Sonata in g-minor

Compositeur : Beethoven, Ludwig van Instrumentation : Piano solo Editeur Musicologique : Wallner, Bertha Antonia Couverture Reliée Contenu : Sonata G major op. 31,1 Sonata [Tempest] d minor op. 31,2 Sonata [Hunting] E flat major op. 31,3 Sonata g minor op. 49,1 Sonata G major op. 49,2 Sonata [Waldstein] C major op. 53 Sonata F major op. 54 Sonata [Appassionata] f minor op. 57 Sonata [A Thérèse] F sharp major op. 78 Sonata [Sonatina] G major op. 79 Sonata [Les Adieux] E flat major op. 81a Sonata e minor op. 90 Sonata A major op. 101 Sonata [Hammerklavier] B flat major op. 106 Sonata E major op. 109 Sonata A flat major op. 110 Sonata c minor op. 111

The “lessons” published every two weeks in Telemann’s music periodical “ Der getreue Meister” (The Faithful Music Master) are the first known examples of musical pieces in instalments. Telemann thus satisfied the needs of the music-loving public by constantly offering new pieces for different instrumental combinations for domestic music making. This book of Sonatas and other little pieces gives us a good idea of the variety that Telemann was aiming for his “Music Master”: next to a sonata conceived expressly for oboe there are pieces that can be played on various melody instruments as well.A collection that isguaranteed to delight many different instrumentalists.Sonata A minor TWV 41:a3 Sonata G minor TWV 41:g5 L'hiver TWV 41:d1 Air Trompette TWV 41:C1 Niaise TWV 41:E2 Napolitana TWV 41:B4

Par ECCLES HENRY. Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists and especially by double bass players, the sonata was originally published for cello in four movements – Prelude, Courante, Sarabande and Gigue – accompanied by a figured bass. Little is known about Henry Eccles. Neither his birth nor his death date has been firmly established, ranging respectively between 1675-85 and 1735-45. It is not even certain that he composed this sonata. He probably hailed from London and later served at the court of Louis XV in France. The editorChristoph Sassmannshaus, is the grandson of Egon Sassmannshaus, the founder of the “Early Start” series of string methods. / Niveau : 3 / Répertoire / Violoncelle et Piano

G minor - VC/KL - cello and piano editor: Weigart, Bernhard composer: Loeillet de Gant, Jean Baptiste Série: Cello Library Difficulté: Intermediate pages: 32

On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned them a difficulty of 'advanced' as a guide tothe general proficiency required to play all the pieces.Contents:Fantasy C major op. 17 Arabesque op. 18 Flower Piece (Blumenstück) op. 19 Humoresque B flat major op. 20 Novelettes op. 21Sonata g minor op. 22 Night Pieces op. 23

Compositeur : Beethoven, Ludwig vanInstrumentation : Violin and PianoEditeur Musicologique : Brandenburg, SieghardCouverture BrochéeContenu : Sonata for violin A major op. 47 [Kreutzer Sonata] Sonata for violin F major op. 24 [Spring Sonata] Sonata D major op. 12,1Sonata A major op. 12,2Sonata E flat major op. 12,3Sonata a minor op. 23Sonata A major op. 30,1Sonata c minor op. 30,2Sonata G major op. 30,3Sonata G major op. 96

The Finest Sonatas for Treble Recorder and Basso continuo-Schott Recorder Library The Finest Sonatas for Treble Recorder and Basso Continuo - score and parts. Contents: - G. Finger: Sonata D minor (Adagio) Allegro Adagio (Un poco allegro) - J.C. Pepusch: Sonata C major: Adagio Allegro Adagio Allegro - G.B. Bononcini: Divertimento G major: Affettuoso Allegro Lento Allegro - D. Bigaglia: Sonata G minor: Adagio Allegro assai Siciliana Giga (Allegro) - A. Vivaldi; Sonata F major RV 52: (Siciliana) Allemande Aria di Giga (Allegro) - J-B. Loeillet: Sonata C major op.3/1: Largo Allegro Affettuoso Allegro - G.P. Telemann: Sonata C major TWV 41:C5:Adagio/Allegro/Adagio/Allegro Larghetto Vivace - G.P. Telemann: Sonata D minor TWV 41:d4: Affettuoso Presto Grave Allegro - G.P. Telemann: Sonata F major TWV 41:F2: Vivace Largo Allegro - G.F. Händel: Sonata F major op.1/11: Larghetto Allegro Siciliana Allegro - G.F. Händel: Sonata G minor op. 1&2: Larghetto Andante Adagio Presto - B. Marcello: Sonata D minor op. 2/2: Adagio Allegro Largo Allegro - N. Chédeville: Sonata G minor: Vivace Allabreve Largo Allegro ma non presto

