String Quartets, Op. 71 and Op. 74

Allerheiligentag Iii. Par LINJAMA JYRKI. Jyrki Linjama's second string quartet (2018) is subtitled Allerheiligentag III. The material for the Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba and violin.The composer tells: “The choice of topic and material for the string trio was originally prompted by the venue at which it was to be premiered: the old church on the island of Seili (Själö). The bleak history of the island's leper and mental hospital evoked images of suffering and death. I got so attached to the harsh and beautiful melody that it began to generate a whole cycle.” The string quartet is in three movements (slow-quick-slow) tensed in different ways by contrasts. The first movement has both swinging softness and cutting sharpness, the Scherzo the wildness of a dance of death and lyricism, and the finale the irrevocability of a funeral march and tender melodiousness./ Répertoire / String Quartet

Par SUK JOSEF. First scholarly-critical edition The single-movement String Quartet #2 by Josef Suk (1874-1935) was written at the height of his compositional powers. Completed in Krecovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by protests from the audience. Now Zdenek Nouza has edited the first scholarly-critical edition of this piece. The principal source is the first edition in full score, published by Simrock in Berlin. But Nouza has also consulted the printed parts (containing additions of great interest to performers) as well as the engraver's copy used for the printed score (with autograph corrections from the composer) and additional sources such as sketches. - First Urtext edition - Foreword (Cz/Ger/Eng) and Critical Commentary (Eng) by the editor/ Répertoire / Conducteur de Poche

Opp. 127 130-133 135-Beethoven's late String Quartets are universally regarded as supreme transcendent works - among the greatest and most intimate music in chamber literature. Composed in the last years of the master's life - between 1823 and 1827 - these quartets contain astonishing experiments in thematic development and musical form that laid the foundation for innovations in 20th Century string quartet writing especially in the important works of Bartok and Shostakovich.This volume reprinted from the definitive Breitkopf and Hartel edition includes:String Quartet No.12 In E Flat Op.127String Quartet No.13 In B Flat Op.130String Quartet No.14 In C Sharp MinorOp.131String Quartet No.15 In A Minor Op.132String Quartet No.16 In F Op.135 and theGrosse Fuge In B Flat Op.133This convenient affordable volume is the ideal edition for study in the classroom at home or in the concert hall.

Appony Quartets-Joseph Haydn composed the string quartets known as Op.71/74 also called the 'Apponyi' Quartets in 1793. The composer dated the autograph scores accordingly although the year that appears on those of the B flat major and D majorquartets shows signs of having been corrected. These two works might already have been finished in 1792. However it is certain that Op.71/74 were composed in Vienna during the period between Haydn's two journeys to England andintended as a series of six quartets.The decision to divide the quartets into two sets of three was taken by the publishers. The three Quartets Op.71 were first published in 1795 by Corri Dussek & Co. then in a slightlyrevised reprint by the Viennese publishing house of Artaria & Co.

Tost Quartets-The chamber music world has been eagerly awaiting this all of Haydn's string quartets are finally available in Henle Urtext quality! This edition contains the String Quartets op. 54/55 sometimes also known as the 'First TostQuartets'. Contrary to what the opus numbers might suggest it is a cohesive cycle of six works. Mozart's influence is felt more deeply the forms are more diverse and the first Violin is every now and then required to do realacrobatics. In this volume in particular several treasures can be found that are not often played.