SKU: BA.BA07566
ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldi??s twelve concertos op. 4 known by the name of ??La Stravaganza? were first mentioned as a collection of ??Concerti a 4? in the 1711 Foreword of ??L??Estro Armonico? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, ??La Stravaganza? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of ??La Stravaganza? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of ??La Stravaganza? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA07567
ISBN 9790006544097. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza†were first mentioned as a collection of “Concerti a 4†in the 1711 Foreword of “L’Estro Armonico†op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, “La Stravaganza†is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of “La Stravaganza†bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of “La Stravaganza†is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh & Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
SKU: BA.BA07567-75
ISBN 9790006558476. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA07566-74
ISBN 9790006558421. 32.5 x 25.5 cm inches.
SKU: BA.BA07566-86
ISBN 9790006544080. 32.5 x 25.5 cm inches.
SKU: BA.BA07567-90
ISBN 9790006544103. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
SKU: BA.BA00356-77
ISBN 9790006401710. 32.6 x 25.6 cm inches. Key: B-flat major.
SKU: BA.BA00356
ISBN 9790006401680. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: TM.10248SET
Cem in score, solo in set.
SKU: LM.28197
ISBN 9790230981972.
SKU: BA.BA07567-82
ISBN 9790006558490. 32.5 x 25.5 cm inches.
SKU: BA.BA07566-82
ISBN 9790006558452. 32.5 x 25.5 cm inches.
SKU: BA.BA07567-79
ISBN 9790006558483. 32.5 x 25.5 cm inches.
SKU: BA.BA07566-75
ISBN 9790006558438. 32.5 x 25.5 cm inches.
SKU: BA.BA07567-74
ISBN 9790006558469. 32.5 x 25.5 cm inches.
SKU: HL.50484016
UPC: 073999840162. 5.25x7.5x0.678 inches.
SKU: HL.50088840
UPC: 884088064099. 5.25x7.5x0.585 inches.
SKU: BA.BA00356-79
ISBN 9790006401727. 32.6 x 25.6 cm inches. Key: B-flat major.
SKU: BA.BA00356-75
ISBN 9790006401703. 32.3 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA00356-82
ISBN 9790006401734. 32.6 x 25.5 cm inches. Key: B-flat major.
SKU: TM.01680SC
Cem in score; solo in set.
SKU: BA.BA07567-86
ISBN 9790006544110. 32.5 x 25.5 cm inches.
Mozart'sDon Giovanniis now available again in hardcover. Due to numerous customer requests, Barenreiter will be successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a lower-priced and slightly lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a musician's life.
SKU: BA.BA07566-79
ISBN 9790006558445. 32.5 x 25.5 cm inches.
SKU: TM.10248SC
