A Song of the New Jerusalem

38 popular Israeli Hasidic Sephardic and liturgical selections beautifully arranged for voice and piano by outstanding Jewish arrangers. Includes full piano chords texts transliterations and translations for the songs: Jerusalem of Gold - Hatikvah - Haleluya - Light One Candle - L'chi Lach - Ocho Kandelikas - Ma'oz Tsur - Yiddishe Momme - Shalom Alechem - Tsena Tsena - Shalom Rav - and more.

Par U2. U2 - The Complete Songs brings together all aspects of the band's remarkable 20 year songwriting, recording and touring career in one book. This fully illustrated book contains every song written and recorded by U2 in top line guitar arrangements in the original keys, with full lyrics and chord boxes, a complete U2 discography and videography, a complete U2 gig list spanning the band's career, and an introductory essay by U2 biographer Bill Flanagan. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

26 Favorite Songs-The Ultimate Mandolin Songbook contains multiple versions varying in difficulty of 26 of the most popular songs from bluegrass jazz ragtime rock pop gospel swing and other genres in both standard notation and mandolin tab.The songs are arranged by Janet Davis to appeal to players of all levels and the included online audio tracks feature her performing demos for listening and playing along. Arrangements in the book feature alternate licks endings segues and turnarounds for improvising.Picking styles include: tremolo Monroe style fiddle style double stops crosspicking triplet style jazz style and more. The songs are in various tuningsand keys and the lyrics and history are included for each.

Par MENKEN ALAN. Known for shows including Aladdin, Beauty and the Beast, The Hunchback of Notre Dame, The Little Mermaid, Little Shop of Horrors, and Newsies, Alan Menken is only the 16th person in history to have achieved EGOT status, having won all four of the prestigious Emmy, Grammy, Oscar, and Tony Awards at least once. This 2nd edition of his songbook features 38 titles, and includes both long-established hits and lesser-known gems. Includes: Beauty and the Beast · Colors of the Wind · Go the Distance · I See the Light · King of New York · One of the Great Ones · Suddenly Seymour · That's How You Know · A Whole New World · Zero to Hero · and more. / Date parution : 2021-11-03/ Recueil / Piano/Vocal/Guitare (PVG)

The Vocal score for John Tavener's beautiful work Lament For Jerusalem arranged for Soprano Countertenor and SATB Chorus with a Piano Accompaniment. This score can be used for both the 'Original'and 'Jerusalem' versions of the work. The composition was commissioned by Father Arthur E. Bridge OAM for Ars Musica Australis and was first written in 2002. The 'Jerusalem' version was arranged for theChoir of London in 2004. Tavener himself calls the work 'a mystical love-song' that reflects the 'mystical sacred and sublime nature of the texts'.  Lament For Jerusalem isdivided into seven stanzas each of which contain Christic Judaic and Islamic inspirations making this work truly innovative and interesting. The piece is around 45 minutes long and it is recommended to be performed in a spacein which there are generous acoustics that will allow each individual voice as well as the collective whole to 'breathe' and dissolve into the air.  The work is a wonderful one receiving greatcritical acclaim upon its premiere and impressing audiences the world over for its soaring Soprano melodies and its left-field Middle-Eastern harmonies. The composition is one in a long line of Tavener pieces thatimmediately silences audiences and captivates their attention throughout.  Any performance of Lament For Jerusalem is guaranteed to be a special event and one that audiences willremember for a long time.