Piano Sonatas Volume 2-Paperbound editionSonata G major op. 78 D 894Sonata C minor D 958 Sonata A major D 959 Sonata B flat major D 960

Compositeur : Brahms, JohannesInstrumentation : Piano soloEditeur Musicologique : Georgii, WalterCouverture ReliéeContenu : Ballad [Edward-Ballad] d minor op. 10,1Ballad D major op. 10,2Ballad [Intermezzo] b minor op. 10,3Ballad B major op. 10,4Scherzo e flat minor op. 4Sonata C major op. 1Sonata f sharp minor op. 2Sonata f minor op. 5

Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold I wish to do it to reflect the character of Mad:selle Rose, Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it excellently. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozart‘s great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). FIRST MOVEMENT The first movement of the C major Sonata K 309 is a model teaching sonata form structure. With sonata forms, as with Bach fugues, no formal dogmas underlie the process of composition, but each sonata varies anew a basic principle. For Mozart, this entailed strict adherence to certain fundamental patterns without his creative freedom. In his sonata movements in major keys, for example he favoured a distinct second subject in the dominant as most contemporary composers did. Haydn, on the other hand, reveled in experiment at this point. A brief analysis may help to demonstrate Mozart's standard sonata allegro form and the first movement of it is an ideal example for such an investigation. The first subject is a distinctive, marcato opening followed by a five-bar response. The falling fourth and rising sixth of the opening is one of Mozart's favourite motifs, his common melodic device. He often uses it in the minor as well as the major, and many of his themes start with this motif (e.g. the second movement of the A major Sonata K 331, the Adagio in B minor K 540, and subjects in the Symphonies K 114, 124, 319/II and 551/II). The seven measures of the main theme are repeated, slightly varied. Measures 15 to 21 conclude the first subject group with an answering phrase (3+3 bars). The transition consists of new material and then, in measure 35 (after two measures of preparation comes a second cantabile theme, in the dominant (G major) comprising 2x4 bars, which is also repeated and proceeds to a spirited closing theme (concluding group) using passage-work (m. 43) and incorporating a delightful diminuation of measures 35 36 in measure 45. The exposition ends with a codetta of five bars. The development presents the opening motif first in g minor, and then the various ideas of the first subject are worked out. With this procedure Mozart is keeping much more closely to textbook principles than he usually does. Two further statements of the opening motif lead back to the recapitulation in measure 94. The second subject, now in the tonic, has surprisingly changed place with its accompaniment. The opening is recalled again in an effectively assertive coda. SECOND MOVEMENT The second movement of this sonata is an introspective Andante un poco adagio. In a letter Mozart stated his desire to make this Andante match the character of the young pianist Rosa Cannabich for whom he wrote it: ...she is a sweet, pretty girl, just like the andante. For her age she is sensible and level-headed; she is serious, and doesn't talk too much, though what she says is pleasing and sympathetic. THIRD MOVEMENT An elegant and smoothly flowing Rondo of unusually large proportions concludes this Sonata. Paul and Eva Badura-Skoda

Par BACH JOHANN SEBASTIAN. Suitable for the intermediate-advanced level bassist, this book contains 10 pieces by J. S. Bach in arrangements by Josquin Des Pres for the Bass Guitar. Johann Sebastian Bach is recognised as one of the world's greatest musicians. Known primarily as an organist and then only later recognised as a composer, Bach transformed the conventional structures of preludes and fugues. J.S. Bach For Bass will open up a whole new world of phrasing for the aspiring bassist. Selections include: Prelude #1 in C Major, Suite #1 in G Major, Suite #2 in D Minor, Suite #3 in C Major, Partita #1 in B Minor, Partita #2 in D, Partita #3 in E Major, Sonata #1 in G Minor and Sonata #3 in C Major. This book is written in notation and tablature. Includes access to online audio./ Répertoire / Guitare Basse

Editée par la maison d'édition Wiener Urtext, la partition musicale ayant pour titre Complete Piano Sonatas Volume 2 vous fera découvrir au travers de ses pages, des morceaux de Haydn Franz Josef. Cette partition qui se joue pour Piano est à classer parmi la catégorie musicale Classique. / Piano / Partition