SKU: CF.CPS245
ISBN 9781491158128. UPC: 680160916726. 9 x 12 inches.
ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1-4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo.
SKU: CF.CPS245F
ISBN 9781491158135. UPC: 680160916733. 9 x 12 inches.
SKU: WD.080689574177
UPC: 080689574177.
PRAISE! Volume 2… the new Integrity Kids Choir release from The WordKidz Club! Adapted for children’s worship choir from the successful Shout Praises Kids! product line from Integrity Music, PRAISE! Volume 2 features 12 more arrangements for kids choir, featuring occasional soloists and scripture narratives. These easy-to-sing, extremely appealing songs and arrangements will be the perfect addition to your children’s worship choir, and can be used as a powerful outreach tool from your church to the community. Also perfect for use as a sing-along backing track in children’s worship services, the carefully selected list of songs is sure to make PRAISE! Volume 2 a favorite “go-to” resource for years to come. Highlight your presentation of PRAISE! Volume 2 with the use of the DVD Accompaniment Track, especially designed to enhance the impact of this new children’s ministry resource from Integrity Music and The WordKidz Club!
SKU: WD.080689101083
UPC: 080689101083.
Everyday Sunday celebrates the promises of God - now and our eternal future with Him - because soon we'll be with Him forever; and every day will be Sunday, by and by. Esteemed arranger, Lari Goss, has assembled a diverse and dynamic Southern Gospel collection with arrangements of new and well-known favorites that will evoke memories of all night sing-alongs and dinners on the ground. These energetic, feel-good songs of faith and hope are easy-to-learn, offer opportunities for solos and a duet with a choir backup, and will move your choir and congregation to tap their toes and feel the Spirit. If you're looking for powerful testimonial songs, heart-filled ballads, and ministry-focused arrangements, you'll find a little bit of Heaven for every part of your worship in Everyday Sunday!
SKU: WD.080689972324
UPC: 080689972324.
SKU: WD.080689544170
UPC: 080689544170.
Moving forward with the exciting launch of a fast-growing line of new contemporary evangelical choral products from Integrity Music, this nonseasonal collection for Children’s Worship Choir, aptly named Praise!, is the sophomore Kids Choir release made available via The Word Choral Club and The WordKidz Club.Adapted for children’s worship choir from the successful Shout Praises Kids! line of products from Integrity Music, Praise! features 10 arrangements for kids choir, with occasional solos and scripture narratives. These easy-to-sing, extremely appealing songs and arrangements will be the perfect addition to your children’s worship choir, and can be used as a powerful outreach tool from your church to the community. The carefully selected list of songs is sure to make Praise! a favorite “go-to” resource for years to come.Highlight your presentation of Praise! with the use of the DVD Accompaniment Track, especially designed to enhance the impact of this new children’s ministry resource from Integrity Music and The WordKidz Club.
SKU: HL.50602019
ISBN 9781540054371. UPC: 888680943868.
The songs' simple musical structure perfectly renders a subtly allusive and jocular style of Tuwim's poetry; their melodies follow the texts which prompted the composer to set them to music. The solo part may also be performed by a children's choir singing in unison. Project co-financed by the Ministry of Culture and National Heritage of the Republic of Poland within the programme Lutoslawski 2013 Promesa implemented by the Institute of Music and Dance.
SKU: WD.080689525179
UPC: 080689525179.
Under a Starry Sky – A powerful, new dramatic musical designed for a small cast of players, soloists, choir and orchestra! From the skillfully crafted, powerfully written script by Heidi Petak; to the distinctly different, theatrically-styled new songs brilliantly written by award-winning composers Joel Lindsey and Jeff Bumgardner; to the unique, sophisticated, emotionally-charged arrangements and orchestrations by Daniel Semsen, this new Christmas musical represents an important achievement in modern church music. Created for churches with a passion for bringing the worlds of music ministry and musical theater together in an innovative setting, Under a Starry Sky is a breath of dramatically fresh air!
SKU: LO.99-2897L
UPC: 000308130249.
No Stone Could Hold Him is a spirited witness to the ministry, passion, death, and resurrection of Jesus, the Rock of our Salvation. Written by celebrated composer Lloyd Larson, this powerful work is filled with scripture-based images of Jesus as A Rock in a Weary Land, even when tempted by Satan to turn these stones to food; as the Solid Rock on which we stand through Winds of Change and Shifting Sand; as Jerusalem's triumphant King who commands the rocks to keep silent; as the Cornerstone of our faith, betrayed and crucified; and as the risen Savior whom no stone could hold in the tomb. Inspired by these images, the music is bold and enlivening with rousing original music alongside energetic spirituals and gospel songs. This dramatic work is an exceptional choice for Easter worship with its seven choruses and options for duets and solos. It can also be performed during the Lenten season or Holy Week by omitting the final chorus.
SKU: LP.765762201101
UPC: 765762201101.
At the Top of Our Lungs is a fresh and contemporary collection of modern worship songs for student worship choirs from Puresound Student Worship Ministries at Community Bible Church in San Antonio, TX. The combination of newly created songs and familiar worship songs from artists like Lincoln Brewster, Hillsong United and New Life Worship are easy-to-learn and perfect for student choirs or ensembles of any size, each with a message of affirmation, love, and hope. Vocal parts are written for three-part praise choir and solo or duet voice(s) with small group backup.
SKU: LP.765762151222
UPC: 765762151222.
SKU: WD.080689484179
UPC: 080689484179.
Communion, meaning “to share in common,” is one of the observances of the Christian faith that we all share as we remember the sacrifice Christ paid for us. Yet many ministries find it difficult to locate appropriate material to facilitate communion and integrate it into their services throughout the year. At the Cross was created to meet this need, offering a wide variety of resources to help you create a genuine worship experience through the observance of the Lord’s Supper. David Shipps and David Wise have arranged a stunningly diverse blend of songs and musical styles that even extends to the instrumentation. From fully orchestrated selections to more intimate pieces that include piano, cello, and solo guitar, this versatile resource also includes instrumental interludes that can underscore speaking or the passing of the elements; the ten choral arrangements with various solos and duets range from the worshipful treatments of “Remembrance” and “Sweetly Broken” to dramatic choral anthems of “Nothing but the Blood” and “At the Cross.” In addition to creative suggestions on how each song can be used in worship, the creators have also included a section where different worship ministers share how they observe communion in their churches. This is an amazingly original resource that should be on every worship leader’s shelf, providing you extraordinary material for your communion services for many years to come.
SKU: WD.080689504099
UPC: 080689504099.
Communion, meaning to share in common, is one of the observances of the Christian faith that we all share as we remember the sacrifice Christ paid for us. Yet many ministries find it difficult to locate appropriate material to facilitate communion and integrate it into their services throughout the year. At the Cross was created to meet this need, offering a wide variety of resources to help you create a genuine worship experience through the observance of the Lord's Supper. David Shipps and David Wise have arranged a stunningly diverse blend of songs and musical styles that even extends to the instrumentation. From fully orchestrated selections to more intimate pieces that include piano, cello, and solo guitar, this versatile resource also includes instrumental interludes that can underscore speaking or the passing of the elements; the ten choral arrangements with various solos and duets range from the worshipful treatments of Remembrance and Sweetly Broken to dramatic choral anthems of Nothing but the Blood and At the Cross. In addition to creative suggestions on how each song can be used in worship, the creators have also included a section where different worship ministers share how they observe communion in their churches. This is an amazingly original resource that should be on every worship leader's shelf, providing you extraordinary material for your communion services for many years to come.
