SKU: HL.49011296
ISBN 9790001123310. UPC: 073999745160. 9.0x12.0x0.13 inches.
These 3 sonatas are original works for the recorder written between 1700 and 1720 by lesser known English masters of the baroque period. William Turner: Sonata F major * William Topham: Sonata F major * Robert Valentine: Sonata g minor.
SKU: HL.49003207
ISBN 9790220119194. UPC: 073999475760. 9.0x12.0x0.264 inches.
The 6 Trio Sonatas, Op. V, for 2 Violins or Flutes and Basso continuo were originally published in Amsterdam in 1736 under the supervision of the composer. The present edition * edited by Piera Federici with realization of the Basso continuo by Filippo Ravizza * is based on the text of the Critical Edition published in association with the Stichting-Fondazione Pietro Antonio Locatelli, Amsterdam-Cremona, under the direction of Albert Dunning.
SKU: BT.EMBZ8666
English-German-Hungarian.
The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick nimbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) ABRSM Cello Syllabus title, 2013-14, Grade 8.
SKU: BT.EMBZ8480
The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick nimbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.).
SKU: AP.6-486176
ISBN 9780486486178. English.
Volume III of this critically acclaimed three-part collection features introductory text and performance notes to 30 Scarlatti sonatas, from Sonata LXI to Sonata XC. The works appear in chronological order and with Kirkpatrick numbers. This Urtext edition preserves the sonatas' original presentation, save for the addition of accidentals and the inversion of treble and bass clefs, in accordance with modern practices.
SKU: M7.BP-2834
ISBN 9790015283406.
The 18 sonatas are written in church sonata form. They are short, their movements usually slow-fast-slow-fast. This music is based on the dialogue of the two voices, held together by the third voice. Despite their standard structure, these sonatas are varied, original and melodious.
SKU: M7.BP-2835
ISBN 9790015283505.
SKU: M7.BP-2833
ISBN 9790015283307.
SKU: M7.BP-2832
ISBN 9790015283208.
SKU: HH.HH561-FSP
ISBN 9790708185765.
These Sonatas were written as part of Jean-Xavier Lefèvre’s Méthode for the Clarinet. They are great stepping stones to the more difficult clarinet master works by Mozart and Weber and are also invaluable first pieces for those studying period performance on the classical clarinet. They retain Lefèvre’s original notation for clarinet and the bass lines are transposed down a tone so the Sonatas are playable on the B flat clarinet. The right hand of the piano parts have been realised from a single unfigured bass line probably intended for the cello. The piano parts are designed to be stylistic, complementary to the clarinet line, satisfying to play and occasionally challenging.
SKU: FG.042-04246-5
ISBN 979-0-042-04246-5.
Thomas Bystrom's (1772-1839) major compositions are his three violin sonatas which were evidently completed in 1797. The original title 'Trois sonates pour le clavecin our pianoforte avec accompagnement d'un violon oblige' recalls the temporary practice of the violin part being considered secondary to the keyboard part so that such a sonata could be performed without the violin if necessary. Actually Bystrom's sonatas are genuine chamber music works rooted in the Classical period, with both parts being necessary contributions to the whole even if the piano tends to dominate the texture.
