' continue d'exister. Gendron édité les Suites sur les patrons de doigté pour être jouable pour chaque violoncelliste. Sur ce compte, il tente d'éviter ' extensions de doigt inutiles '.Dans la notation originale, Bach forbeard de donner des instructions sur la dynamique des romantique comme crescendo ou diminuendo. Pour cette raison, Maurice Gendron a seulement ajouté quelques suggestions dynamiques dans les 1 à 5 de Suites. Tout aussi important que l'évitement de la dynamique romantique est, selon sa propre déclaration, d'éviter les ' un vide de sens rubato '. Il est particulièrement important pour lui que les violoncellistes voient l'importance de ' prendre le temps de changer sans heurt ' d'un... / Violoncelle

Par DR. HAYES-JONES SARAH. Unknown until their discovery was announced in 1971 by Péter Várnai in an article in Die Musikforschung, this set of six suites for solo violin, published in 1696, is in all likelihood a second edition of, or second collection to his First Dozen Allemandes, Courantes, Sarabands, and Gigues for Solo Violin without Basso Continuo published in 1682 which are considered lost. Along with his suite for solo violin published in 1683 in Le Mercure Galant, these suites for unaccompanied violin are the first in their medium and undoubtedly served as an inspiration for Bach?s Six Sonatas and Partitas for Solo Violin.This edition is a modern transcription of Westhoff?s unique notation and provides editorial fingering and bowing suggestions. A facsimile of the only extant 1696 publication, which is housed in the Somogyi Károly Városi és Megyei Könyvtár in Szeged, Hungary, is included in the back of this edition for reference. This edition was created with the intention of making these suites more accessible, and to be used as a pedagogical tool in preparation for the study of solo Bach. / Date parution : 2022-07-20/ Recueil / Violon

For Viola Da Gamba-This superbly produced volume brings together nine of Bach's most performed compositions: six Cello Suites and three Sonatas for Viola da Gamba and Harpsichord. Reprinted from the definitive Bach-Gesellschaft edition.

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Suites for Violoncello solo BWV 1007-1012 qui a été écrite pourVioloncelle. Les éditions Wiener Urtext qui ont éditées cette oeuvre l'ont répertoriée sour la référence UT_50133. / Violoncelle / Partition

59e oeuvre contenant quatre suites de pièces de clavecin. Edition : Paris, l'Auteur, Boivin, Leclerc, 1736.Pièces de qualité, de longueur modeste. Titres évoquateurs et parfois amusants. / Clavecin / 28 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7