Format : Octavo
SKU: CA.621900
ISBN 9790007011710.
SKU: CA.1805220
ISBN 9790007100223.
Score available separately - see item CA.1805200.
SKU: BA.BA02190
ISBN 9790006418374. Language: German.
Print on demand (POD).
SKU: CA.1810000
ISBN 9790007100322.
SKU: CA.3410100
ISBN 9790007051860. Language: German/English.
The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.
SKU: CA.206600
ISBN 9790007006365.
SKU: XC.ISO1910
UPC: 812598030570. 9 x 12 inches.
“The color is faint but the setting sun still has the power to light up the sky. Yukiko Nishimura’s unique harmonic style and beautifully fresh melodic lines will inspire the best out of any performer.
SKU: XC.FSO2003FS
UPC: 812598035698. 9 x 12 inches.
SKU: OU.9780193950269
ISBN 9780193950269. 12 x 8 inches.
For SSAATB and organ William Turner was inspired by the acoustic of Wren's new St Paul's Cathedral and fully exploits it in this sumptuous anthem, which is the companion to his Evening Service in A (CMSR 109). Also in The Restoration Anthem Volume 2 (1688-1714).
SKU: CA.1970800
ISBN 9790007033033.
SKU: XC.ISO1910FS
UPC: 812598030990. 9 x 12 inches.
SKU: XC.FSO2003
UPC: 812598035704. 9 x 12 inches.
SKU: BA.BA02191
ISBN 9790006418381. Language: German.
SKU: CA.1900500
ISBN 9790007091170.
SKU: CF.CAS117
ISBN 9781491153291. UPC: 680160910793. 9 x 12 inches. Key: A major.
Abendstern, composed by Lauren Bernofsky,?evokes an image of a sunset over the tree-covered hills of the Bavarian countryside with the Abendstern, or evening star, shining brightly over the scene. A hauntingly beautiful theme in falling thirds?evokes the treetops as they become darker and murkier. This piece is a wonderful addition to any concert program and can be used as a touching?tribute at a memorial service.One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light..One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light..One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.CAS117F
ISBN 9781491153307. UPC: 680160910809. 9 x 12 inches.
SKU: CF.CAS108
ISBN 9781491151273. UPC: 680160908776. 9 x 12 inches.
Thomas Jefferson's Fiddle Tunes is inspired by Thomas and Martha Jefferson's musical evenings after dinner at Monticello. Composer James Meredith has taken three reels from the colonial period in American history and put them together into a potpourri setting that students will enjoy playing.Good music played well inspires the imagination. In the evenings after dinner at Monticello Thomas and Martha Jefferson enjoyed nothing better than to play music. Each was an accomplished musician. Jefferson would play the violin, and Martha would often accompany him at the piano. He especially enjoyed the music of Corelli. Thomas Jefferson’s Fiddle Tunes is an effort to depict what a musical evening might have been at the farm with guests joining in, clapping, stomping, or dancing to the lively tunes. Three reels of the Colonial period are featured in this medley. Jefferson and Liberty, Smash the Windows, and The White Cockade. Each jig is introduced by a solo violin then the whole section joins in.
SKU: CF.CAS108F
ISBN 9781491151648. UPC: 680160909148. 9 x 12 inches. Key: D minor.