for Intermediate Piano. BACH: Air on the G String - Badinerie, BWV 1067 - Allegro, BWV 1048 - Jesu, Joy of Man's Desiring - Sheep May Safely Graze - Toccata and Fugue, BWV 565 · BEETHOVEN: Theme from Piano Concerto No. 5 (Emperor) - Theme from Symphony No. 3 (Eroica) - Theme from Symphony No. 5 - Theme from Symphony No. 7 - Theme from Symphony No. 9 · BIZET: Habanera from Carmen · BOCCHERINI: Minuet from String Quintet, Op. 11, No. 5 · BORODIN: Nocturne from String Quartet No. 2 · BRAHMS: Hungarian Dance, WoO 1, No. 5 - Lullaby, Op. 49, No. 4 · CLARKE: Trumpet Voluntary · DVORÁK: Theme from Symphony No. 9 (From the New World) · ELGAR: Nimrod from Enigma Variations - Pomp and Circumstance · FAURÉ: Après un rêve, Op. 7, No. 1 - Pavane, Op. 50 · FRANCK: Panis angelicus · GLUCK: Dance of the Blessed Spirits from Orfeo ed Euridice · GOUNOD: Ave Maria adapted from Prelude in C Major, BWV 846 by JS Bach · GREIG: Anitra's Dance from Peer Gynt Suite No. 1 - Morning from Peer Gynt Suite No. 1 - Norwegian Dance, Op. 35, No. 2 · HANDEL: Air from Water Music, HWV 348 - Allegro from Water Music, HWV 349 - Allegro from Water Music, HWV 348 - The Arrival of the Queen of Sheba from Solomon - Bourrée from Flute Sonata, HWV 363b - Hallelujah Chorus from Messiah - Largo from Serses · HAYDN: Theme from String Quartet, Op. 3, No. 5 - Theme from Symphony No. 94, Hob I:94 (Surprise) · LEHAR: Waltz from The Merry Widow · MASSENET: Meditation from Thaïs · MENDELSSOHN: Nocturne from A Midsummer Night's Dream - Wedding March from A Midsummer Night's Dream · MOZART: Ave Verum Corpus - Theme from Clarinet Concerto - Theme from Eine kleine Nachtmusik - Lacrimosa from Requiem - Theme from Piano Concerto No. 21 - Theme from Symphony No. 40 - Theme from Symphony No. 41 · Offenbach: Barcarolle from The Tales of Hoffmann - Can-Can from Orpheus in the Underworld · PACHELBEL: Canon in D · PARRY: Jerusalem · PUCCINI: Musetta's Waltz from La bohème - Un bel dì vedremo from Madame Butterfly - Vissi d'arte from Tosca · RACHMANINOFF: Theme from Piano Concerto No. 2 · RIMSKY-KORSAKOV: Flight of the Bumblebee - Song of India - The Young Prince and the Young Prince from Scheherazade · SAINT-SAËNS: Danse macabre - The Swan from The Carnival of the Animals · SCHUBERT: Ave Maria - Serenade · SOUSA: The Stars and Stripes

Par FOCCROULLE BERNARD. This piece is part of a composition cycle for ancient organs. It is meant for a soprano voice and a cornetto (cornet à bouquin), favorite instrument of the Renaissance music and of the early baroque period, often considered the closest to human voice. This piece was written for a meantone temperament (eight perfect thirds), which is also the temperament in which the cornetto naturally sounds the best. A slightly modified meantone temperament can also be suitable. Ideally, the organ should have two keyboards. However, a version for one keyboard should not be excluded. The indication of dynamics and registration are to be interpreted freely depending on the instrument, and of the balance with the voice. The organ switches between the resonance and soloist functions, almost always in duo with the cornetto. The organist will make sure not to cover the voice and instead will look to merge with it. The text comes from the Song of Songs. Music was often made from it and Monteverdi used it in a famous motet for tenor and basso continuo in Il Vespro della Beata Vergine. The premiere of Nigra Sum took place on September 16, 2012, on Thomas d'Orp-le-Grand's organ, an instrument inspired by the 17th Century Franco-Flemish craftsmanship. The artists were Alice Foccroulle, soprano, Lambert Colson, cornetto, and the composer at keyboards. / contemporain / Répertoire / Soprano, Cor et Orgue

Instrumental Accompaniment-In this suite - inspired by a trip to Switzerland - each song is a postcard capturing lush romantic moments in full. The songs are dedicated to Jerusalem born Hila Plitmann - poet of the beautiful text and the composer's wife. The suite is scored for SATB chorus with either string quartet accompaniment or piano and violin.

This African American spiritual is a song of celebration anticipation freedom and hope. With references to the new Jerusalem as described by John the Revelator in the New Testament African American slaves could look forward to a heavenly landwhere they would no longer be bound by the bonds of servitude. Rhythmic and energized vocal lines are layered over the pulsing accompaniment for an excellent choral showcase.

In this suite - inspired by a trip to Switzerland - each song is a postcard capturing lush romantic moments in full. The songs are dedicated to Jerusalem born Hila Plitmann - poet of the beautiful text and the composer's wife.The suite is scored for SATB chorus with either string quartet accompaniment or piano and violin.